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The Ultimate Pressings of the Beach Boys Discography from Analogue Productions!
200g Vinyl LP Pressed at Quality Record Pressings! Mono Mix Created Under Brian Wilson's Supervision!
Mastered by Kevin Gray at Cohearent Audio from the Original Master Tapes or Best Sources Available!
To meet the standards of Analogue Productions, their Beach Boys album reissues had a mission to achieve: Present the band's music the way that Brian Wilson famed co-founder, songwriter and arranger intended. Mono mixes created under Wilsons supervision were how the surf rockin California crew rose to fame! And theyve got em!
"There's no deterring hard-core Beach Boys fans from these reissues, especially those who grew up with the original records and who want to hear them re-mastered for adult record players These reissues restore whatever was really on the tapes As for the quality of these reissues, it's quite clear that, whether or not you like the sonic results, Analogue Productions sets the reissue standard. The company insists upon using analog master tapes (where available), not analog copies, it uses the best available artwork, and packages in "Tip-on" jackets. It masters where the tapes are located using Kevin Gray in California, Ryan K. Smith in New York and Willem Makkee in Germany." - Michael Fremer, www.analogcorner.com
For the early part of the Beach Boys career, all of their singles were mixed and mastered and released only in the mono format they didn't release a single in stereo until 1968. In those days, hits were made on AM radio in mono. And the mono of those times worked well for Wilson, who suffers from partial deafness. Still, apart from Surfin' Safari, which was mono only, the Beach Boys did turn in stereo masters on all of their early albums up until 1965. The Beach Boys Today! was the first LP for which they only delivered a mono master.
The stereo editions of Surfin' USA, Surfer Girl, Little Deuce Coupe, Shut Down Vol. 2, All Summer Long, Beach Boys Christmas Album and Beach Boys Concert were all mixed in stereo by their own preferred engineer, Chuck Britz, ostensibly under the group's supervision.
"Brian may or may not have been present for those mixing sessions evidence suggests that he trusted Chuck's skills enough to let him prepare those mixes on his own but the group held onto their multitrack tapes and delivered stereo masters to Capitol, rather than allowing Capitol to prepare their own stereo versions. Later, when Brian was only delivering mono masters, Capitol would prepare the Duophonic pseudo stereo editions for the stereo market," says Alan Boyd, producer and Beach Boys' archivist.
All of the newer stereo mixes on these remastered albums (The Beach Boys Today!, Summer Days (And Summer Nights!!), The Beach Boys' Party, Pet Sounds and Smiley Smile) were all done by Mark Linett on behalf of the Beach Boys.
Still, bottom line, the mono mixes were where Brian Wilson paid intense attention, and the dedication paid off!
Analogue Productions has taken 10 of the most classic, best-sounding Beach Boy titles ever and restored them to their mono glory!
But theres no disputing that the close harmonies and one-of-a-kind rhythms of hits like Surfer Girl, In My Room, Little Deuce Coupe and more lend themselves naturally to stereo. So Analogue Productions has your 2-channel needs covered with prime stereo mix versions as well.
Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in "old school" Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!
Shut Down Volume 2 is the fifth studio album by the Beach Boys, and the first of four they would release in 1964. Shut Down Volume 2 reached number 13 in the US charts during a chart stay of 38 weeks. The "Volume 2" in the album title refers to a multi-artist album featuring and named for the Beach Boys' song "Shut Down," released eight months earlier by the band's label.
"The first Shut Down was a hugely successful Capitol Records Various Artists compilation LP that had included a pair of Beach Boys tracks. Whereas their previous album Little Deuce Coupe had been a full-on car themed concept album, the Beach Boys' Shut Down Volume 2 was pretty much evenly split between songs with car themes and various high school and summertime-themed tunes. The album sought to further the Beach Boys beyond its ironic sea-and-sun fetish (none but Dennis Wilson ever surfed) into the burgeoning hot-rod subculture...the high points remain nothing short of spectacular, including the Mike Love-propelled 'Fun, Fun, Fun,' Wilson's knowing nod to Phil Spector, 'Don't Worry Baby,' and the (hit) 'The Warmth of the Sun.'" -Amazon.com
Features:
200 Gram Vinyl
33 1/3rpm mono mixes created under Brian Wilson's supervision
Mastered by Kevin Gray at Cohearent Audio, most from the original master tapes or best sources available
Lacquer plating by Gary Salstrom
Pressed at Quality Record Pressings on Virgin Vinyl
Mono
Deluxe Packaging, Highest Quality Jackets and Rice Paper Inner Sleeves
"Old School" Stoughton tip-on jackets
Selections:
1. Fun, Fun, Fun
2. Don't Worry Baby
3. In The Parkin' Lot
4. "Cassius" Love Vs "Sonny" Wilson
5. The Warmth Of The Sun
6. This Car Is Mine
7. Why Do Fools Fall In Love
8. Pom, Pom Play Girl
9. Keep An Eye On Summer
10. Shut Down, Part II
11. Louie, Louie
12. Denny's Drums
The Ultimate Pressings of the Beach Boys Discography from Analogue Productions!
