The Allman Brothers Band At Fillmore East Numbered Limited Edition 180g 2LP
The Allman Brothers Band At Fillmore East Numbered Limited Edition 180g 2LP
Genre: Pop Rock
Format: 33RPM,
Size: 12"

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The Allman Brothers Band At Fillmore East Numbered Limited Edition 180g 2LP

The Allman Brothers Band

$49.99
 
 
 
Availability: Discontinued
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SKU:
MFSL 2-434
UPC:
821797243414
This item not eligible for any further discount offers!

The Allman Brothers Band At Fillmore East on Numbered Limited Edition 180g Vinyl 2LP from Mobile Fidelity & Pressed at RTI!

Rolling Stone 500 Greatest Albums of All Time - Rated 49/500!
Rolling Stone 500 Greatest Songs of All Time - "Whipping Post" - Rated 393/500!


Rolling Stone 2015 Readers' Poll: The 10 Best Jam Bands: The Allman Brothers Rated 2nd!

Telepathically Executed Double Album At Fillmore East Among Ten-Best Live Records Ever Made

Ranked #49 on Rolling Stone's 500 Greatest Albums of All Time List: Includes Epic Takes of "Whipping Post" and "In Memory of Elizabeth Reed"

Peerless Sonics: Mobile Fidelity Analog Reissue Provides Fifth-Row Seat to Historic March 1971 Concerts

Fillmore East is synonymous with some of the greatest concerts ever staged. Yet the venue belongs to one group: The Allman Brothers Band. This groundbreaking double album is why. As the collective's breakthrough, it broadcasts to the world wowing improvisational flights and seamless musical fusion the likes of which no one had ever heard. In communion with the crowd, the band establishes an interactive blueprint for all shows that followed, while its high-wire displays of powerhouse soloing and time-stretching arrangements remain the stuff of hall-of-fame legend.

Mastered on Mobile Fidelity's world-renowned mastering system and pressed on dead-quiet vinyl at RTI, Mobile Fidelity's 180g 2LP of At Fillmore East joins the unparalleled reissue imprint's other Allman titles in presenting the inimitable ensemble's music in the most lifelike, uncompromising fidelity possible. Multiple versions of the 1971 set exist, yet none possess the audiophile sensibilities found here – sonic traits that whisk the listener to the midst of the Fillmore East for four gigs performed on March 12 and 13, 1971, plunking them down in a fifth-row seat surrounded by fervent fans and a smoke-filled atmosphere. Every slippery bottleneck note, every aching vocal moan, every soulful purr from the organ, every gritty interlocking riff comes across with unfettered clarity and realism.

While the record features multiple works the band never laid down in a studio, At Fillmore East is a meticulously conceived affair. The Allmans prepped rough sketches and layouts of the tunes, carving out spaces for each member's solos, and leaving the direction of such entirely up to the individual. As a result, the effort – anchored by iconic producer Tom Dowd's stellar production – presents a jazz-drifting rock band benefiting from both a sense of assured direction as well as opportunistic freedom.

Indeed, At Fillmore East is the rare sound of a group letting it all go, fearlessly maneuvering through bluesy shuffles, exquisite laments, graceful instrumental passages, and frenetic swamp-laden boogies. Achieved via a combination of virtuosic skill, visionary ambition, and natural chemistry, the six-piece burns white-hot with intensity and persuades via a padlock-tight rhythm section on which Duane's searing slide playing and Gregg's bottom-of-the-stomach vocals glide, each aural utterance coaxing on their respective mates to strive for new heights.

The evidence abounds on the rollercoaster thrills of the dipping and diving "Whipping Post"; the biscuit-and-gravy purity of an aptly tempestuous "Stormy Monday," complete with harmonica from guest Tom Doucette; the flaming inertia established on the celebratory "Hot ‘Lanta"; and the jam-heavy hopscotch of an elastic "In Memory of Elizabeth Reed," one of numerous standout moments for lead guitarist Dickey Betts. It seems as if everyone knew what they were experiencing.

"The audience would kind of play along with us," revealed Gregg Allman, years later. They were right on top of every single vibration coming from the stage." Add to this symbiosis hallmark front-and-back cover photography by Jim Marshall, and you have a record so steeped in lore, it's almost myth. But it's real. And oh, how it now sounds so glorious.

Features:
• Numbered, Limited Edition
• Double LP
• Mastering by Mobile Fidelity Sound Lab
• Specially Plated and Pressed on 180 grams of High Definition Vinyl
• Special Static Free - Dust Free Inner Sleeve
• Heavy Duty Protective Packaging
• Pressed at RTI

Selections:
LP 1
Side 1:

1. Statesboro Blues
2. Done Somebody Wrong
3. Stormy Monday
Side 2:
1. You Don't Love Me

LP 2
Side 3:

1. Hot ‘Lanta
2. In Memory of Elizabeth Reed
Side 4:
1. Whipping Post
 
Description
This item not eligible for any further discount offers!

