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Numbered, Limited Edition 180g 45rpm 2LP!
Mastered from the 1/4" / 15 IPS analog master to DSD 256 & Pressed at RTI!
Davis’ Self-Proclaimed “Directions in Music” March Begins Here
Mastered from the 1/4" / 15 IPS Analog Master to DSD 256: Abundant Jazz, Funk, and Rock Textures Rotate Around a Luscious Tonal Center
Landmark 1968 Effort Recognized as DavisÂ’ Prelude Into Full-On Fusion: Exotic Suite-Like Album Beautiful, Intense, Adventurous
Miles DavisÂ’ move into full-on fusion starts here. Abandoning his bebop roots and chasing electric dreams, rock-based rhythms, and ostinato pulses, the icon gives life to new music forms on Filles de Kilimanjaro, a titanic release prized for its historical significance and lasting beauty. Grounded and focused, the five compositions unfold like a unified suite. Such peak lyricism, flourishes, and phrases are experienced in the highest-possible fidelity on Mobile FidelityÂ’s 45RPM 2LP set.
Mastered from the 1/4" / 15 IPS analog master to DSD 256 and pressed on 180g vinyl at RTI, this collectable audiophile version of Filles de Kilimanjaro joins the ranks of eleven other essential Davis sets given supreme sonic and packaging treatment by Mobile Fidelity. Loaded with revealing signatures, the record takes on even greater import when heard the way Davis and his mates discerned it in the studio. Backgrounds are squid-ink black, pianissimo lines shimmer, and the electric piano emerges with tube-amp warmth.
Indeed, the exotic sound, touch, and feel of the songs on Filles de Kilimanjaro are as crucial as the melodies. To that extent, listeners can now enjoy the expressive tonalities and lush colors from each instrument in full-range glory. Voicings, harmonics, and pitches are rendered with exquisite detail. The manners in which the textures and phrases rotate what seems like a unified tonal center places you at the original recording sessions, executed in July and September 1968.
The final appearance of Davis’ classic second quintet bears fruit on three of the record’s cuts, including the title track and R&B-tinted “Frelon Brun.” Sparked with restrained funk, driving grooves, and bluesy accents, Filles de Kilimanjaro maintains an instinctive flow and controlled fredom that permit Davis to oversee an innovative blending of alterations, improvisation, and cycles. Comprised of multiple sections, “Petits Machins” is a lesson in perfectly played melodic complexity, with chromatic riffs, dominant chords, syncopated progressions, and switching meters forming a singular mosaic.
Filles de Kilimanjaro also represents a jumping-off point for DavisÂ’ lineup. For the September sessions, Chick Corea replaced Herbie Hancock while Dave Holland relieved Ron Carter. The new additions speak a different albeit common language, fitting in with DavisÂ’ desire to draw from rock and weave funk into open-minded excursions filled with exoticism, soulfulness, and wonder.
More than 40 years ago, this record epitomized the future of jazz. Davis even announced such aspirations with the tagline “Directions in Music.” With the jazz world still trying to wrap its collective mind around its genius, it still does.
• Numbered, Limited Edition
• 45rpm Speed Edition
• Mastering by Mobile Fidelity Sound Lab
• Specially Plated and Pressed on 180 grams of High Definition Vinyl
• Special Static Free - Dust Free Inner Sleeve
• Heavy Duty Protective Packaging
• Mastered from the 1/4" / 15 IPS Analog Master to DSD 256
• Double LP
• Pressed at RTI
Musicians:
Miles Davis, trumpet
Wayne Shorter, tenor sax
Herbie Hancock, piano, electric piano
Ron Carter, bass
Tony Williams, drums
Chick Corea replaces Herbie Hancock and Dave Holland replaces Ron Carter on "Petits Machins (Little Stuff)" and "Mademoiselle Mabry (Miss Mabry)"
Selections:
LP 1 - Side 1:
1. Frelon Brun (Brown Hornet)
2. Tout De Suite
LP 1 - Side 2:
1. Petits Machins (Little Stuff)
LP 2 - Side 3:
1. Filles De Kilimanjaro (Girls of Kilimanjaro)
LP 2 - Side 4:
1. Mademoiselle Mabry (Miss Mabry)
Numbered, Limited Edition 180g 45rpm 2LP!
Mastered from the 1/4" / 15 IPS analog master to DSD 256 & Pressed at RTI!
