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Warehouse Find! Out Of Print!
Rare Numbered Limited Edition Copies!
Remastered by Kevin Gray and Steve Hoffman from the Original Rudy Van Gelder Blue Note Master Tapes!
The Definitive issue of this classic Blue Note title!
THE SOUND:
Mono or Stereo? Rudy Van Gelder first began recording Blue Note sessions in stereo in March of 1957. From then until an October 30, 1958 Art Blakey session, Rudy simultaneously ran both mono and stereo session tapes. The stereo presentation revealed more air, more detail and more sheer life than the mono. The mono playback was a wonderful remembrance of the old LP we all knew and loved. The stereo playback from the original masters was eerie. It was like going back in time to that day in RudyÂ’s studio. Quite simply, the stereo masters revealed more of what it was like to be there that day.
Why 45rpm? Simply...Because it sounds better! 180 gram pressings versus 200 gram? Music Matters, Lt. uses 180 gram pressings for the simple reason that they believe 180 gram weight is more than sufficient to provide a near perfect pressing. When Music Matters asked their friends at Record Technology Inc. for their recommendation to achieve the highest possible quality pressings their answer was unequivocal... go with 180 gram!
Upgrading Connections at Acoustech! It goes without saying that there are many controversies and debates in the perfectionist audio/LP collector market. But one area of near universal agreement is the quality of mastering that emerges from Kevin GrayÂ’s custom-built AcousTech Mastering studio in Camarillo, CA. Kevin, along with Steve Hoffman, has provided many of the best sounding new and reissued albums on LP during the last 5 or 6 years working outs of AcousTech.
THE JACKETS:
Music Matters Exclusive! Music Matters strongly feels that these Blue Note recordings deserve nothing less than the finest graphic presentation. The Music Matters Definitive 45RPM Blue Note jackets are designed to last a lifetime, using ultra-durable extra thick cardboard stock and thick, luxurious lamination... quality youÂ’ll be able to feel in your hand the moment you pick up one of these albums. In addition, Music Matters has obtained exclusive access to a treasure trove of over 30,000 original Blue Note session photos from Mosaic Images for use in this series. The gatefold opens to display these session photos in stunning high resolution - four times sharper than original Blue Note jacket photos.
THE REVIEWS:
Hear what Michael Fremer, Wayne Garcia and others are saying about the Blue Note Definitive 45rpm Reissue Series from Music Matters, Ltd:
"TheyÂ’re BIG and open and definitely work in stereo because theyÂ’re not hard left/right stereo. The cymbals are so "chimey" and the skins so open! Even Rudy's typical boxy piano isn't too bad. These are going to be really good....!!!! (Real time reaction after hearing his first test pressing of Horace ParlanÂ’s SpeakinÂ’ My Piece LP.)" - Michael Fremer, Stereophile Magazine
"I’ve heard a lot of Blue Note originals and myriad reissues over the years, but based on the sample test pressings heard so far, none—and I mean none—convey the intensity of living, breathing music-making the way the Music Matter’s Blue Note series does. The sense of air, texture, and dynamic pop in these grooves is astonishing." - Wayne Garcia, The Absolute Sound
"Art Blakey & the Jazz Messengers “The Big Beat” and Horace Parlan, “Speakin’ My Piece.” And if this is any indication of what’s to come, I advise you to get on the list now, before this collection is sold out." - Albert Porter, www.positive-feedback.com
"The Music Matters 45s have all immediacy and add a free-flowing naturalness that is surprising at first but very easy to get used to." - Marc Mickelson, www.soundstage.com
In an issue of Downbeat from 2009, Joe Lovano named Free For All as his favorite Blue Note album of all time. “I heard Free For All in my late teens. The raw energy of this recording and the way Blakey called the spirits, how he fed everybody and they fed him, gave them a sense of ensemble and playing together. When Freddie Hubbard came into the band after Lee Morgan, he brought something different. The Jazz Messengers developed more openness and flow in the way they were playing, moving out of the hard-bop sound and concept, and stepping into new directions.”
