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Tomas Ornberg's Blue Five Nobody's Blues But Mine Master Quality Reel To Reel Tape

Tomas Ornberg's Blue Five

$549.99
 
Availability: In Stock
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SKU:
OPRR19102
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Each Opus 3 Reel-To-Reel Tape is made upon order and is ready to ship in approximately 2-4 weeks!

This item not eligible for any further discount offers!

Limited Production Run of only 50 Copies Worldwide!
Master Quality Reel To Reel Tape!
Exceptional Audiophile Sound as close to the Original Master Reference Quality as possible!


Opus 3 Records Offers Analogue Copies From Original Analogue Masters!

Master copies of Opus 3 analogue recordings! The shortest and best possible signal-path, without any conversions.

The current Opus 3 catalogue contains 50 titles which have been strictly analogue recorded and preserved. To cater to the needs of people for whom only the best is good enough and demand the ultimate in sound perfection we now offer open-reel master copies of Opus 3 albums.

All tapes are copied 'by hand', track by track, where all Mastering corrections are made with meticulous calibration and control.

We use:
A modified Technics RS-1500 for playback of the master tape, which has also been used for all of our re-mastering for SACD of our older titles. This tape recorder is world renowned as one of the best for playback. However it is specially modified to achieve the best possible quality.
Telefunken Magnetophone M-28 for the recording of your copy. This tape recorder has been used for the recording of all of Opus 3's master-recordings since 1978.

The tape:
which we used for many years was Agfa PEM-468 which is no longer manufactured, however the RMG Studio Master SM-468 produced in the Netherlands has 100% identical performance.
1/4", 2-Tracks
Speed: 38 cm/s (15")
Playback EQ: IEC (CCIR) 35uS

Over many years Opus 3 has from time to time been asked to offer Analogue Tape Copies. At the end of 2014, the first copies were sold in Sweden and the response was overwhelming.

When Opus 3 Records creates an Analogue tape copy, it is always a One to One Copy where, for example, no analogue sub-master is in between, in order to make it as good as possible with no added distortion, noise and wow and flutter, etc.

The drawback is this process takes a lot of time, because all the tracks have to be copies one by one which is the reason the Analogue Tape are high. Because of the way this is done, production is limited to a maximum of 50 pieces. The upside to this process is you are guaranteed to have the best sounding Analogue Tape Copy.

This recording has been built up around a number and variety of guest soloists to give a wide number of personal sounds. In addition to Bent Persson (tp), Olle Nyman (bj/gtr) and Bo Juhlin (sous), who of course all are members of the Tomas Ornberg's Blue Five group, guest artist include: Bob Barnard (tp), Keith Durston (p), Morten Gunnar Larsen (p), Joep Peeters (p), and Frans Sjöström (bass sax).

* Reel To Reel Master Tapes do not include cover art

** It is standard practice in all recording studios to keep the tape "tail out". This reduces "pre-echo" and it means that the tape should be placed on the right hand side of the recorder, re-wound and then played.

Features:
• 1st Generation Reel to Reel Tape made from the Original Master Tape
• Limited Production Run of only 50 Total
• Analogue Tape Copies from original analogue masters
• Two 10.5" Metal-NAB-Reels
• Playback EQ: IEC/CCIR (35uS)
• 2-track, 1/4" at 38 cm/s (15")

Musicians:
Tomas Ornberg
Bent Persson, trumpet
Olle Nyman, banjo, guitar
Bo Juhlin, sousaphone
Guest Artists:
Bob Barnard, trumpet
Keith Durston, piano
Morten Gunnar Larsen, piano
Joep Peeters, piano
Frans Sjostrom, bass saxophone

Selections:
(Subject to change)
1. My Sweet Lovin' Man
2. Nobody's Blues But Mine
3. Papa Dip
4. Absent Minded Blues
5. Ain't Cha' Got Music
6. House Rent Blues
7. Winin' Boy Blues
8. There Ain't No Sweet Man (Worth the Salt of My Tears)
9. Mandy Lee Blues
10. New Orleans Hop Scop Blues
11. Flat Foot
12. Workin' Man Blues
13. St. Claus Blues
14. Dropping Shucks
15. Dixie Cinderella
16. Mister Will You Serenade?