With its found vocals, cut-and-paste arrangements, funked-up rhythms and embrace of influences from all around the globe, the duos controversial work anticipated the creative cross-pollination and technological innovation of contemporary electronic dance music, world music, hip hop and alternative rock. You can hear echoes of My Life in the Bush of Ghosts in the anthems Moby built around vintage vocal samples, in the outrageously exotic beats of Missy Elliot and Timbaland, in the Middle Eastern-accented chill-out tracks of Thievery Corporation or Bjorks otherworldly soundscapes.
Upon initial release critics were divided and audiences were, well, confused. Eno and Byrne themselves didnt know quite what they were looking for at first. They shared an enthusiasm for African music, especially the hypnotic grooves of Nigerian Fela Kuti, and a desire to free themselves from the constraints of conventional songwriting. They embarked on a nomadic journey through studios in New York City, Los Angeles and San Francisco. The players who accompanied them on these sessions included drummers Chris Frantz (Talking Heads) and Prairie Prince (The Tubes), bassist Bill Laswell (Material) and Tim Wright (DNA), avant-garde percussionist Dave Van Teighem and conga player Steve Scales, part of the Remain In Light live band. The result of their labors was an album that married West African and American R&B rhythms with the impassioned voices of talk-show hosts and evangelists taped off the radio or the evocative sound of prayerful singers culled from Middle Eastern field recordings. Byrne recalls their entire
adventure in fascinating liner notes that detail the recording process and address the resulting critical furor. My Life in the Bush of Ghosts was cut between Talking Heads Fear of Music (1979) and Remain In Light (1980), but sample clearance issues, an almost unheard-of-problem in the analog era, kept it on hold until 1981.
This updated, 180 gram, double LP edition is fully remastered, includes seven unreleased tracks from the original recording session and six multi track selections. The bonus material includes tracks that had been considered for but never made it to the original LP and a smart, informative historical /critical essay by author-musicologist-recording artist David Toop. Also featured are various drum, vocal and ambient multitracks on Side 4.
Back in 1980, Eno and Byrne were fomenting musical evolution, but wound up triggering a sonic revolution. With My Life in the Bush of Ghosts they had stumbled onto the future.
Features:
180g Vinyl
Remastered
Selections:
LP 1
1. America Is Waiting
2. Mea Culpa
3. Regiment
4. Help Me Somebody
5. The Jezebel Spirit
6. Very, Very Hungry
7. Moonlight In Glory
8. The Carrier
9. A Secret Life
10. Come With Us
11. Mountain of Needles
LP 2
1. Pitch to Voltage
2. Two Against Three
3. Vocal Outtakes
4. New Feet
5. Defiant
6. Number 8 Mix
7. Solo Guitar With Tin Foil
8. Help Me Somebody (drum track)
9. Help Me Somebody (vocal track)
10. Help Me Somebody (ambient track)
11. A Secret Life (drum track)
12. A Secret Life (vocal track)
13. A Secret Life (ambient track)
Upon initial release critics were divided and audiences were, well, confused. Eno and Byrne themselves didnt know quite what they were looking for at first. They shared an enthusiasm for African music, especially the hypnotic grooves of Nigerian Fela Kuti, and a desire to free themselves from the constraints of conventional songwriting. They embarked on a nomadic journey through studios in New York City, Los Angeles and San Francisco. The players who accompanied them on these sessions included drummers Chris Frantz (Talking Heads) and Prairie Prince (The Tubes), bassist Bill Laswell (Material) and Tim Wright (DNA), avant-garde percussionist Dave Van Teighem and conga player Steve Scales, part of the Remain In Light live band. The result of their labors was an album that married West African and American R&B rhythms with the impassioned voices of talk-show hosts and evangelists taped off the radio or the evocative sound of prayerful singers culled from Middle Eastern field recordings. Byrne recalls their entire
adventure in fascinating liner notes that detail the recording process and address the resulting critical furor. My Life in the Bush of Ghosts was cut between Talking Heads Fear of Music (1979) and Remain In Light (1980), but sample clearance issues, an almost unheard-of-problem in the analog era, kept it on hold until 1981.
This updated, 180 gram, double LP edition is fully remastered, includes seven unreleased tracks from the original recording session and six multi track selections. The bonus material includes tracks that had been considered for but never made it to the original LP and a smart, informative historical /critical essay by author-musicologist-recording artist David Toop. Also featured are various drum, vocal and ambient multitracks on Side 4.
Back in 1980, Eno and Byrne were fomenting musical evolution, but wound up triggering a sonic revolution. With My Life in the Bush of Ghosts they had stumbled onto the future.
Features:
180g Vinyl
Remastered
Selections:
LP 1
1. America Is Waiting
2. Mea Culpa
3. Regiment
4. Help Me Somebody
5. The Jezebel Spirit
6. Very, Very Hungry
7. Moonlight In Glory
8. The Carrier
9. A Secret Life
10. Come With Us
11. Mountain of Needles
LP 2
1. Pitch to Voltage
2. Two Against Three
3. Vocal Outtakes
4. New Feet
5. Defiant
6. Number 8 Mix
7. Solo Guitar With Tin Foil
8. Help Me Somebody (drum track)
9. Help Me Somebody (vocal track)
10. Help Me Somebody (ambient track)
11. A Secret Life (drum track)
12. A Secret Life (vocal track)
13. A Secret Life (ambient track)
