Remastered by Kevin Gray and Steve Hoffman from the Original Rudy Van Gelder Blue Note Master Tapes!
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Why 45rpm? Simply...Because it sounds better! 180 gram pressings versus 200 gram? Music Matters, Lt. uses 180 gram pressings for the simple reason that they believe 180 gram weight is more than sufficient to provide a near perfect pressing. When Music Matters asked their friends at Record Technology Inc. for their recommendation to achieve the highest possible quality pressings their answer was unequivocal... go with 180 gram!
Upgrading Connnections at Acoustech! It goes without saying that there are many controversies and debates in the perfectionist audio/LP collector market. But one area of near universal agreement is the quality of mastering that emerges from Kevin Grays custom-built AcousTech Mastering studio in Camarillo, CA. Kevin, along with Steve Hoffman, has provided many of the best sounding new and reissued albums on LP during the last 5 or 6 years working outs of AcousTech.
Music Matters Exclusive! Music Matters strongly feels that these Blue Note recordings deserve nothing less than the finest graphic presentation. The Music Matters Definitive 45RPM Blue Note jackets are designed to last a lifetime, using ultra-durable extra thick cardboard stock and thick, luxurious lamination... quality youll be able to feel in your hand the moment you pick up one of these albums. In addition, Music Matters has obtained exclusive access to a treasure trove of over 30,000 original Blue Note session photos from Mosaic Images for use in this series. The gatefold opens to display these session photos in stunning high resolution - four times sharper than original Blue Note jacket photos.
Hear what Michael Fremer, Wayne Garcia and others are saying about the Blue Note Definitive 45rpm Reissue Series from Music Matters, Ltd:
"Theyre BIG and open and definitely work in stereo because theyre not hard left/right stereo. The cymbals are so "chimey" and the skins so open! Even Rudy's typical boxy piano isn't too bad. These are going to be really good....!!!! (Real time reaction after hearing his first test pressing of Horace Parlans Speakin My Piece LP.)" - Michael Fremer, Stereophile Magazine
"Ive heard a lot of Blue Note originals and myriad reissues over the years, but based on the sample test pressings heard so far, noneand I mean noneconvey the intensity of living, breathing music-making the way the Music Matters Blue Note series does. The sense of air, texture, and dynamic pop in these grooves is astonishing." - Wayne Garcia, The Absolute Sound
"Art Blakey & the Jazz Messengers The Big Beat and Horace Parlan, Speakin My Piece. And if this is any indication of whats to come, I advise you to get on the list now, before this collection is sold out." - Albert Porter, www.positive-feedback.com
"The Music Matters 45s have all immediacy and add a free-flowing naturalness that is surprising at first but very easy to get used to." - Marc Mickelson, www.soundstage.com
When one is stricken with polio as a child, resulting in a partially paralyzed right hand, becoming a pianist may not seem like a logical career move. However Horace Parlan had too much soul to stay away from music, and he turned his disability into an advantage and his own personal style. After playing in r&b groups in his native Pittsburgh , in 1957 he moved to New York and impressed Charles Mingus so much that he was in his group for two years. Parlan also worked with Lou Donaldson, Booker Ervin, the Eddie Lockjaw Davis-Johnny Griffin Quintet and Rahsaan Roland Kirk before having a second life in Copenhagen , where he spent his final 30 years. Parlan's most exciting recordings were made for Blue Note, particularly the ones that teamed him with bassist George Tucker and drummer Al Harewood. The trio was so close that they created music with one mind. On The Spur Of The Moment is particularly memorable for it also features the Turrentine Brothers. Stanley Turrentine was very distinctive on tenor-sax even in the early 1960s, and he is instantly recognizable in one soulful note. Trumpeter Tommy Turrentine was a masterful bebopper and gives the set some additional fire. The combination of the Horace Parlan Trio and the Turrentines makes this rare Blue Note album into an instant classic that epitomizes the hard bop/soul jazz era.
Remastered from the Original Rudy Van Gelder Blue Note Master Tapes!
Remastered by Kevin Gray and Steve Hoffman at Acoustech
Cut at 45rpm for Better Sound!
Pressed on two 180 gram Virgin Vinyl LPs by RTI
Ultra-Durable, Extra Thick Album Jackets
Gatefold Album with Session Photos in stunning High Resolution
Tommy Turrentine, trumpet
Stanley Turrentine, tenor sax
Horace Parlan, piano
George Tucker, bass
Al Harewood, drums
1. On The Spur Of The Moment
2. Skoo Chee
3. And That I Am So In Love
4. Al's Tune
5. Ray C.
"The albums are being cut at 45 RPM for maximum quality by Kevin Gray and me using our full ANALOG disk cutting system; most studios cannot even cut vinyl in 100% true analog anymore (they convert to digital first) but we can. The original Rudy Van Gelder engineered stereophonic session tapes are used when we master these gems. The sound quality is amazing on our test cuts. Like from heaven. First totally uncompressed versions of these jazz classics that Ive ever heard and trust me, you will be impressed; they sound like no other releases of this music."
"The sound is lifelike, the horns are in the room with you. Our non-invasive mastering insures the true breath of life on these original Van Gelder session tapes is transferred to the virgin vinyl with absolute authenticity. It is like hearing these BLUE NOTE masterpieces for the first time and that is NO exaggeration. When we heard the first lacquer acetate playback from our first mastering session I thought Joe Harley was going to pee in his pants he was so excited. Actually we all were; after 50 years of many lackluster and some downright bad sounding versions of these albums, hearing the real deal is a humbling experience, even for us hardened music veterans. You will be able to listen to the music exactly like we did..." - Steve Hoffman