Coming October 9, 2026 pre-order your copy today!
Verve Vault Series!
Cut from the Original Analog Tape by Ryan K. Smith at Sterling Sound!
Pressed on 180g Vinyl Double LP at Optimal!
This item not eligible for any further discount offers!
Six years after the legendary live sets that yielded two of Bill Evans' best-loved albums for Riverside, Sunday at the Village Vanguard and Waltz for Debby, the influential jazz pianist returned to the same Manhattan jazz club for two nights in 1967, in a rare trio setting with Eddie Gomez on bass and Philly Joe Jones on drums. The recordings were compiled on the perhaps confusingly titled double album, California Here I Come, in 1982, issued two years after Evans' passing. Despite the perceived coastal mix-up, one thing is clear: Evans and his rhythm section were in fine form, delivering unbridled spirit, rhythmic fire and high-energy interplay with each other on readings of standards like, "'Round Midnight," "In a Sentimental Mood," "Stella by Starlight," and the then-new Bacharach/David standout "Alfie."
The Verve Vault series is all-analog, cut from the original master tapes by Ryan K. Smith at Sterling Sound and pressed on 180-gram vinyl.
Features
- Verve Vault Series
- 180g Vinyl
- Double LP
- Cut from the Original Analog Tape by Ryan K. Smith at Sterling Sound
- Pressed at Optimal
Musicians
| Bill Evans | piano |
|---|---|
| Eddie Gomez | bass |
| "Philly" Joe Jones | drums |
Selections
Side One:
- California Here I Come
- Polka Dots And Moonbeams
- Turn Out The Stars
- Stella By Starlight
Side Two:
- You're Gonna Hear From Me
- In A Sentimental Mood
- G Waltz
- Green Dolphin Street
Side Three:
- Gone With The Wind
- If You Could See Me Now
- Alfie
- Very Early
Side Four:
- 'Round Midnight
- Emily
- Wrap Your Troubles In Dreams
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