Erich Kunzel Tchaikovsky 1812 Overture Limited Edition Ultra HD CD
Erich Kunzel Tchaikovsky 1812 Overture Limited Edition Ultra HD CD

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Erich Kunzel Tchaikovsky 1812 Overture Limited Edition Ultra HD CD

Erich Kunzel

$39.99
 
 
 
Availability : information In Stock
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SKU:
LIMUHD052LE
UPC:
4892843002282
Out of Print! Last Chance! Limited Supplies Available!

Special Silver Logo First Pressing! Limited Run of Only 2,000 First Edition Pressings Available for Optimal Sound Quality!!!

Ultra High Definition 32-Bit Mastering!
This Ultra HD 32-Bit Mastering CD will play on ALL CD players!


The Cincinnati Symphony Orchestra, lead by Erich Kunzel, perform Tchaikovsky's 1812 Overture.

The Legendary First Recording
In 1978, Bob Woods and Jack Renner took the first of many risks that are characteristic of Telarc’s history. On the cutting edge of recorded sound technology, they made the first commercial classical recordings in the U.S. in the digital format. One of those recordings was the now legendary Tchaikovsky 1812 Overture, performed by Erich Kunzel and the Cincinnati Pops Orchestra. The recording featured the first-ever digitally recorded live sound effects—digital cannons.

When the 1812 was released, the cover read "Caution! Digital Cannons," and the interior of the booklet warned the listener that "the cannons of the Telarc 1812 Overture are recorded at a very high level. Lower levels are recommended for initial playback until a safe level can be determined for your equipment." Reviewers also issued cautions: "Just be sure the volume isn’t so loud that one of the shots spreads pieces of speaker cone all over your floor," (Digital Audio); and "Its peaks would crack your window panes and maybe your speaker cones, too." (Knight-Ridder Newspapers). The disc became Telarc’s best-selling recording of all time, with over 800,000 copies sold, and for well over a decade has been the audio demo disc of choice.

Ultra High Definition 32-Bit Mastering!
Ultra High Definition 32-Bit Mastering is a proprietary ultra-high-quality mastering system. This leading-edge system has achieved unprecedented sonority and musicality, reproducing as closely as possible the sound of the original master tape! This format employs what is currently the highest attainable resolution bit depth (word length) in the professional audio field, i.e. 32-bit. 32-bit resolution makes possible maximized, undistorted dynamics, and the lowest noise floor, allowing even the quietest musical information to be heard more clearly. This breakthrough results from the development, through years of experience and application of advanced digital technology, of a sophisticated A/D and D/A processing system.

Ultra HD 32-Bit Mastering does not specify a sampling rate; this allows flexibility in meticulously choosing the appropriate bandwidth for a particular recording. The higher the sampling rate -- for example, 192 kHz -- the greater the bandwidth. However, merely employing the greatest bandwidth may not guarantee the ultimate sound. With some recordings, a lower sampling rate -- 96 or 176 kHz -- may offer better musicality and more homogeneous harmonics. This determination requires careful and discerning auditioning and professional judgment. In the end, the human being’s hearing and emotions should be the final arbiter, rather than the print-out of testing equipment or technical measurements.

Recognizing these variables, FIM nevertheless tries to use 32-bit depth and 192 kHz bandwidth whenever the original analog master is at hand. Alternatively, if the original recording is on 24/96, the 32/96 may eventually be used to maintain the integrity of the sonority particular to that recording. With this flexibility, First Impression Music believes that preeminent sound is only achievable when the chemistry of the recording, mastering, glass-stamper making, replication, and quality control is right. As always, listening is believing.

This recording has been mastered by the new Ultra High Definition 32-Bit Mastering process, which creates an unbelievable sound surpassing other formats!

The benefits of Ultra HD 32-Bit Mastering:
• Ambience of Analogue Sound
• Higher Resolution
• Undistorted Dynamics
• The Lowest Noise Floor, allowing even the quietest musical information to be heard more clearly!
• Richer Sound Field
• Master-Tape Quality Sound!!!
• Delivers what musicians originally intended!

Features:
• Special Silver Logo First Pressing!
• Limited Run of Only 2,000 First Edition Pressings Available!
• Ultra HD Mastering
• Beautifully packaged
• Original Audiophile Label, Telarc Release!
• Playable on ALL CD Players!

Musicians:
Cincinnati Symphony Orchestra
Erich Kunzel, conductor

Selections:
Peter Ilyich Tchaikovsky (1840-1993)
1. "1812" Overture, Op. 49
2. Capriccio Italien, Op. 45
3. Cossack Dance from Mazeppa

Total Time: 35:16
Description
Out of Print! Last Chance! Limited Supplies Available!

