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New 2025 collection! From a very meticulous collector, this comes from a collection great highly sought-after items! Long Out Of Print, won't last long! Only 1 Copy Available!
Vinyl Grade: Sealed
Jacket Grade: Mint
Although Billie Holiday's repertoire covered barely more than a dozen pure blues numbers during the course of her long career from 1933 to 1959, music critics always referred to her as the 'Lady [who] sings the blues'. And that hasn't changed to this day. In truth the recordings she made for Columbia in the Thirties and those for Clef/ Verve between 1953 and 1957 were a highly varied mixture of titles from the American songbook and her own compositions. Her interpretations were a benchmark against which all aspiring singers were measured. Highly expressive, almost visual ballads went hand in hand with Billie Holiday's life and voice - and only she alone could sing them! Her voice was always embedded in the sound carpet produced by her accompanying musicians: Tony Scott and Paul Quinichette are two names who made their mark on her music in the mid-Fifties, and the rhythm group of Barney Kessel, Kenny Burrell and Chico Hamilton is really first class. The trumpeter Harry "Sweets" Edison, a long-time friend from the Count Basie Band, sensitively accompanies the singer's mature voice.
This album in its original cover proves for first time just how great the old Clef recordings by Norman Granz can sound. And surely almost no-one will still possess a well-preserved copy (with lyrics!) of MGC-721 on their shelf...
Selections:
1. Lady Sings The Blues
2. Trav'lin' Light
3. I Must have That Man
4. Some Other Spring
5. Strange Fruit
6. No Good Man
7. God Bless The Child
8. Good Morning Heartache
9. Love Me Or Leave Me
10. Too Marvelous For Words
11. Willow Weep For Me
12. I Thought About You
Vinyl Grade: Sealed
Jacket Grade: Mint
Although Billie Holiday's repertoire covered barely more than a dozen pure blues numbers during the course of her long career from 1933 to 1959, music critics always referred to her as the 'Lady [who] sings the blues'. And that hasn't changed to this day. In truth the recordings she made for Columbia in the Thirties and those for Clef/ Verve between 1953 and 1957 were a highly varied mixture of titles from the American songbook and her own compositions. Her interpretations were a benchmark against which all aspiring singers were measured. Highly expressive, almost visual ballads went hand in hand with Billie Holiday's life and voice - and only she alone could sing them! Her voice was always embedded in the sound carpet produced by her accompanying musicians: Tony Scott and Paul Quinichette are two names who made their mark on her music in the mid-Fifties, and the rhythm group of Barney Kessel, Kenny Burrell and Chico Hamilton is really first class. The trumpeter Harry "Sweets" Edison, a long-time friend from the Count Basie Band, sensitively accompanies the singer's mature voice.
This album in its original cover proves for first time just how great the old Clef recordings by Norman Granz can sound. And surely almost no-one will still possess a well-preserved copy (with lyrics!) of MGC-721 on their shelf...
Selections:
1. Lady Sings The Blues
2. Trav'lin' Light
3. I Must have That Man
4. Some Other Spring
5. Strange Fruit
6. No Good Man
7. God Bless The Child
8. Good Morning Heartache
9. Love Me Or Leave Me
10. Too Marvelous For Words
11. Willow Weep For Me
12. I Thought About You
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