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Out Of Print! Only 1 copy left! Elusive Disc Certified Pre-owned! This pre-owned LP's grading is guaranteed to match our grading description!
Vinyl Grade: VG+
Side A track 1 has 2 pops and some rotating light pops.
Track 5 has light crackles.
Side B tracks 1 and 3 have light crackles.
Track 2 has light crackles and a light pop.
Jacket Grade: VG+
The self-titled debut by Rickie Lee Jones contains an outstanding collection of tunes including the hit "Chuck E.'s In Love".
Her debut on Warners, Rickie Lee Jones, released in 1979, won the Grammy for Best New Artist. She was hailed by one critic as a highly touted new pop-jazz-singer-songwriter and another critic as one of the best--if not the best--artist of her generation. In addition to the albums brilliant songs--including the exceptional On Saturday Afternoons in 1963, the haunting Last Chance Texaco, and the popular Chuck Es in Love--Jones was becoming a figure whose life was bearing a great deal of emulation by young women and men who found, in her deep and personal and idiosyncratic life and work, a model for the new generation of hipster: She was heralded as a trendsetter in dress (beret, subdresses, heels) and in lifestyle, given her by then famous relationship with two boys she helped to make famous, too: Chuck E. Weiss, a Los Angeles character, and the singer and songwriter Tom Waits, about whom Rickie has said: "We walk around the same streets, and I guess it's primarily a jazz-motivated situation for both of us. We're living on the jazz side of life."
"Grounded in jazz, copping its wit from jump blues, the music Ms. Jones made transformed the American musical canon into her private theater and hiding place." The New York Times
Features:
1997 European Pressing
Numbered, limited edition (Serial #1115)
Part of WEA Vinyl Revival Series.
Selections:
1. Chuck E.'s in Love
2. On Saturday Afternoons in 1963
3. Night Train
4. Young Blood
5. Easy Money
6. The Last Chance Texaco
7. Danny's All-Star Joint
8. Coolsville
9. Weasel and the White Boys Cool
10. Company
11. After Hours (Twelve Bars Past Goodnight)
Vinyl Grade: VG+
Side A track 1 has 2 pops and some rotating light pops.
Track 5 has light crackles.
Side B tracks 1 and 3 have light crackles.
Track 2 has light crackles and a light pop.
Jacket Grade: VG+
The self-titled debut by Rickie Lee Jones contains an outstanding collection of tunes including the hit "Chuck E.'s In Love".
Her debut on Warners, Rickie Lee Jones, released in 1979, won the Grammy for Best New Artist. She was hailed by one critic as a highly touted new pop-jazz-singer-songwriter and another critic as one of the best--if not the best--artist of her generation. In addition to the albums brilliant songs--including the exceptional On Saturday Afternoons in 1963, the haunting Last Chance Texaco, and the popular Chuck Es in Love--Jones was becoming a figure whose life was bearing a great deal of emulation by young women and men who found, in her deep and personal and idiosyncratic life and work, a model for the new generation of hipster: She was heralded as a trendsetter in dress (beret, subdresses, heels) and in lifestyle, given her by then famous relationship with two boys she helped to make famous, too: Chuck E. Weiss, a Los Angeles character, and the singer and songwriter Tom Waits, about whom Rickie has said: "We walk around the same streets, and I guess it's primarily a jazz-motivated situation for both of us. We're living on the jazz side of life."
"Grounded in jazz, copping its wit from jump blues, the music Ms. Jones made transformed the American musical canon into her private theater and hiding place." The New York Times
Features:
1997 European Pressing
Numbered, limited edition (Serial #1115)
Part of WEA Vinyl Revival Series.
Selections:
1. Chuck E.'s in Love
2. On Saturday Afternoons in 1963
3. Night Train
4. Young Blood
5. Easy Money
6. The Last Chance Texaco
7. Danny's All-Star Joint
8. Coolsville
9. Weasel and the White Boys Cool
10. Company
11. After Hours (Twelve Bars Past Goodnight)
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