This Single-Layer SHM-SACD can only be played on a Super Audio CD Player!
The Amadeus Quartet performing Beethoven's String Quartets Nos. 11-16 (recorded 1960-1963) and Piano Quartets Nos. 1-3 (recorded 1969).
SHM-SACD (Super High Material SACD) is the ultimate Super Audio CD that utilizes the materials and technologies that were developed for the SHM-CD to further enhance the audio-resolution. These discs are made with polycarbonate developed for the screen of the liquid crystal display. As it has a higher transparency, players can read the signal more faithfully. Also, it excels in fluidity, which enables you to cast a more accurate pit. What works wonders for a low resolution format such as CD should offer even greater sonic improvements in a real high resolution format such as SACD.
Features
- Super High Material Super Audio CD
- SHM-SACD Stereo SACD Layer
- Single-Layer Stereo SHM-SACD, to secure enough reflectance and not to compress DSD file
- Label of the disc is printed with a special green ink called 'Onsho Shiyou,' which minimizes diffuse reflection
- Carefully selected master audio is used, from existing DSD files to newly converted from analog tapes
- This Single-Layer SHM-SACD can only be played on a Super Audio CD Player! It will NOT play on conventional CD Players!
- Made in Japan
Musicians
Amadeus Quartet |
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Selections
Ludwig van Beethoven (1770-1827)
Disc 1
- String Quartet No. 11 in F minor, Op. 95 "Serioso" - I. Allegro con brio
- II. Allegretto ma non troppo - attacca:
- III. Allegro assai vivace ma serioso
- IV. Larghetto espressivo - Allegretto agitato
- String Quartet No. 12 in Eb major, Op. 127 - I. Maestoso - Allegro
- II. Adagio, ma non troppo e molto cantabile - Andante con moto - Adagio
- III. Scherzando vivace - Presto
- IV. Finale
- String Quartet No. 14 in C sharp minor, Op. 131 - I. Adagio, ma non troppo e molto espressivo - attacca:
- II. Allegro molto vivace - attacca:
- III. Allegro moderato - attacca:
- IV. Andante, ma non troppo e molto cantabile - Andante moderato e
- V. Presto - Molto poco adagio - attacca:
- VI. Adagio quasi un poco andante - attacca:
- VII. Allegro
Disc 2
- String Quartet No. 13 in Bb major, Op. 130 - I. Adagio ma non troppo - Allegro
- II. Presto
- III. Andante con moto, ma non troppo
- IV. Alla danza tedesca. Allegro assai
- V. Cavatina. Adagio molto espressivo - attacca:
- VI. Final. Allegro
- Great Fugue, Op. 133: Overtura. Allegro - Fuga:
- Meno mosso e moderato
- Allegro molto e con brio
- Meno mosso e moderato
- Allegro molto e con brio
- Allegro
- String Quartet No. 15 in A minor, Op. 132 - I. Assai sostenuto - Allegro
- II. Allegro ma non tanto
- III. Heiliger Dankgesang eines Genesenden an die Gottheit, in der lydischen
- IV. Alla marcia, assai vivace - Piu allegro - attacca:
- V. Allegro appassionato
Disc 3
- String Quartet No. 16 in F major, Op. 135 - I. Allegretto
- II. Vivace
- III. Lento assai, cantante e tranquillo
- IV. Der schwer gefasste Entschluss. Grave (Muss es sein?) - Allegro (Es muss sein!) - Grave, ma non troppo tratto ? Allegro (F minor & F major)
- Piano Quartet WoO.36 in E-flat major, No. 1 - I. Adagio assai - attacca:
- II. Allegro con spirito
- III. Thema. Cantabile - Variazioni I-VI - Thema. Allegretto
- Piano Quartet WoO.36 in D major, No. 2 - I. Allegro moderato
- II. Andante con moto
- III. Rondo. Allegro
- Piano Quartet WoO.36 in C major, No. 3 - I. Allegro vivace
- II. Adagio con espressione
- III. Rondo. Allegro