180g Virgin Vinyl High Quality 3LP Pressing!
The attempts that have been made to describe Glenn Goulds complex personality are endless in number, as are his surprising and often eccentric interpretations. Whether he is considered to be a sensitive maniac, neurotic individualist or uncompromising genius Gould polarizes, provokes and fascinates us long after his death in 1982. As early as 1964 the Canadian pianist ceased to give concerts, since he found appearing before an audience completely unacceptable and preferred to concentrate on studio recordings.
Way in front of composers of the Viennese Classical era, which he did not take particularly seriously although his performances keenly reflect Beethovens rhythmicity comes his personal deity: Bach. Goulds notorious strictness gives form to the minutest of figure in the score. He weaves his way through Bachs music and thereby articulates its tightly knit and multi-facetted depths. No lecturing keyboard proponent this, but a creative co-composer who imbues the spirit of the music with life and sonority. Upon the release in 1980 of the 80th Birthday Edition with its wealth of visual and tonal material, the music journalist Werner Theurich wrote that "no one had ever played more raptly, or more intensively. That Goulds performances are nothing but heavenly can be seen and felt. The rest is pure music."
Features:
3LP
180g Virgin Vinyl
High Quality Pressing
Pure Analogue Audiophile Mastering
Musicians:
Glenn Gould, piano
Columbia Symphony Orchestra
Vladimir Golschmann, conductor
Leonard Bernstein, conductor
Selections:
Johann Sebastian Bach (1685-1750)
1. Keyboard Concerto No. 1 in D minor, BWV 1052 (mono)
2. Keyboard Concerto No. 2 in E major, BWV 1053
3. Keyboard Concerto No. 3 in D major, BWV 1054
4. Keyboard Concerto No. 4 in A major, BWV 1055
5. Keyboard Concerto No. 5 in F minor, BWV 1056
6. Keyboard Concerto No. 7 in G minor, BWV 1058
Ludwig van Beethoven (1770-1827)
7. Concerto No. 1 for Piano and Orchestra in C major, op. 15
Recording: April 1957, May 1967 and February 1969 at Columbia 30th Street Studio, New York City, by Fred Plaut
The attempts that have been made to describe Glenn Goulds complex personality are endless in number, as are his surprising and often eccentric interpretations. Whether he is considered to be a sensitive maniac, neurotic individualist or uncompromising genius Gould polarizes, provokes and fascinates us long after his death in 1982. As early as 1964 the Canadian pianist ceased to give concerts, since he found appearing before an audience completely unacceptable and preferred to concentrate on studio recordings.
Way in front of composers of the Viennese Classical era, which he did not take particularly seriously although his performances keenly reflect Beethovens rhythmicity comes his personal deity: Bach. Goulds notorious strictness gives form to the minutest of figure in the score. He weaves his way through Bachs music and thereby articulates its tightly knit and multi-facetted depths. No lecturing keyboard proponent this, but a creative co-composer who imbues the spirit of the music with life and sonority. Upon the release in 1980 of the 80th Birthday Edition with its wealth of visual and tonal material, the music journalist Werner Theurich wrote that "no one had ever played more raptly, or more intensively. That Goulds performances are nothing but heavenly can be seen and felt. The rest is pure music."
Features:
3LP
180g Virgin Vinyl
High Quality Pressing
Pure Analogue Audiophile Mastering
Musicians:
Glenn Gould, piano
Columbia Symphony Orchestra
Vladimir Golschmann, conductor
Leonard Bernstein, conductor
Selections:
Johann Sebastian Bach (1685-1750)
1. Keyboard Concerto No. 1 in D minor, BWV 1052 (mono)
2. Keyboard Concerto No. 2 in E major, BWV 1053
3. Keyboard Concerto No. 3 in D major, BWV 1054
4. Keyboard Concerto No. 4 in A major, BWV 1055
5. Keyboard Concerto No. 5 in F minor, BWV 1056
6. Keyboard Concerto No. 7 in G minor, BWV 1058
Ludwig van Beethoven (1770-1827)
7. Concerto No. 1 for Piano and Orchestra in C major, op. 15
Recording: April 1957, May 1967 and February 1969 at Columbia 30th Street Studio, New York City, by Fred Plaut
