Donald Byrd Byrd's Eye View (Blue Note Tone Poet Series) 180g LP (Mono)

Recorded in 1955 for producer Tom Wilson's short-lived Boston-based label Transition Records, Byrd's Eye View was trumpeter Donald Byrd's first issued recording as a leader. The date presented Byrd at the helm of what was then the current lineup of The Jazz Messengers with tenor saxophonist Hank Mobley, pianist Horace Silver, bassist Doug Watkins, and drummer Art Blakey. Local Boston-area trumpeter Joe Gordon joins the band for some friendly brass sparring with Byrd on several numbers, further adding to the album's jovial air of a blowing session. Everyone is in fine form on this five-song set with Side A consisting of an extended stroll through Watkins' laid-back original "Doug's Blues" followed by some inspired trading between Byrd and Gordon on "El Sino." A beautiful rendition of the ballad "Everything Happens to Me" and two swinging Mobley pieces comprise Side B, bringing this highly enjoyable date to a close.

The Tone Poet Audiophile Vinyl Reissue Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley, a.k.a. the "Tone Poet," on board to curate and supervise a series of reissues from the Blue Note family of labels.

Extreme attention to detail has been paid to getting these right in every conceivable way, from the jacket graphics and printing quality to superior LP mastering (direct from the master tapes) by Kevin Gray to superb 180g audiophile LP pressings by Record Technology, Inc. Every aspect of these Tone Poet releases is done to the highest possible standard. It means that you will never find a superior version. This is IT.

This mono Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180g vinyl at Record Technology, Inc. (RTI), and packaged in a deluxe tip-on jacket with a booklet.

...Byrd's Eye View...captures the young trumpeter in full command of his estimable powers -- the visceral intensity of this music is remarkable, galvanized by the typically stellar playing of drummer Art Blakey, pianist Horace Silver, tenorist Hank Mobley, and bassist Doug Watkins. Fellow trumpeter Joe Gordon pushes Byrd to new extremes -- his solos are as physical as a heavyweight boxer yet as graceful as a ballerina.