180g High Quality Pressing!
Re-Mastering By Ray Staff at Air Staff Mastering!
Bassist Ron Carter is joined here by Joe Henderson, Roland Hanna, and Billy Cobham for this 1974 release. Richard Tee sits in on electric piano for the track, "117 Special".
"Bassist Ron Carter had long been Creed Taylors first-choice bassist on record dates stretching as far back to the classic Gil Evans recording Out of the Cool in 1960. Carter was the first bass choice for many Creed Taylor productions throughout the 1960s for the Impulse, Verve, MGM and A&M/CTI labels, even while the bassist was recording and touring as part of the Miles Davis Quintet. And it was Ron Carters dulcet tones and swinging accompaniment on the double bass that drove nearly every CTI album since 1970 into the overdrive that its soloists are often given sole credit for.
"Surprisingly, though, Ron Carters second CTI recording, "All Blues", fell well below the radar. It was hardly noticed when it was first issued in early 1974 (his 1973 CTI debut, "Blues Farm", which was hardly a hit, still remains better known). Interestingly, its probably among the best of the albums the bassist waxed for the CTI label between 1973 and 1976. This is due in no small measure to the commanding presence of tenor saxophonist Joe Henderson on A Feeling, 117 Special, Rufus and All Blues. Carter here also solidifies a simpatico musical kinship with pianist Roland Hanna, who hed first played with on a European tour in 1969. Hanna is especially featured on the florid trio feature, Light Blue (not the Monk piece), as well as Carters bop-y Rufus (not the Archie Shepp piece). Not surprisingly, Ron Carter dominates the proceedings, with his especially distinctive bass helming any number of attractive solo features (not to mention the overdubbed bass 'solo' of Will You Be Mine)." - Doug Payne/Jazzonline
Features:
180g High Quality Pressing
Re-Mastering By Ray Staff at Air Staff Mastering, Lyndhurst Hall, London
Gatefold Jacket
Musicians:
Ron Carter, bass
Joe Henderson, tenor saxophone
Roland Hanna, piano
Richard Tee, electric piano (A3)
Billy Cobham, drums, percussion
Selections:
Side A:
1. A Feeling
2. Light Blue
3. 117 Special
Side B:
1. Rufus
2. All Blues
3. Will You Still Be Mine
Recorded October 1973 at Rudy Van Gelder Studios in Englewood Cliffs, N.J.
Re-Mastering By Ray Staff at Air Staff Mastering!
Bassist Ron Carter is joined here by Joe Henderson, Roland Hanna, and Billy Cobham for this 1974 release. Richard Tee sits in on electric piano for the track, "117 Special".
"Bassist Ron Carter had long been Creed Taylors first-choice bassist on record dates stretching as far back to the classic Gil Evans recording Out of the Cool in 1960. Carter was the first bass choice for many Creed Taylor productions throughout the 1960s for the Impulse, Verve, MGM and A&M/CTI labels, even while the bassist was recording and touring as part of the Miles Davis Quintet. And it was Ron Carters dulcet tones and swinging accompaniment on the double bass that drove nearly every CTI album since 1970 into the overdrive that its soloists are often given sole credit for.
"Surprisingly, though, Ron Carters second CTI recording, "All Blues", fell well below the radar. It was hardly noticed when it was first issued in early 1974 (his 1973 CTI debut, "Blues Farm", which was hardly a hit, still remains better known). Interestingly, its probably among the best of the albums the bassist waxed for the CTI label between 1973 and 1976. This is due in no small measure to the commanding presence of tenor saxophonist Joe Henderson on A Feeling, 117 Special, Rufus and All Blues. Carter here also solidifies a simpatico musical kinship with pianist Roland Hanna, who hed first played with on a European tour in 1969. Hanna is especially featured on the florid trio feature, Light Blue (not the Monk piece), as well as Carters bop-y Rufus (not the Archie Shepp piece). Not surprisingly, Ron Carter dominates the proceedings, with his especially distinctive bass helming any number of attractive solo features (not to mention the overdubbed bass 'solo' of Will You Be Mine)." - Doug Payne/Jazzonline
Features:
180g High Quality Pressing
Re-Mastering By Ray Staff at Air Staff Mastering, Lyndhurst Hall, London
Gatefold Jacket
Musicians:
Ron Carter, bass
Joe Henderson, tenor saxophone
Roland Hanna, piano
Richard Tee, electric piano (A3)
Billy Cobham, drums, percussion
Selections:
Side A:
1. A Feeling
2. Light Blue
3. 117 Special
Side B:
1. Rufus
2. All Blues
3. Will You Still Be Mine
Recorded October 1973 at Rudy Van Gelder Studios in Englewood Cliffs, N.J.
