Michael Fremer Rated 9/10 Music, 7/10 Sonics in his May 2012 reviews on www.analogplanet.com!
Rolling Stone 500 Greatest Albums of All Time - Rated 335/500!
Bob Dylan The Basement Tapes on Numbered Limited Edition 180g 2LP from Mobile Fidelity! Pressed at RTI! Gatefold Jacket!
Audiophile Sound at Last: Sonic Subtleties, Loose Interplay, Organic Spirit, Warm Textures Presented Like Never Before on Definitive Mobile Fidelity Reissue!
This item not eligible for any further discount offers!
Recorded in Basement of Big Pink with The Band: Modern Americana Starts Here. Dylan at His Most Humorous, Unguarded, Loose: Folk Tales, Weird Narratives, Rock Ballads, Inside Jokes, Allusions Pepper Alchemic Material. Ranked 335 on Rolling Stones List of the 500 Greatest Albums of All Time! Includes This Wheels on Fire, You Aint Goin Nowhere, Tears of Rage, Million Dollar Bash, Yazoo Street Scandal.
Basements have long been associated with raw, off-the-cuff rock n roll, the damp and dark spaces serving as the woodshedding venues for countless bands. Yet no basement is more famous, and none yielded music as familiarly weird, wholesomely American, joyously loose, and identifiably humorous as that in the upstate New York house dubbed Big Pinkthe location where, during the summer and early fall of 1967, Bob Dylan and The Band played a vivid tapestry of covers, originals, and traditionals that signaled the advent of Americana. Once again, the Bard changed the world.
"Mobile Fidelitys reissue features much richer timbres and dynamics than the original. But remember Dylans comment about being relaxed. While its still crackly in parts, occasionally sounding like it was produced on the Revox A77 tape recorder shown on the album cover, overall quality is very high, particularly given the stripped-down environment in which the record was capturedessentially, Dylans basement, concrete walls and all. Where the original is consistently flat, lacking air and decay, the new pressing comes alive." - Jeff Dorgay, TONEAudio, No. 46, May 2012
As part of its Bob Dylan catalog restoration series, Mobile Fidelity is thoroughly humbled to have the privilege of mastering the iconic LP from the original master tapes and pressing it on dead-quiet LPs at RTI. The end result is the very finest, most transparent analog edition of The Basement Tapes ever producedand the first-ever analog reissue. Inimitable, the particulars of The Basement Tapesespecially, the gather-round-in-a-huddle assembly of the instrumentalists, home-made character, domestic vibe, and low-volume nature of the recordingscome to fore here in a manner that takes the listener down the stairs at 2188 Stoll Road and brings the images of Dylan, Rick Danko, Robbie Robertson, and Co. to life.
Fresh off experiencing a motorcycle accident and the wrath of audiences hostile to his embrace of amplified music, Dylan elected to retreat to the comforts of rural and family life. He soon began collaborating with members of the Band in his house, ultimately moving the sessions to Big Pink. Informal, peaceful, relaxed, open-minded: The collaborations blanket country stomps, roots hootenannies, forgotten spirituals, earthy originals, chaotic marches, dreamscapes, dance tunes, folk laments, catch-as-you-can improvisations. On The Basement Tapes, mythical ghosts and dead legends reappear, reveling in the absurdity, comedy, mystery, aura, and alchemy.
In Invisible Republic, his scintillating book about the sessions, cultural critic Greil Marcus states: At a time when the country was tearing itself apart in a war at home over a war abroad, the music was funny and comforting; it was also strange, and somehow incomplete. Out of some odd displacement of art and time, the music seemed both transparent and inexplicable when it was first heard, and it still does. Indeed, The Basement Tapes appear to emanate from an indefinable chasm between modern and ancient, self-evident and mysterious, shapeless and fully formed, abstract and concrete, histories unwritten and chronicled. But every note chimes with freenessa liberating fun, humble simplicity, and bond-creating camaraderie felt in every hoot, holler, laugh, and false start.
The Basement Tapes capacity to remain so gloriously honest and timelessperformances that genuinely couldve been made today, ten years from now, or back in the 1930shelps account for their emotional resonance and unsurpassed reputation as a snapshot of how unencumbered American music, and art with deep historical roots and connective cultural tissues, is supposed to sound.
Mobile Fidelitys reissue squares away the late-night bleariness, jovial atmosphere, low-ceiling dimensions, and ensemble-based perspective of the sessions, allowing the listener to become Hamlet, the dog who slept nearby Dylan, Robertson, and Co. as it all went down. This is not to be missed!