Art Blakey and the Jazz Messengers recorded many superb albums during its 35 years, but it would be difficult to top the intensity and spirit of Free For All. This 1964 gem features an incredible lineup that had worked together regularly for the previous three years, one consisting of Freddie Hubbard, Wayne Shorter, Curtis Fuller, Cedar Walton and Reggie Workman in addition to Blakey. The drummer instilled the love of swinging in each of the players, always pushing them to play at the highest possible intensity level without a second of coasting. On the dazzling “Free For All,” the soulful “Hammer Head” and an over-the-top version of “The Core,” the Jazz Messengers show that no other group could swing so hard at this explosive level.
Features:
• Numbered, Limited Edition
• Remastered from the Original Rudy Van Gelder Blue Note Master Tapes!
• Remastered by Kevin Gray and Steve Hoffman at Acoustech
• Cut at 45rpm for Better Sound!
• Pressed on two 180 gram Virgin Vinyl LPs by RTI
• Limited Edition
• Ultra-Durable, Extra Thick Album Jackets
• Gatefold Album with Session Photos in stunning High Resolution
Musicians:
Freddie Hubbard, trumpet
Curtis Fuller, trombone
Wayne Shorter, tenor sax
Cedar Walton, piano
Reginald Workman, bass
Art Blakey, drums
Selections:
1. Free For All
2. Hammer Head
3. The Core
4. Pensativa
"The albums are being cut at 45 RPM for maximum quality by Kevin Gray and me using our full ANALOG disk cutting system; most studios cannot even cut vinyl in 100% true analog anymore (they convert to digital first) but we can. The original Rudy Van Gelder engineered stereophonic session tapes are used when we master these gems. The sound quality is amazing on our test cuts. Like from heaven. First totally uncompressed versions of these jazz classics that IÂ’ve ever heard and trust me, you will be impressed; they sound like no other releases of this music."
"The sound is lifelike, the horns are in the room with you. Our non-invasive mastering insures the true breath of life on these original Van Gelder session tapes is transferred to the virgin vinyl with absolute authenticity. It is like hearing these BLUE NOTE masterpieces for the first time and that is NO exaggeration. When we heard the first lacquer acetate playback from our first mastering session I thought Joe Harley was going to pee in his pants he was so excited. Actually we all were; after 50 years of many lackluster and some downright bad sounding versions of these albums, hearing the real deal is a humbling experience, even for us hardened music veterans. You will be able to listen to the music exactly like we did..." - Steve Hoffman
Warehouse Find! Out Of Print!
Rare Numbered Limited Edition Copies!
Remastered by Kevin Gray and Steve Hoffman from the Original Rudy Van Gelder Blue Note Master Tapes!
The Definitive issue of this classic Blue Note title!
THE SOUND:
Mono or Stereo? Rudy Van Gelder first began recording Blue Note sessions in stereo in March of 1957. From then until an October 30, 1958 Art Blakey session, Rudy simultaneously ran both mono and stereo session tapes. The stereo presentation revealed more air, more detail and more sheer life than the mono. The mono playback was a wonderful remembrance of the old LP we all knew and loved. The stereo playback from the original masters was eerie. It was like going back in time to that day in RudyÂ’s studio. Quite simply, the stereo masters revealed more of what it was like to be there that day.
Why 45rpm? Simply...Because it sounds better! 180 gram pressings versus 200 gram? Music Matters, Lt. uses 180 gram pressings for the simple reason that they believe 180 gram weight is more than sufficient to provide a near perfect pressing. When Music Matters asked their friends at Record Technology Inc. for their recommendation to achieve the highest possible quality pressings their answer was unequivocal... go with 180 gram!
Upgrading Connections at Acoustech! It goes without saying that there are many controversies and debates in the perfectionist audio/LP collector market. But one area of near universal agreement is the quality of mastering that emerges from Kevin GrayÂ’s custom-built AcousTech Mastering studio in Camarillo, CA. Kevin, along with Steve Hoffman, has provided many of the best sounding new and reissued albums on LP during the last 5 or 6 years working outs of AcousTech.
THE JACKETS:
Music Matters Exclusive! Music Matters strongly feels that these Blue Note recordings deserve nothing less than the finest graphic presentation. The Music Matters Definitive 45RPM Blue Note jackets are designed to last a lifetime, using ultra-durable extra thick cardboard stock and thick, luxurious lamination... quality youÂ’ll be able to feel in your hand the moment you pick up one of these albums. In addition, Music Matters has obtained exclusive access to a treasure trove of over 30,000 original Blue Note session photos from Mosaic Images for use in this series. The gatefold opens to display these session photos in stunning high resolution - four times sharper than original Blue Note jacket photos.