Special Silver Logo First Pressing! Limited Run of Only 2,000 First Edition Pressings Available for Optimal Sound Quality!!!

Ultra High Definition 32-Bit Mastering!
This Ultra HD 32-Bit Mastering CD will play on ALL CD players!


The Cincinnati Symphony Orchestra, lead by Erich Kunzel, perform Tchaikovsky's 1812 Overture.

The Legendary First Recording
In 1978, Bob Woods and Jack Renner took the first of many risks that are characteristic of Telarc’s history. On the cutting edge of recorded sound technology, they made the first commercial classical recordings in the U.S. in the digital format. One of those recordings was the now legendary Tchaikovsky 1812 Overture, performed by Erich Kunzel and the Cincinnati Pops Orchestra. The recording featured the first-ever digitally recorded live sound effects—digital cannons.

When the 1812 was released, the cover read "Caution! Digital Cannons," and the interior of the booklet warned the listener that "the cannons of the Telarc 1812 Overture are recorded at a very high level. Lower levels are recommended for initial playback until a safe level can be determined for your equipment." Reviewers also issued cautions: "Just be sure the volume isn’t so loud that one of the shots spreads pieces of speaker cone all over your floor," (Digital Audio); and "Its peaks would crack your window panes and maybe your speaker cones, too." (Knight-Ridder Newspapers). The disc became Telarc’s best-selling recording of all time, with over 800,000 copies sold, and for well over a decade has been the audio demo disc of choice.

Ultra High Definition 32-Bit Mastering!
Ultra High Definition 32-Bit Mastering is a proprietary ultra-high-quality mastering system. This leading-edge system has achieved unprecedented sonority and musicality, reproducing as closely as possible the sound of the original master tape! This format employs what is currently the highest attainable resolution bit depth (word length) in the professional audio field, i.e. 32-bit. 32-bit resolution makes possible maximized, undistorted dynamics, and the lowest noise floor, allowing even the quietest musical information to be heard more clearly. This breakthrough results from the development, through years of experience and application of advanced digital technology, of a sophisticated A/D and D/A processing system.

Ultra HD 32-Bit Mastering does not specify a sampling rate; this allows flexibility in meticulously choosing the appropriate bandwidth for a particular recording. The higher the sampling rate -- for example, 192 kHz -- the greater the bandwidth. However, merely employing the greatest bandwidth may not guarantee the ultimate sound. With some recordings, a lower sampling rate -- 96 or 176 kHz -- may offer better musicality and more homogeneous harmonics. This determination requires careful and discerning auditioning and professional judgment. In the end, the human being’s hearing and emotions should be the final arbiter, rather than the print-out of testing equipment or technical measurements.

Recognizing these variables, FIM nevertheless tries to use 32-bit depth and 192 kHz bandwidth whenever the original analog master is at hand. Alternatively, if the original recording is on 24/96, the 32/96 may eventually be used to maintain the integrity of the sonority particular to that recording. With this flexibility, First Impression Music believes that preeminent sound is only achievable when the chemistry of the recording, mastering, glass-stamper making, replication, and quality control is right. As always, listening is believing.

This recording has been mastered by the new Ultra High Definition 32-Bit Mastering process, which creates an unbelievable sound surpassing other formats!

The benefits of Ultra HD 32-Bit Mastering:
• Ambience of Analogue Sound
• Higher Resolution
• Undistorted Dynamics
• The Lowest Noise Floor, allowing even the quietest musical information to be heard more clearly!
• Richer Sound Field
• Master-Tape Quality Sound!!!
• Delivers what musicians originally intended!

Features:
• Special Silver Logo First Pressing!
• Limited Run of Only 2,000 First Edition Pressings Available!
• Ultra HD Mastering
• Beautifully packaged
• Original Audiophile Label, Telarc Release!
• Playable on ALL CD Players!

Musicians:
Cincinnati Symphony Orchestra
Erich Kunzel, conductor

Selections:
Peter Ilyich Tchaikovsky (1840-1993)
1. "1812" Overture, Op. 49
2. Capriccio Italien, Op. 45
3. Cossack Dance from Mazeppa

Total Time: 35:16
Genre
Classical
If Can Be Discounted
YES
Discontinued
NO
Inventory
56.00
Construct
0
Dropship
0
Artist
Erich Kunzel
Title
Tchaikovsky 1812 Overture
Composer
Additional Artists
Erich Kunzel, Cincinnati Symphony Orchestra
Record Weight
Record Speed
Record Speed Record Size
Multi Channel
Stereo
1
Mono
Colored
Picture Disc
1/2 Speed
DMM
Out of Print
1
Sell Hold/Repressing
Direct to disc
Availability
In Stock
Format
CD
ISBN
Creation Date
Release Date
ASSOC
C
Scratch & Dent
0
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