Diana Krall The Girl In The Other Room Hybrid Multi-Channel & Stereo SACD
Diana Krall The Girl In The Other Room Hybrid Multi-Channel & Stereo SACD
Genre: Jazz
Label: Verve

Share:

Diana Krall The Girl In The Other Room Hybrid Multi-Channel & Stereo SACD

Diana Krall

$19.99
 
 
 
Availability: Expected On 01-31-2020
In Stock An In Stock item is available to ship normally within 24 business hours.
Preorder A Preorder is an item that has not yet been released. Typically the label will set a projected release date (that is subject to change). If a projected release date is known, we will include this in the description in red. Other Preorders are set to release "TBA." This means that release date is yet "To Be Announced". The Preorder can be released anywhere between weeks, months or years from its initial announcement.
Out of Stock An Out Of Stock item is an item that we normally have available to ship but we are temporarily out of.
Awaiting Repress Awaiting repress titles are in the process of being repressed by the label. No ETA is available at this time.
Expected On When an item is Out Of Stock and we have an estimated date when our stock should arrive, we list that date on our website in the part's description.
Special Order A Special Order item is an item that we do not stock but can order from the manufacturer. Typical order times are located within the product description.
SKU:
VERSAM046
UPC:
602498620465
Diana Krall The Girl In The Other Room

The same girl in a different 'Room.' The depth of feeling which lies behind the beautiful façade of Diana Krall's highly successful Verve releases has always been known to her most appreciative listeners. However, with her latest album, The Girl In The Other Room, Krall not only illustrates her understanding of the breadth of possibilities in the jazz idiom but also reveals her talent as a songwriter. Indeed, the title song of the record is a Krall original. While some may be attracted to the lyrical portrait of a mysterious woman distracted by love (and note in passing that the words were co-written with Elvis Costello), the ear is drawn to the elegant and effortlessly swinging accompaniment of Krall's piano and that of her long-time partners in rhythm: Jeff Hamilton on drums and bassist, John Clayton.

For much of the album, the musical support comes from drummer Peter Erskine and bassist Christian McBride. The inventive and sympathetic guitar playing of Anthony Wilson is heard throughout a record that which also features drummer Terri Lynne Carrington and Neil Larson sitting in on Hammond B-3 for one cut. The album is the first co-produced by Krall and her long-time producer Tommy LiPuma. Recorded at Capitol Studios, Hollywood and Avatar Recording, New York City, the sessions were engineered throughout 2003 by another long-term cohort, Al Schmitt.  

Listeners used to Krall's intimate and seductive interpretations of standard ballads may be surprised at first by her present choice of composers. Take a listen to her take on Mose Allison's timely blues, "Stop This World" or the driving and joyfully carnal "Love Me Like a Man" (with its final chorus salute to Count Basie) and you will hear a singer, bandleader and piano player in her top form. Krall's sensual approach to Tom Waits' "Temptation," with its extraordinary introduction by Christian McBride, is balanced by Krall's own exquisite preface to a most tender rendition of Elvis Costello's "Almost Blue." A beautifully reflective version of a relatively obscure standard, "I'm Pulling Through," recalls the style of her teacher, Jimmy Rowles.

The spirit of Rowles and an apprenticeship of the jazz club experiences is inspiration for one of Krall's new compositions, "I've Changed My Address," only as Krall reflects, revisiting some of these venues can be a shock: "Everything looks pretty much the same but the place is now a sports bar and there is pool table where there used to be a piano." While so much of the music is new, the album itself recalls a vinyl disc of two sides. The bold and flowing solos from Krall and guitarist Anthony Wilson on Joni Mitchell's song of travel, "Black Crow," announce a series of original songs that speak of family and of love, but also of enduring the grievous loss of a parent. As Krall explained recently: "I went through a series of deep personal losses and changes. So...this is what I did instead of shutting the door and saying 'I can't deal with it'".

So it is that the gospel changes of the hopeful "Narrow Daylight" give away to the sophisticated blues of "Abandoned Masquerade." It is this song that most clearly expresses the need (for now at least) for the singer to step out from behind the beautiful romantic illusions found in so many songs of the past. Once again, the music leaves the listener in no doubt that they are hearing the work of a jazz composer. The gently defiant tone of "I'm Coming Through" marks another subtle shift of musical scene with wonderful playing from Anthony Wilson. The content of these last songs is undoubtedly the most specifically personal material yet recorded by Diana Krall.  