THE REVIEWS:
Hear what Michael Fremer, Wayne Garcia and others are saying about the Blue Note Definitive 45rpm Reissue Series from Music Matters, Ltd:
"TheyÂ’re BIG and open and definitely work in stereo because theyÂ’re not hard left/right stereo. The cymbals are so "chimey" and the skins so open! Even Rudy's typical boxy piano isn't too bad. These are going to be really good....!!!! (Real time reaction after hearing his first test pressing of Horace ParlanÂ’s SpeakinÂ’ My Piece LP.)" - Michael Fremer, Stereophile Magazine
"I’ve heard a lot of Blue Note originals and myriad reissues over the years, but based on the sample test pressings heard so far, none—and I mean none—convey the intensity of living, breathing music-making the way the Music Matter’s Blue Note series does. The sense of air, texture, and dynamic pop in these grooves is astonishing." - Wayne Garcia, The Absolute Sound
"Art Blakey & the Jazz Messengers “The Big Beat” and Horace Parlan, “Speakin’ My Piece.” And if this is any indication of what’s to come, I advise you to get on the list now, before this collection is sold out." - Albert Porter, www.positive-feedback.com
"The Music Matters 45s have all immediacy and add a free-flowing naturalness that is surprising at first but very easy to get used to." - Marc Mickelson, www.soundstage.com
In an issue of Downbeat from 2009, Joe Lovano named Free For All as his favorite Blue Note album of all time. “I heard Free For All in my late teens. The raw energy of this recording and the way Blakey called the spirits, how he fed everybody and they fed him, gave them a sense of ensemble and playing together. When Freddie Hubbard came into the band after Lee Morgan, he brought something different. The Jazz Messengers developed more openness and flow in the way they were playing, moving out of the hard-bop sound and concept, and stepping into new directions.”
Art Blakey and the Jazz Messengers recorded many superb albums during its 35 years, but it would be difficult to top the intensity and spirit of Free For All. This 1964 gem features an incredible lineup that had worked together regularly for the previous three years, one consisting of Freddie Hubbard, Wayne Shorter, Curtis Fuller, Cedar Walton and Reggie Workman in addition to Blakey. The drummer instilled the love of swinging in each of the players, always pushing them to play at the highest possible intensity level without a second of coasting. On the dazzling “Free For All,” the soulful “Hammer Head” and an over-the-top version of “The Core,” the Jazz Messengers show that no other group could swing so hard at this explosive level.
Features:
• Numbered, Limited Edition
• Remastered from the Original Rudy Van Gelder Blue Note Master Tapes!
• Remastered by Kevin Gray and Steve Hoffman at Acoustech
• Cut at 45rpm for Better Sound!
• Pressed on two 180 gram Virgin Vinyl LPs by RTI
• Limited Edition
• Ultra-Durable, Extra Thick Album Jackets
• Gatefold Album with Session Photos in stunning High Resolution
Musicians:
Freddie Hubbard, trumpet
Curtis Fuller, trombone
Wayne Shorter, tenor sax
Cedar Walton, piano
Reginald Workman, bass
Art Blakey, drums
Selections:
1. Free For All
2. Hammer Head
3. The Core
4. Pensativa
"The albums are being cut at 45 RPM for maximum quality by Kevin Gray and me using our full ANALOG disk cutting system; most studios cannot even cut vinyl in 100% true analog anymore (they convert to digital first) but we can. The original Rudy Van Gelder engineered stereophonic session tapes are used when we master these gems. The sound quality is amazing on our test cuts. Like from heaven. First totally uncompressed versions of these jazz classics that IÂ’ve ever heard and trust me, you will be impressed; they sound like no other releases of this music."
"The sound is lifelike, the horns are in the room with you. Our non-invasive mastering insures the true breath of life on these original Van Gelder session tapes is transferred to the virgin vinyl with absolute authenticity. It is like hearing these BLUE NOTE masterpieces for the first time and that is NO exaggeration. When we heard the first lacquer acetate playback from our first mastering session I thought Joe Harley was going to pee in his pants he was so excited. Actually we all were; after 50 years of many lackluster and some downright bad sounding versions of these albums, hearing the real deal is a humbling experience, even for us hardened music veterans. You will be able to listen to the music exactly like we did..." - Steve Hoffman
