Joni Mitchell's Prolific Peak from 1972-1975!
Includes Never Before Heard Demos, Early and Alternative Tracks & Historical Performances on 180g 4LP Box Set!
Features Sessions with James Taylor, Neil Young, Tom Scott & the L.A. Express!
Paste Magazine The 20 Best Box Sets of 2023 - Rated 13/20!
Come 1972, Joni's singular songwriting talent and poetic gifts were undeniable. Fresh off the back-to-back Platinum-certified releases of 1970's LADIES OF THE CANYON and 1971's BLUE - totemic albums whose artfulness and ubiquity would influence generations of songwriters — Joni had grown wary of mounting media scrutiny. Everything from her style choices to romantic partners became the subject of far more gossip column inches than were ever dedicated to the lifestyle minutiae of her male counterparts.
In response, she had pulled back, announcing an early retirement from the stage in 1970 and moving to the quiet expanses of British Columbia's Sunshine Coast. It was a fruitful change of scenery. Inspired by her proximity to nature and refreshed by the peaceful seclusion, she began constructing the songs that would become FOR THE ROSES. This respite thrust Mitchell into a remarkably fertile creative period, yielding a run of albums - 1972's FOR THE ROSES, 1974's COURT AND SPARK, and 1975's THE HISSING OF SUMMER LAWNS - that would simultaneously expand and refine the scope of her music. Her adventurous, intricate arrangements and growing formidability as a bandleader injected these songs with a clarity of purpose, a potent muscularity, and a sense of possibility - it is among the most exciting eras of a near peerless career.
This era comes into even greater focus on JONI MITCHELL ARCHIVES, VOL. 3: THE ASYLUM YEARS (1972-1975). It's the latest entry in the GRAMMY-winning series exploring the vast untapped archives of rare Joni recordings - a project guided intimately by Joni's own vision and personal touch. The collection begins with an early cut of "Cold Blue Steel And Sweet Fire," one of two songs (along with "For The Roses") test-driven during a visit to a Graham Nash David Crosby recording session at Wally Heider's in Hollywood.
From there, you'll be treated to early demos and alternate versions from sessions from FOR THE ROSES, COURT & SPARK, and THE HISSING OF SUMMER LAWNS; historic live show recordings, including the entirety of Mitchell's triumphant 1972 return to Carnegie Hall and a definitive gig with her COURT AND SPARK backing band Tom Scott & the L.A. Express; and tracks from sessions cut alongside James Taylor, Graham Nash, and Neil Young.
The Archives series has done a massive, emotional job cataloging Mitchell's first decade of music, and Vol. 3 is the best one yet. Packed into 96 songs and a five-hour runtime, Archives Vol. 3 boasts demos, live cuts, outtakes and alternative versions of some of Mitchell's best work—including a larger-than-life demo of 'You Turn Me On I'm a Radio' performed with Neil Young. This release is for the Mitchell hive, as we get an even more vivid portrait of the greatest folk songstress of our lifetime.
Joni Mitchell's powers as a songwriter and creative spirit are unparalleled at every step of her journey, but her output in the '70s was on a higher plane, even for her. Archives, Vol. 3 reflects this with behind-the-scenes material just as storied and worthy as the music that Mitchell was making during one of her finest hours.
Features
- 4LP Box Set
- 180g Vinyl
- Sessions with James Taylor, Neil Young & the Santa Monica Flyers
- Live Tracks with Tom Scott & the L.A. Express
- Never Heard Before Demos
- Early & Alternative Versions of Classic Tracks
- Historical Performances
- 40 Page Booklet with Photos & a Conversation between Joni & Cameron Crowe
- Slipcase
- Made in Germany
Selections
Side One:
Graham Nash David Crosby Session, December 13, 1971
- Cold Blue Steel and Sweet Fire
For The Roses Demos, Late 1971/Early 1972
- Like Veils Said Lorraine
For The Roses Early Sessions, April 16-21, 1972
- Medley: Bony Moronie/Summertime Blues/You Never Can Tell - with James Taylor
- You Turn Me On I'm a Radio - with Neil Young & The Stray Gators
- See You Sometime (Early Version with Bass and Drums)
Side Two:
Live at Carnegie Hall, February 23, 1972
- This Flight Tonight
- Electricity
- Lesson in Survival
- Blue
- Banquet
- Intro to For the Roses
- For the Roses
Side Three:
Live at Royal Festival Hall, May 5, 1972
- Intro to Judgement Of The Moon And Stars (Ludwig's Tune)
- Judgement of the Moon and Stars (Ludwig's Tune)
For The Roses Sessions, July-August 1972
- Blonde in the Bleachers (Alternate Guitar Mix)
- Barangrill (Guitar/Vocal Mix)
- Sunrise Raga
- Twisted (Early Alternate Version)
Side Four:
Court And Spark Demos, Summer 1973
- Piano Suite: Down to You / Court and Spark / Car on a Hill / Down to You
- Help Me
Side Five:
Tonight's The Night [Neil Young] Session, August 26, 1973
- Raised On Robbery - with Neil Young & The Santa Monica Flyers
Court And Spark Sessions, September-October 1973
- People's Parties (Early Alternate Take)
- Trouble Child (Early Alternate Take)
- Car on a Hill (Early Alternate Take)
- Bonderia
Side Six:
Live at Dorothy Chandler Pavilion, March 3, 1974
- Introduction
- Free Man in Paris - with Tom Scott & The L.A. Express
- The Same Situation - with Tom Scott & The L.A. Express
- Just Like This Train - with Tom Scott & The L.A. Express
Live at New Victoria Theatre, April 22, 1974
- Intro To Jericho
- Jericho
Live at Wembley Stadium, September 14, 1974
- Woman of Heart and Mind
Side Seven:
The Hissing Of Summer Lawns Demos, 1975
- In France They Kiss On Main Street
- Edith and the Kingpin
- Don't Interrupt the Sorrow
- Harry's House
Side Eight:
The Hissing Of Summer Lawns Sessions, 1975
- The Jungle Line (Guitar/Alternate Vocal)
- Shades of Scarlet Conquering (Alternate Version)
- The Boho Dance (Alternate Version)
- Dreamland (Early Alternate Band Version)