Elusive Disc Certified Pre-owned! Only 1 Copy Available! This pre-owned LP's grading is guaranteed to match our grading description!
Vinyl Grade: EX
Side A is warped but tracked fine.
Track 3 has light crackles.
Side B track 2 has crackles and 1 light pop.
Track 3 has pop and 2 light pops.
Jacket Grade: EX
The Philharmonia Orchestra conducted by Sir Eugene Goossens. "Young Rabin dashed off the Paganini First Concerto in D Major with pyrotechnics so dazzling as to inspire one spectator to call out loudly: 'We have a second Paganini God bless you.'" So wrote Eugene Moore in the Philadelphia Evening Bulletin, regarding Michael Rabin's performance at Robin Hood Dell. Such admiration has been gracing the ears of Michael Rabin ever since he made his recital debut at Carnegie Hall in 1950. The First Movement alternates between measure of diabolical difficulty, really joyous in their exhibitionism, and passages which are not only lyrical but tender. Many of Paganini's trademarks are to be found here: the running consecutive double stops, the artificial harmonies, the flying staccati, the incredible scuttling up and down the fingerboard.
Musicians:
Michael Rabin, violin
Philharmonic Orchestra
Sir Eugene Goossens, conductor
Selections:
Niccolo Paganini (1782-1840)
1. Concerto No. 1 in D Major
Henryk Wieniawski (1835-1880) 2. Concerto No. 2 in D Minor
Vinyl Grade: EX
Side A is warped but tracked fine.
Track 3 has light crackles.
Side B track 2 has crackles and 1 light pop.
Track 3 has pop and 2 light pops.
Jacket Grade: EX
The Philharmonia Orchestra conducted by Sir Eugene Goossens. "Young Rabin dashed off the Paganini First Concerto in D Major with pyrotechnics so dazzling as to inspire one spectator to call out loudly: 'We have a second Paganini God bless you.'" So wrote Eugene Moore in the Philadelphia Evening Bulletin, regarding Michael Rabin's performance at Robin Hood Dell. Such admiration has been gracing the ears of Michael Rabin ever since he made his recital debut at Carnegie Hall in 1950. The First Movement alternates between measure of diabolical difficulty, really joyous in their exhibitionism, and passages which are not only lyrical but tender. Many of Paganini's trademarks are to be found here: the running consecutive double stops, the artificial harmonies, the flying staccati, the incredible scuttling up and down the fingerboard.
Musicians:
Michael Rabin, violin
Philharmonic Orchestra
Sir Eugene Goossens, conductor
Selections:
Niccolo Paganini (1782-1840)
1. Concerto No. 1 in D Major
Henryk Wieniawski (1835-1880) 2. Concerto No. 2 in D Minor
