Cecile McLorin Salvant Melusine LP

Tracking Angle Rated 10/10 Music, 10/10 Sonics!

Cécile McLorin Salvant's album Mélusine features a mix of five originals and interpretations of nine songs, dating as far back as the twelfth century, mostly sung in French along with Occitan, English, and Haitian Kreyòl, that tell the folk tale of Mélusine, a woman who turns into a half-snake each Saturday after a childhood curse by her mother. Mélusine agrees to marry Raymondin on the condition that he never see her on Saturdays. He agrees but is later convinced by his brother to break his promise, piercing his wife's door with a sword and finding her naked in the bath, half snake, half woman. When she catches him spying on her, she turns into a dragon and flies away, only to reappear every time one of her descendants is on their deathbed.

Salvant, whose parents are French and Haitian, says Mélusine is also "partly about that feeling of being a hybrid, a mixture of different cultures, which I've experienced not only as the American-born child of two first generation immigrants, but as someone raised in a family that is racially mixed, from several different countries, with different languages spoken in the home."

One of the most daring and resourceful vocalists in jazz — or any other genre, for that matter

It's unlike anything she's done before—unlike anything anyone has done before, at least not on a major American record label... Here's the main thing you need to know: This is a gorgeous album. Salvant's voice is gorgeous. The arrangements are gorgeous. And the songs are gorgeous.

It almost goes without saying that Salvant's voice is utterly sublime on Mélusine, rich with an earthy jazz warmth on one song and shimmering with a brightly attenuated operatic resonance on another. There's also a feeling that for her, the story of a half-serpent half-woman is in keeping with her life as a Black woman raised in Miami by a Haitian father and French mother. Whether it's with the themes of romantic heartbreak and bodily autonomy, or the global boundary-pushing musicality at play on Mélusine, Salvant's work is transcendent.