Original Album + Bonus Tracks On 180g Vinyl LP!
If you ever want to know where Freddie Hubbard and Lee Morgan got their inspiration, then look no further than this album. Clifford Brown & Max Roach is a 1954 album by the two influential jazz musicians as part of the Clifford Brown & Max Roach Quintet, described by The New York Times as "perhaps the definitive bop group until Mr. Brown's fatal automobile accident in 1956". The album was critically well received and includes several notable tracks, including two that have since become jazz standards. The album was inducted into the Grammy Hall of Fame in 1999. It is included in Jazz: A Critic's Guide to the 100 Most Important Recordings at #34, where it is described by New York Times jazz critic Ben Ratliff as "one of the strongest studio albums up to that time".
"According to the original 1955 liner notes to Clifford Brown & Max Roach, the announcement that Clifford Brown and Max Roach had begun recording and playing together sent shock waves throughout the jazz community and predictions ran rampant about how the two might shape bop to come. The last duo to really shape the music had begun over ten years earlier, with the relationship between Bird and Diz. This recording was early fruit from a tree that would only live as long as Clifford Brown was around to water it (1956, the year of his tragic auto accident). The result is by far some of the warmest and most sincere bebop performed and committed to tape. Brown's tone is undeniably and characteristically warm, and he keeps the heat on alongside Roach's lilting vamps and pummeling solos. What really keeps this record on the orange side of things (other than the decidedly orange cover) is the solo work of saxophonist Harold Land, who plays part Bird and part Benny Goodman. His tone is as delightful as it gets on the sultry 'Deliah' and as bop-expressive as it gets on 'The Blues Walk' and 'Parisian Thoroughfare,' where he and Brownie go head to head blowing expressive runs of sheer New York-style jazz. This collection of songs runs a nice gamut between boplicity and pleasant balladry. It represents bop at its best and is recommended for collectors and casual fans alike." - AllMusic
Features:
180g Vinyl
Direct Metal Master
Import
Bonus Tracks
Made in the E.U.
Musicians:
Clifford Brown, trumpet
Max Roach, drums
Harold Land, tenor sax
Richie Powell, piano
George Morrow, bass
Selections:
Side A:
1. Delilah
2. Parisian Thoroughfare
3. The Blues Walk
4. Daahoud
Side B:
1. Joy Spring
2. Jordu
3. What Am I Here For
Bonus Tracks:
4. George's Dilemma
5. If I Love Again
Los Angeles:
A1, A2: August 2, 1954
B2: August 3, 1954
A4, B1: August 6, 1954
New York City:
A3, B4, B5: February 24, 1955
B3: February 25, 1955
If you ever want to know where Freddie Hubbard and Lee Morgan got their inspiration, then look no further than this album. Clifford Brown & Max Roach is a 1954 album by the two influential jazz musicians as part of the Clifford Brown & Max Roach Quintet, described by The New York Times as "perhaps the definitive bop group until Mr. Brown's fatal automobile accident in 1956". The album was critically well received and includes several notable tracks, including two that have since become jazz standards. The album was inducted into the Grammy Hall of Fame in 1999. It is included in Jazz: A Critic's Guide to the 100 Most Important Recordings at #34, where it is described by New York Times jazz critic Ben Ratliff as "one of the strongest studio albums up to that time".
"According to the original 1955 liner notes to Clifford Brown & Max Roach, the announcement that Clifford Brown and Max Roach had begun recording and playing together sent shock waves throughout the jazz community and predictions ran rampant about how the two might shape bop to come. The last duo to really shape the music had begun over ten years earlier, with the relationship between Bird and Diz. This recording was early fruit from a tree that would only live as long as Clifford Brown was around to water it (1956, the year of his tragic auto accident). The result is by far some of the warmest and most sincere bebop performed and committed to tape. Brown's tone is undeniably and characteristically warm, and he keeps the heat on alongside Roach's lilting vamps and pummeling solos. What really keeps this record on the orange side of things (other than the decidedly orange cover) is the solo work of saxophonist Harold Land, who plays part Bird and part Benny Goodman. His tone is as delightful as it gets on the sultry 'Deliah' and as bop-expressive as it gets on 'The Blues Walk' and 'Parisian Thoroughfare,' where he and Brownie go head to head blowing expressive runs of sheer New York-style jazz. This collection of songs runs a nice gamut between boplicity and pleasant balladry. It represents bop at its best and is recommended for collectors and casual fans alike." - AllMusic
Features:
180g Vinyl
Direct Metal Master
Import
Bonus Tracks
Made in the E.U.
Musicians:
Clifford Brown, trumpet
Max Roach, drums
Harold Land, tenor sax
Richie Powell, piano
George Morrow, bass
Selections:
Side A:
1. Delilah
2. Parisian Thoroughfare
3. The Blues Walk
4. Daahoud
Side B:
1. Joy Spring
2. Jordu
3. What Am I Here For
Bonus Tracks:
4. George's Dilemma
5. If I Love Again
Los Angeles:
A1, A2: August 2, 1954
B2: August 3, 1954
A4, B1: August 6, 1954
New York City:
A3, B4, B5: February 24, 1955
B3: February 25, 1955