The album closes with perhaps the most deeply felt of the self-composed titles.  "Departure Bay" contains vivid and touching images of her hometown of Nanaimo on Vancouver Island but also a wrenching description of her family's first Christmas without her mother and a final verse that welcomes new love and hope for the future. Musically composed by Krall alone, these songs mark a lyrical collaboration with her new husband, Elvis Costello. Explaining how they worked, Krall said: "I wrote the music and then Elvis and I talked about what we wanted to say. I told him stories and wrote pages and pages of reminiscences, descriptions and images, and he put them into tighter lyrical form. For "Departure Bay," I wrote down a list of things that I love about home, things I realized were different, even exotic, now that I've been away".

Songs often suggest and recall moments in our own lives and listeners must surely be aware that Diana Krall's previous recordings contained many personal but private meanings for the artist. On The Girl In The Other Room, what was once partly hidden has been brought beautifully into view.

"The thing about Diana is her musicianship," Al Schmitt said in an interview with the Los Angeles Times. "More than most singers, she knows what's right for her, and she knows how to make it happen musically."

Features:
• Super Audio CD
• SACD Multi-Channel SACD Layer
• SACD Stereo SACD Layer
• This Hybrid SACD contains a 'Red Book' Stereo CD Layer which is playable on most conventional CD Players!

Musicians:
Diana Krall, vocals, piano
Anthony Wilson, guitar
Neil Larsen, Hammond B-3 (3)
Christian McBride, bass (1, 3, 4, 7–12)
John Clayton, bass (2, 5, 6)
Peter Erskine, drums (1, 4, 7–12)
Jeff Hamilton, drums (2, 5, 6)
Terri Lyne Carrington, drums (3)
Produced by Tommy LiPuma and Diana Krall

Selections:
1. Stop This World (Mose Allison)
2. The Girl in the Other Room (Music and lyrics by Diana Krall and Elvis Costello)
3. Temptation (Tom Waits)
4. Almost Blue (Elvis Costello)
5. I’ve Changed My Address (Music by Diana Krall, lyrics by Elvis Costello and Diana Krall)
6. Love Me Like a Man (Chris Smither, adapted by Bonnie Raitt)
7. I’m Pulling Through (Arthur Herzog–Irene Kitchings)
8. Black Crow (Joni Mitchell)
9. Narrow Daylight (Music by Diana Krall, lyrics by Elvis Costello and Diana Krall)
10. Abandoned Masquerade (Music by Diana Krall, lyrics by Elvis Costello)
11. I’m Coming Through (Music by Diana Krall, lyrics by Elvis Costello and Diana Krall)
12. Departure Bay (Music by Diana Krall, lyrics by Elvis Costello and Diana Krall)
Description
Diana Krall The Girl In The Other Room

The same girl in a different 'Room.' The depth of feeling which lies behind the beautiful façade of Diana Krall's highly successful Verve releases has always been known to her most appreciative listeners. However, with her latest album, The Girl In The Other Room, Krall not only illustrates her understanding of the breadth of possibilities in the jazz idiom but also reveals her talent as a songwriter. Indeed, the title song of the record is a Krall original. While some may be attracted to the lyrical portrait of a mysterious woman distracted by love (and note in passing that the words were co-written with Elvis Costello), the ear is drawn to the elegant and effortlessly swinging accompaniment of Krall's piano and that of her long-time partners in rhythm: Jeff Hamilton on drums and bassist, John Clayton.

For much of the album, the musical support comes from drummer Peter Erskine and bassist Christian McBride. The inventive and sympathetic guitar playing of Anthony Wilson is heard throughout a record that which also features drummer Terri Lynne Carrington and Neil Larson sitting in on Hammond B-3 for one cut. The album is the first co-produced by Krall and her long-time producer Tommy LiPuma. Recorded at Capitol Studios, Hollywood and Avatar Recording, New York City, the sessions were engineered throughout 2003 by another long-term cohort, Al Schmitt.  

Listeners used to Krall's intimate and seductive interpretations of standard ballads may be surprised at first by her present choice of composers. Take a listen to her take on Mose Allison's timely blues, "Stop This World" or the driving and joyfully carnal "Love Me Like a Man" (with its final chorus salute to Count Basie) and you will hear a singer, bandleader and piano player in her top form. Krall's sensual approach to Tom Waits' "Temptation," with its extraordinary introduction by Christian McBride, is balanced by Krall's own exquisite preface to a most tender rendition of Elvis Costello's "Almost Blue." A beautifully reflective version of a relatively obscure standard, "I'm Pulling Through," recalls the style of her teacher, Jimmy Rowles.