"To get to the point: Mobile Fidelitys remastering is close to miraculous, especially for anyone who grew up on the murky original. The Basement Tapes have long been out of print in any format, so to have them back on 180g vinyl cut from the original tapes and presented with pristine clarity for the first time (and sequenced as sides 1-2, 3-4) is great news for fans of Dylan and The Band. " - Michael Fremer, analogplanet.com, Music 9/10, Sound 7/10
"MoFi's remastering... delivers a warm, nuanced, intimate performance (listen to the rich tones on the percussion). The result is stunning: it feels like you're standing at the top of the basement stairs listening to Bob and the boys spin their magic." - Greg Cahill, The Absolute Sound, October 2012
Also Available from Bob Dylan on 180g Mobile Fidelity Vinyl:
Bob Dylan - Another Side Of Bob Dylan (MFSL 2-45379)
Bob Dylan - Blonde On Blonde (MFSL 4-45009)
Bob Dylan - Blood On The Tracks (MFSL 1-381)
Bob Dylan - Bringing It All Back Home (MFSL 2-45380)
Bob Dylan - The Freewheelin' Bob Dylan (MFSL 2-45378)
Features:
Numbered, Limited Edition
Half-Speed Production and Mastering by Mobile Fidelity Sound Lab
Specially Plated and Pressed on 180 grams of High Definition Vinyl
Special Static Free - Dust Free Inner Sleeve
Heavy Duty Protective Packaging
Gatefold Jacket
Mastered from the Original Master Tapes
Pressed on Dead-Quiet LPs at RTI
Selections:
1. Odds and Ends
2. Orange Juice Blues (Blues for Breakfast)
3. Million Dollar Bash
4. Yazoo Street Scandal
5. Goin to Acapulco
6. Katies Been Gone
7. Lo and Behold
8. Bessie Smith
9. Clothes Line Saga
10. Apple Suckling Tree
11. Please Mrs. Henry
12. Tears of Rage
13. Too Much of Nothing
14. Yea! Heavy and a Bottle of Bread
15. Aint No More Cane
16. Crash on the Levee (Down in the Flood)
17. Ruben Remus
18. Tiny Montgomery
19. You Aint Goin Nowhere
20. Dont Ya Tell Henry
21. Nothing Was Delivered
22. Open the Door, Homer
23. Long Distance Operator
24. This Wheels on Fire
Rolling Stone 500 Greatest Albums of All Time - Rated 335/500!
Bob Dylan The Basement Tapes on Numbered Limited Edition 180g 2LP from Mobile Fidelity! Pressed at RTI! Gatefold Jacket!
Audiophile Sound at Last: Sonic Subtleties, Loose Interplay, Organic Spirit, Warm Textures Presented Like Never Before on Definitive Mobile Fidelity Reissue!
This item not eligible for any further discount offers!
Recorded in Basement of Big Pink with The Band: Modern Americana Starts Here. Dylan at His Most Humorous, Unguarded, Loose: Folk Tales, Weird Narratives, Rock Ballads, Inside Jokes, Allusions Pepper Alchemic Material. Ranked 335 on Rolling Stones List of the 500 Greatest Albums of All Time! Includes This Wheels on Fire, You Aint Goin Nowhere, Tears of Rage, Million Dollar Bash, Yazoo Street Scandal.
Basements have long been associated with raw, off-the-cuff rock n roll, the damp and dark spaces serving as the woodshedding venues for countless bands. Yet no basement is more famous, and none yielded music as familiarly weird, wholesomely American, joyously loose, and identifiably humorous as that in the upstate New York house dubbed Big Pinkthe location where, during the summer and early fall of 1967, Bob Dylan and The Band played a vivid tapestry of covers, originals, and traditionals that signaled the advent of Americana. Once again, the Bard changed the world.
"Mobile Fidelitys reissue features much richer timbres and dynamics than the original. But remember Dylans comment about being relaxed. While its still crackly in parts, occasionally sounding like it was produced on the Revox A77 tape recorder shown on the album cover, overall quality is very high, particularly given the stripped-down environment in which the record was capturedessentially, Dylans basement, concrete walls and all. Where the original is consistently flat, lacking air and decay, the new pressing comes alive." - Jeff Dorgay, TONEAudio, No. 46, May 2012
As part of its Bob Dylan catalog restoration series, Mobile Fidelity is thoroughly humbled to have the privilege of mastering the iconic LP from the original master tapes and pressing it on dead-quiet LPs at RTI. The end result is the very finest, most transparent analog edition of The Basement Tapes ever producedand the first-ever analog reissue. Inimitable, the particulars of The Basement Tapesespecially, the gather-round-in-a-huddle assembly of the instrumentalists, home-made character, domestic vibe, and low-volume nature of the recordingscome to fore here in a manner that takes the listener down the stairs at 2188 Stoll Road and brings the images of Dylan, Rick Danko, Robbie Robertson, and Co. to life.