Davis’ Self-Proclaimed “Directions in Music” March Begins Here
Mastered from the 1/4" / 15 IPS Analog Master to DSD 256: Abundant Jazz, Funk, and Rock Textures Rotate Around a Luscious Tonal Center
Landmark 1968 Effort Recognized as DavisÂ’ Prelude Into Full-On Fusion: Exotic Suite-Like Album Beautiful, Intense, Adventurous
Miles DavisÂ’ move into full-on fusion starts here. Abandoning his bebop roots and chasing electric dreams, rock-based rhythms, and ostinato pulses, the icon gives life to new music forms on Filles de Kilimanjaro, a titanic release prized for its historical significance and lasting beauty. Grounded and focused, the five compositions unfold like a unified suite. Such peak lyricism, flourishes, and phrases are experienced in the highest-possible fidelity on Mobile FidelityÂ’s 45RPM 2LP set.
Mastered from the 1/4" / 15 IPS analog master to DSD 256 and pressed on 180g vinyl at RTI, this collectable audiophile version of Filles de Kilimanjaro joins the ranks of eleven other essential Davis sets given supreme sonic and packaging treatment by Mobile Fidelity. Loaded with revealing signatures, the record takes on even greater import when heard the way Davis and his mates discerned it in the studio. Backgrounds are squid-ink black, pianissimo lines shimmer, and the electric piano emerges with tube-amp warmth.
Indeed, the exotic sound, touch, and feel of the songs on Filles de Kilimanjaro are as crucial as the melodies. To that extent, listeners can now enjoy the expressive tonalities and lush colors from each instrument in full-range glory. Voicings, harmonics, and pitches are rendered with exquisite detail. The manners in which the textures and phrases rotate what seems like a unified tonal center places you at the original recording sessions, executed in July and September 1968.
The final appearance of Davis’ classic second quintet bears fruit on three of the record’s cuts, including the title track and R&B-tinted “Frelon Brun.” Sparked with restrained funk, driving grooves, and bluesy accents, Filles de Kilimanjaro maintains an instinctive flow and controlled fredom that permit Davis to oversee an innovative blending of alterations, improvisation, and cycles. Comprised of multiple sections, “Petits Machins” is a lesson in perfectly played melodic complexity, with chromatic riffs, dominant chords, syncopated progressions, and switching meters forming a singular mosaic.
Filles de Kilimanjaro also represents a jumping-off point for DavisÂ’ lineup. For the September sessions, Chick Corea replaced Herbie Hancock while Dave Holland relieved Ron Carter. The new additions speak a different albeit common language, fitting in with DavisÂ’ desire to draw from rock and weave funk into open-minded excursions filled with exoticism, soulfulness, and wonder.
More than 40 years ago, this record epitomized the future of jazz. Davis even announced such aspirations with the tagline “Directions in Music.” With the jazz world still trying to wrap its collective mind around its genius, it still does.
Mo-Fi's Miles reissues keep coming. Porgy and Bess another atmospheric Miles-Gil Evans collaboration dropped early 2020. While all of these Miles albums are musically significant and many are sonically excellent on both original pressings and on these reissues, the biggest sonic surprise was how much better the reissued quintet (Shorter, Hancock, Carter, Williams) recordings sound compared to the originals. Whatever happened in the original mastering has been vastly improved on Nefertiti, Miles in the Sky and Filles De Kilimanjaro. If you have originals and think, you're covered, you're not! Get these while you can.Features:
• Numbered, Limited Edition
• 45rpm Speed Edition
• Mastering by Mobile Fidelity Sound Lab
• Specially Plated and Pressed on 180 grams of High Definition Vinyl
• Special Static Free - Dust Free Inner Sleeve
• Heavy Duty Protective Packaging
• Mastered from the 1/4" / 15 IPS Analog Master to DSD 256
• Double LP
• Pressed at RTI
Musicians:
Miles Davis, trumpet
Wayne Shorter, tenor sax
Herbie Hancock, piano, electric piano
Ron Carter, bass
Tony Williams, drums
Chick Corea replaces Herbie Hancock and Dave Holland replaces Ron Carter on "Petits Machins (Little Stuff)" and "Mademoiselle Mabry (Miss Mabry)"
Selections:
LP 1 - Side 1:
1. Frelon Brun (Brown Hornet)
2. Tout De Suite
LP 1 - Side 2:
1. Petits Machins (Little Stuff)
LP 2 - Side 3:
1. Filles De Kilimanjaro (Girls of Kilimanjaro)
LP 2 - Side 4:
1. Mademoiselle Mabry (Miss Mabry)
