Genre: Jazz
Format: 33RPM,
Size: 12"

Share:

Dean Martin This Time I'm Swingin'! Numbered Limited Edition 180g LP

Dean Martin

$249.99
 
Availability: Discontinued
In Stock An In Stock item is available to ship normally within 24 business hours.
Preorder A Preorder is an item that has not yet been released. Typically the label will set a projected release date (that is subject to change). If a projected release date is known, we will include this in the description in red. Other Preorders are set to release 'TBA.' This means that release date is yet 'To Be Announced'. The Preorder can be released anywhere between weeks, months or years from its initial announcement.
Backordered An Out Of Stock item is an item that we normally have available to ship but we are temporarily out of. We do not have a specific date when it will be coming.
Awaiting Repress Awaiting repress titles are in the process of being repressed by the label. No ETA is available at this time.
Expected On When an item is Out Of Stock and we have an estimated date when our stock should arrive, we list that date on our website in the part's description. It is not guaranteed.
Special Order A Special Order item is an item that we do not stock but can order from the manufacturer. Typical order times are located within the product description.
 
SKU:
MFSL 1-410
UPC:
821797141017

Out Of Print! Only a few copies left!

This item not eligible for any further discount offers!

TAS Super LP List! Special Merit: Informal

Dean Martin This Time I'm Swingin'! on Numbered Limited Edition 180g LP from Mobile Fidelity!

Legendary Crooner Backed by Orchestra Conducted by Nelson Riddle

1960 Capitol Album of Then-Recent and Classic Standards Arguably Martin's Most Timeless Set: MoFi Edition Includes Bonus Track "Ain't That a Kick in the Head"

Mastered from the Original Master Tapes: No Martin Album Sounds Like This


Dean Martin was always at his best when he sounded effortless, when the singing required no exertion—just the same amount of investment required to order a martini. Confident, refined, breezy, and easygoing, this 1960 Capitol album epitomizes the crooner’s charm. In pairing with arranger and Frank Sinatra right-hand-man Nelson Riddle, Martin strikes all the right notes on this collection of then-recent and retro standards.

Mastered from the original master tapes and pressed at RTI, Mobile Fidelity’s 180g LP gets inside the core being of Martin’s impeccably smooth, relaxed singing by presenting every phrase, dip, and inflection with lifelike realism. The LP does similar wonders for Riddle’s backing orchestra. Horns teem with punch and midrange; rhythms possess incredible pacing; strings saunter and float. No Martin album has ever sounded like this. Mobile Fidelity also secured the rights to a bonus track, "Ain't That a Kick in the Head," left off the album and released as a single in order to promote the movie Ocean's Eleven.

While Martin enjoyed his biggest commercial success at Reprise, the aptly titled This Time I’m Swingin’ is considered by many critics and vocal-pop fans to be his finest studio hour. He approaches each song with supreme confidence and debonair control, never overreaching his limits or breaking a sweat. Here, he more than lives up to his nickname: The King of Cool. Charismatic, assured, and note-perfect, the album belongs alongside any of the period sets cut by his pal and once-and-future label mate Sinatra. No wonder that his most recognized hit, the aforementioned and included “Ain’t That a Kick in the Head,” was actually cut at these sessions.

Riddle’s expert ordering of the charts and direction of horns, strings, and piano equates to jazz and swing genius. Brass blows hard and strong during breaks, calm down for verses during which slinky 88s and swaying strings join the dance, and then rise up, the mix elegantly performed and irresistibly catchy. If you’re not snapping your fingers and instantly transported to a swank nightclub within the first few passages of the opening “I Can’t Believe That You’re In Love With Me,” check your system’s setup.

Yet Martin is the real star. Hearing him handle such classics as the devotional “I’ve Grown Accustomed to Her Face,” upbeat “You’re Nobody ‘Til Somebody Loves You,” hopeful “Someday (You’ll Want Me to Want You),” bluesy “You’re Mean to Me,” and clever “Please Don’t Talk About Me When I’m Gone” with such aplomb—and now, in such ravishing detail—will remind you why you love music, and why nothing of this ilk will likely ever be made again.

Martin convincingly conveys the mood each song demands, but a sense of optimism, playfulness, and feel-good romance pervade this stylish effort. If you are a fan of real singing and emotional crooning, you cannot live without this analog edition. A veritable gem.

Features:
• Numbered, Limited Edition
• Mastering by Mobile Fidelity Sound Lab
• Specially Plated and Pressed on 180 grams of High Definition Vinyl
• Special Static Free - Dust Free Inner Sleeve
• Heavy Duty Protective Packaging
• Mastered from the Original Master Tapes
• Pressed at RTI

Selections:
Side One:

1. I Can't Believe That You're In Love With Me
2. True Love
3. You're Nobody 'Til Somebody Loves You
4. On the Street Where You Live
5. Imagination
6. (It Will Have to Do) Until the Real Thing Comes Along
Side Two:
1. Please Don't Talk About Me When I'm Gone
2. I've Grown Accustomed to Her Face
3. Someday (You'll Want Me to Want You)
4. Mean to Me
5. Heaven Can Wait
6. Just In Time
7. Ain't That a Kick in the Head

Customers Also Like