The spirit of Rowles and an apprenticeship of the jazz club experiences is inspiration for one of Krall's new compositions, "I've Changed My Address," only as Krall reflects, revisiting some of these venues can be a shock: "Everything looks pretty much the same but the place is now a sports bar and there is pool table where there used to be a piano." While so much of the music is new, the album itself recalls a vinyl disc of two sides. The bold and flowing solos from Krall and guitarist Anthony Wilson on Joni Mitchell's song of travel, "Black Crow," announce a series of original songs that speak of family and of love, but also of enduring the grievous loss of a parent. As Krall explained recently: "I went through a series of deep personal losses and changes. So...this is what I did instead of shutting the door and saying 'I can't deal with it'".

So it is that the gospel changes of the hopeful "Narrow Daylight" give away to the sophisticated blues of "Abandoned Masquerade." It is this song that most clearly expresses the need (for now at least) for the singer to step out from behind the beautiful romantic illusions found in so many songs of the past. Once again, the music leaves the listener in no doubt that they are hearing the work of a jazz composer. The gently defiant tone of "I'm Coming Through" marks another subtle shift of musical scene with wonderful playing from Anthony Wilson. The content of these last songs is undoubtedly the most specifically personal material yet recorded by Diana Krall.  

The album closes with perhaps the most deeply felt of the self-composed titles.  "Departure Bay" contains vivid and touching images of her hometown of Nanaimo on Vancouver Island but also a wrenching description of her family's first Christmas without her mother and a final verse that welcomes new love and hope for the future. Musically composed by Krall alone, these songs mark a lyrical collaboration with her new husband, Elvis Costello. Explaining how they worked, Krall said: "I wrote the music and then Elvis and I talked about what we wanted to say. I told him stories and wrote pages and pages of reminiscences, descriptions and images, and he put them into tighter lyrical form. For "Departure Bay," I wrote down a list of things that I love about home, things I realized were different, even exotic, now that I've been away".

Songs often suggest and recall moments in our own lives and listeners must surely be aware that Diana Krall's previous recordings contained many personal but private meanings for the artist. On The Girl In The Other Room, what was once partly hidden has been brought beautifully into view.

"The thing about Diana is her musicianship," Al Schmitt said in an interview with the Los Angeles Times. "More than most singers, she knows what's right for her, and she knows how to make it happen musically."

Features:
• Super Audio CD
• SACD Multi-Channel SACD Layer
• SACD Stereo SACD Layer
• This Hybrid SACD contains a 'Red Book' Stereo CD Layer which is playable on most conventional CD Players!

Musicians:
Diana Krall, vocals, piano
Anthony Wilson, guitar
Neil Larsen, Hammond B-3 (3)
Christian McBride, bass (1, 3, 4, 7–12)
John Clayton, bass (2, 5, 6)
Peter Erskine, drums (1, 4, 7–12)
Jeff Hamilton, drums (2, 5, 6)
Terri Lyne Carrington, drums (3)
Produced by Tommy LiPuma and Diana Krall

Selections:
1. Stop This World (Mose Allison)
2. The Girl in the Other Room (Music and lyrics by Diana Krall and Elvis Costello)
3. Temptation (Tom Waits)
4. Almost Blue (Elvis Costello)
5. I’ve Changed My Address (Music by Diana Krall, lyrics by Elvis Costello and Diana Krall)
6. Love Me Like a Man (Chris Smither, adapted by Bonnie Raitt)
7. I’m Pulling Through (Arthur Herzog–Irene Kitchings)
8. Black Crow (Joni Mitchell)
9. Narrow Daylight (Music by Diana Krall, lyrics by Elvis Costello and Diana Krall)
10. Abandoned Masquerade (Music by Diana Krall, lyrics by Elvis Costello)
11. I’m Coming Through (Music by Diana Krall, lyrics by Elvis Costello and Diana Krall)
12. Departure Bay (Music by Diana Krall, lyrics by Elvis Costello and Diana Krall)
Genre
Jazz
If Can Be Discounted
YES
Discontinued
NO
Inventory
.00
Construct
0
Dropship
0
Artist
Diana Krall
Title
The Girl In The Other Room
Composer
Additional Artists
Record Weight
Record Speed
Record Speed Record Size
Multi Channel
1
Stereo
Mono
Colored
Picture Disc
1/2 Speed
DMM
Out of Print
Sell Hold/Repressing
Direct to disc
Availability
Expected On 01-31-2020
Format
SACD
ISBN
Creation Date
Release Date
04-06-2004
ASSOC
S
EXPECT_ON
2020-01-31 00:00:00.000
Scratch & Dent
0
back to top