200g Vinyl LP Pressed at Quality Record Pressings! Mono Mix Created Under Brian Wilson's Supervision!
Mastered by Kevin Gray at Cohearent Audio from the Original Master Tapes or Best Sources Available!
To meet the standards of Analogue Productions, their Beach Boys album reissues had a mission to achieve: Present the band's music the way that Brian Wilson famed co-founder, songwriter and arranger intended. Mono mixes created under Wilsons supervision were how the surf rockin California crew rose to fame! And theyve got em!
"There's no deterring hard-core Beach Boys fans from these reissues, especially those who grew up with the original records and who want to hear them re-mastered for adult record players These reissues restore whatever was really on the tapes As for the quality of these reissues, it's quite clear that, whether or not you like the sonic results, Analogue Productions sets the reissue standard. The company insists upon using analog master tapes (where available), not analog copies, it uses the best available artwork, and packages in "Tip-on" jackets. It masters where the tapes are located using Kevin Gray in California, Ryan K. Smith in New York and Willem Makkee in Germany." - Michael Fremer, www.analogcorner.com
For the early part of the Beach Boys career, all of their singles were mixed and mastered and released only in the mono format they didn't release a single in stereo until 1968. In those days, hits were made on AM radio in mono. And the mono of those times worked well for Wilson, who suffers from partial deafness. Still, apart from Surfin' Safari, which was mono only, the Beach Boys did turn in stereo masters on all of their early albums up until 1965. The Beach Boys Today! was the first LP for which they only delivered a mono master.
The stereo editions of Surfin' USA, Surfer Girl, Little Deuce Coupe, Shut Down Vol. 2, All Summer Long, Beach Boys Christmas Album and Beach Boys Concert were all mixed in stereo by their own preferred engineer, Chuck Britz, ostensibly under the group's supervision.
"Brian may or may not have been present for those mixing sessions evidence suggests that he trusted Chuck's skills enough to let him prepare those mixes on his own but the group held onto their multitrack tapes and delivered stereo masters to Capitol, rather than allowing Capitol to prepare their own stereo versions. Later, when Brian was only delivering mono masters, Capitol would prepare the Duophonic pseudo stereo editions for the stereo market," says Alan Boyd, producer and Beach Boys' archivist.
All of the newer stereo mixes on these remastered albums (The Beach Boys Today!, Summer Days (And Summer Nights!!), The Beach Boys' Party, Pet Sounds and Smiley Smile) were all done by Mark Linett on behalf of the Beach Boys.
Still, bottom line, the mono mixes were where Brian Wilson paid intense attention, and the dedication paid off!
Analogue Productions has taken 10 of the most classic, best-sounding Beach Boy titles ever and restored them to their mono glory!
But theres no disputing that the close harmonies and one-of-a-kind rhythms of hits like Surfer Girl, In My Room, Little Deuce Coupe and more lend themselves naturally to stereo. So Analogue Productions has your 2-channel needs covered with prime stereo mix versions as well.
Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in "old school" Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!
Shut Down Volume 2 is the fifth studio album by the Beach Boys, and the first of four they would release in 1964. Shut Down Volume 2 reached number 13 in the US charts during a chart stay of 38 weeks. The "Volume 2" in the album title refers to a multi-artist album featuring and named for the Beach Boys' song "Shut Down," released eight months earlier by the band's label.
"The first Shut Down was a hugely successful Capitol Records Various Artists compilation LP that had included a pair of Beach Boys tracks. Whereas their previous album Little Deuce Coupe had been a full-on car themed concept album, the Beach Boys' Shut Down Volume 2 was pretty much evenly split between songs with car themes and various high school and summertime-themed tunes. The album sought to further the Beach Boys beyond its ironic sea-and-sun fetish (none but Dennis Wilson ever surfed) into the burgeoning hot-rod subculture...the high points remain nothing short of spectacular, including the Mike Love-propelled 'Fun, Fun, Fun,' Wilson's knowing nod to Phil Spector, 'Don't Worry Baby,' and the (hit) 'The Warmth of the Sun.'" -Amazon.com
Features:
200 Gram Vinyl
33 1/3rpm mono mixes created under Brian Wilson's supervision
Mastered by Kevin Gray at Cohearent Audio, most from the original master tapes or best sources available
Lacquer plating by Gary Salstrom
Pressed at Quality Record Pressings on Virgin Vinyl
Mono
Deluxe Packaging, Highest Quality Jackets and Rice Paper Inner Sleeves
"Old School" Stoughton tip-on jackets
Selections:
1. Fun, Fun, Fun
2. Don't Worry Baby
3. In The Parkin' Lot
4. "Cassius" Love Vs "Sonny" Wilson
5. The Warmth Of The Sun
6. This Car Is Mine
7. Why Do Fools Fall In Love
8. Pom, Pom Play Girl
9. Keep An Eye On Summer
10. Shut Down, Part II
11. Louie, Louie
12. Denny's Drums