The Allman Brothers Band At Fillmore East on Numbered Limited Edition 180g Vinyl 2LP from Mobile Fidelity & Pressed at RTI!

Rolling Stone 500 Greatest Albums of All Time - Rated 49/500!
Rolling Stone 500 Greatest Songs of All Time - "Whipping Post" - Rated 393/500!


Rolling Stone 2015 Readers' Poll: The 10 Best Jam Bands: The Allman Brothers Rated 2nd!

Telepathically Executed Double Album At Fillmore East Among Ten-Best Live Records Ever Made

Ranked #49 on Rolling Stone's 500 Greatest Albums of All Time List: Includes Epic Takes of "Whipping Post" and "In Memory of Elizabeth Reed"

Peerless Sonics: Mobile Fidelity Analog Reissue Provides Fifth-Row Seat to Historic March 1971 Concerts

Fillmore East is synonymous with some of the greatest concerts ever staged. Yet the venue belongs to one group: The Allman Brothers Band. This groundbreaking double album is why. As the collective's breakthrough, it broadcasts to the world wowing improvisational flights and seamless musical fusion the likes of which no one had ever heard. In communion with the crowd, the band establishes an interactive blueprint for all shows that followed, while its high-wire displays of powerhouse soloing and time-stretching arrangements remain the stuff of hall-of-fame legend.

Mastered on Mobile Fidelity's world-renowned mastering system and pressed on dead-quiet vinyl at RTI, Mobile Fidelity's 180g 2LP of At Fillmore East joins the unparalleled reissue imprint's other Allman titles in presenting the inimitable ensemble's music in the most lifelike, uncompromising fidelity possible. Multiple versions of the 1971 set exist, yet none possess the audiophile sensibilities found here – sonic traits that whisk the listener to the midst of the Fillmore East for four gigs performed on March 12 and 13, 1971, plunking them down in a fifth-row seat surrounded by fervent fans and a smoke-filled atmosphere. Every slippery bottleneck note, every aching vocal moan, every soulful purr from the organ, every gritty interlocking riff comes across with unfettered clarity and realism.

While the record features multiple works the band never laid down in a studio, At Fillmore East is a meticulously conceived affair. The Allmans prepped rough sketches and layouts of the tunes, carving out spaces for each member's solos, and leaving the direction of such entirely up to the individual. As a result, the effort – anchored by iconic producer Tom Dowd's stellar production – presents a jazz-drifting rock band benefiting from both a sense of assured direction as well as opportunistic freedom.

Indeed, At Fillmore East is the rare sound of a group letting it all go, fearlessly maneuvering through bluesy shuffles, exquisite laments, graceful instrumental passages, and frenetic swamp-laden boogies. Achieved via a combination of virtuosic skill, visionary ambition, and natural chemistry, the six-piece burns white-hot with intensity and persuades via a padlock-tight rhythm section on which Duane's searing slide playing and Gregg's bottom-of-the-stomach vocals glide, each aural utterance coaxing on their respective mates to strive for new heights.

The evidence abounds on the rollercoaster thrills of the dipping and diving "Whipping Post"; the biscuit-and-gravy purity of an aptly tempestuous "Stormy Monday," complete with harmonica from guest Tom Doucette; the flaming inertia established on the celebratory "Hot ‘Lanta"; and the jam-heavy hopscotch of an elastic "In Memory of Elizabeth Reed," one of numerous standout moments for lead guitarist Dickey Betts. It seems as if everyone knew what they were experiencing.

"The audience would kind of play along with us," revealed Gregg Allman, years later. They were right on top of every single vibration coming from the stage." Add to this symbiosis hallmark front-and-back cover photography by Jim Marshall, and you have a record so steeped in lore, it's almost myth. But it's real. And oh, how it now sounds so glorious.

Features:
• Numbered, Limited Edition
• Double LP
• Mastering by Mobile Fidelity Sound Lab
• Specially Plated and Pressed on 180 grams of High Definition Vinyl
• Special Static Free - Dust Free Inner Sleeve
• Heavy Duty Protective Packaging
• Pressed at RTI

Selections:
LP 1
Side 1:

1. Statesboro Blues
2. Done Somebody Wrong
3. Stormy Monday
Side 2:
1. You Don't Love Me

LP 2
Side 3:

1. Hot ‘Lanta
2. In Memory of Elizabeth Reed
Side 4:
1. Whipping Post
 
ISBN
RS049
Genre
Pop Rock
If Can Be Discounted
YES
Discontinued
YES
Inventory
.00
Construct
0
Dropship
0
Artist
The Allman Brothers Band
Title
At Fillmore East
Composer
Additional Artists
Record Weight
180G
Record Speed
33RPM
Record Speed Record Size
12"
Multi Channel
Stereo
1
Mono
Colored
Picture Disc
1/2 Speed
DMM
Out of Print
1
Sell Hold/Repressing
Direct to disc
Availability
Discontinued
Format
Vinyl
Creation Date
Release Date
ASSOC
R
Scratch & Dent
0
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