Rolling Blackouts Coastal Fever Sideways To New Italy LP

Forever evolving and reshaping Australian guitar pop into a force of their own, Rolling Blackouts Coastal Fever return with a triumphant sophomore album following their internationally acclaimed debut, Hope Downs (2018).

After enough time away from home, even the familiar starts to feel foreign. For guitar-pop five-piece Rolling Blackouts Coastal Fever, returning to Melbourne after long stretches looking out at the world through the windows of airplanes and tour vans lead to dislocation, like being the knot in the middle of a game of tug-o-war. Their second record, Sideways to New Italy (Sub Pop), sees the band interrogate their individual pasts and the places that inform them. In clicking the scattered pieces back into place, they have crafted for themselves a new totem of home to carry with them no matter where they end up.

Led by singer-songwriter-guitarists Tom Russo, Joe White and Fran Keaney (and rounded out by bassist Joe Russo and drummer Marcel Tussie), the band began grasping for something reliable after emerging from relentlessly touring their critically regarded debut Hope Downs. Rather than dwell in the displacement, Keaney was determined to channel how he was feeling into something optimistic. The album is inspired by New Italy - a village near New South Wales's Northern Rivers - the area Tussie is from. A blink-and-you'll-miss-it pit-stop of a place with fewer than 200 residents, it was founded by Venetian immigrants in the late-1800s and now serves as something of a living monument to Italians' contribution to Australia, with replica Roman statues dotted like souvenirs on the otherwise rural landscape.

"I wanted to write songs that I could use as some sort of bedrock of hopefulness to stand on, something to be proud of," says Keaney. "A lot of the songs on the new record are reaching forward and trying to imagine an idyll of home and love." This is the bulk of Sideways to New Italy, which boasts love songs, and familiar voices and characters, grounding the band's stories in their personal histories.

"She's There" is about love and heavy delusions. Over pummeling guitar and fundamental percussion, White sings: "I should've done better but the time rolls on // Open the window, in the air, in a mirror, she's there // Every time I speak her name there's a cold shiver in my veins." The accompanying video was directed by Nick McKinlay at Melbourne's Coburg Motor Inn. "We tried to convey that feeling in a dream where you need to be somewhere, and you don't really know why, but you are determined to overcome every obstacle to get there," says the band.

"We tried to make these little nods to our friends and loved ones, to stay loyal to our old selves," Russo explains. There's something comforting, too, in knowing the next time they're buffeted from stage to stage around the world, they'll be taking the voices of their loved ones with them, following cues from their neighbors and ancestors and anyone else who responded to their newfound displacement by crafting a utopia in their own backyard.

Australian guitar ninjas Rolling Blackouts Coastal Fever made a near-perfect indie-rock gem with 2018's Hope Downs. They worked their own little sliver of history beautifully, essentially the airily melodic song poetry of the Go-Betweens or if they had R.E.M.'s melodic-but-driving rhythm section, or the twisty guitar weaves of Television or the Feelies, smoothed out and sped up with a power-pop gloss. Now, they're back with a new LP, Sideways to New Italy. They've already released one song from the album, 'Cars in Space,' and now they've put out another, 'She's There.' It's pure guitar-mad elation.