Fresh off experiencing a motorcycle accident and the wrath of audiences hostile to his embrace of amplified music, Dylan elected to retreat to the comforts of rural and family life. He soon began collaborating with members of the Band in his house, ultimately moving the sessions to Big Pink. Informal, peaceful, relaxed, open-minded: The collaborations blanket country stomps, roots hootenannies, forgotten spirituals, earthy originals, chaotic marches, dreamscapes, dance tunes, folk laments, catch-as-you-can improvisations. On The Basement Tapes, mythical ghosts and dead legends reappear, reveling in the absurdity, comedy, mystery, aura, and alchemy.
In Invisible Republic, his scintillating book about the sessions, cultural critic Greil Marcus states: At a time when the country was tearing itself apart in a war at home over a war abroad, the music was funny and comforting; it was also strange, and somehow incomplete. Out of some odd displacement of art and time, the music seemed both transparent and inexplicable when it was first heard, and it still does. Indeed, The Basement Tapes appear to emanate from an indefinable chasm between modern and ancient, self-evident and mysterious, shapeless and fully formed, abstract and concrete, histories unwritten and chronicled. But every note chimes with freenessa liberating fun, humble simplicity, and bond-creating camaraderie felt in every hoot, holler, laugh, and false start.
The Basement Tapes capacity to remain so gloriously honest and timelessperformances that genuinely couldve been made today, ten years from now, or back in the 1930shelps account for their emotional resonance and unsurpassed reputation as a snapshot of how unencumbered American music, and art with deep historical roots and connective cultural tissues, is supposed to sound.
Mobile Fidelitys reissue squares away the late-night bleariness, jovial atmosphere, low-ceiling dimensions, and ensemble-based perspective of the sessions, allowing the listener to become Hamlet, the dog who slept nearby Dylan, Robertson, and Co. as it all went down. This is not to be missed!
"To get to the point: Mobile Fidelitys remastering is close to miraculous, especially for anyone who grew up on the murky original. The Basement Tapes have long been out of print in any format, so to have them back on 180g vinyl cut from the original tapes and presented with pristine clarity for the first time (and sequenced as sides 1-2, 3-4) is great news for fans of Dylan and The Band. " - Michael Fremer, analogplanet.com, Music 9/10, Sound 7/10
"MoFi's remastering... delivers a warm, nuanced, intimate performance (listen to the rich tones on the percussion). The result is stunning: it feels like you're standing at the top of the basement stairs listening to Bob and the boys spin their magic." - Greg Cahill, The Absolute Sound, October 2012
Also Available from Bob Dylan on 180g Mobile Fidelity Vinyl:
Bob Dylan - Another Side Of Bob Dylan (MFSL 2-45379)
Bob Dylan - Blonde On Blonde (MFSL 4-45009)
Bob Dylan - Blood On The Tracks (MFSL 1-381)
Bob Dylan - Bringing It All Back Home (MFSL 2-45380)
Bob Dylan - The Freewheelin' Bob Dylan (MFSL 2-45378)
Features:
Numbered, Limited Edition
Half-Speed Production and Mastering by Mobile Fidelity Sound Lab
Specially Plated and Pressed on 180 grams of High Definition Vinyl
Special Static Free - Dust Free Inner Sleeve
Heavy Duty Protective Packaging
Gatefold Jacket
Mastered from the Original Master Tapes
Pressed on Dead-Quiet LPs at RTI
Selections:
1. Odds and Ends
2. Orange Juice Blues (Blues for Breakfast)
3. Million Dollar Bash
4. Yazoo Street Scandal
5. Goin to Acapulco
6. Katies Been Gone
7. Lo and Behold
8. Bessie Smith
9. Clothes Line Saga
10. Apple Suckling Tree
11. Please Mrs. Henry
12. Tears of Rage
13. Too Much of Nothing
14. Yea! Heavy and a Bottle of Bread
15. Aint No More Cane
16. Crash on the Levee (Down in the Flood)
17. Ruben Remus
18. Tiny Montgomery
19. You Aint Goin Nowhere
20. Dont Ya Tell Henry
21. Nothing Was Delivered
22. Open the Door, Homer
23. Long Distance Operator
24. This Wheels on Fire
