Lou Donaldson LD+3 Numbered Limited Edition 180g 45rpm 2LP
Lou Donaldson LD+3 Numbered Limited Edition 180g 45rpm 2LP
Genre: Jazz
Label: Music Matters
Format: 45RPM,
Size: 12"

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Lou Donaldson LD+3 Numbered Limited Edition 180g 45rpm 2LP

Lou Donaldson

$69.99
 
 
 
Availability: Discontinued
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SKU:
BNLP4012-45
UPC:
BNLP4012-45
Rare Numbered Limited Edition Copies!
Out Of Print! Very Limited Stock! First Come, First Served!


Remastered by Kevin Gray and Steve Hoffman from the Original Rudy Van Gelder Blue Note Master Tapes!
The Definitive issue of this classic Blue Note title!


This item not eligible for any further discount offers!

THE SOUND:
Mono or Stereo? Rudy Van Gelder first began recording Blue Note sessions in stereo in March of 1957. From then until an October 30, 1958 Art Blakey session, Rudy simultaneously ran both mono and stereo session tapes. The stereo presentation revealed more air, more detail and more sheer life than the mono. The mono playback was a wonderful remembrance of the old LP we all knew and loved. The stereo playback from the original masters was eerie. It was like going back in time to that day in Rudy’s studio. Quite simply, the stereo masters revealed more of what it was like to be there that day.

Why 45rpm? Simply...Because it sounds better! 180 gram pressings versus 200 gram? Music Matters, Lt. uses 180 gram pressings for the simple reason that they believe 180 gram weight is more than sufficient to provide a near perfect pressing. When Music Matters asked their friends at Record Technology Inc. for their recommendation to achieve the highest possible quality pressings their answer was unequivocal... go with 180 gram!

Upgrading Connnections at Acoustech! It goes without saying that there are many controversies and debates in the perfectionist audio/LP collector market. But one area of near universal agreement is the quality of mastering that emerges from Kevin Gray’s custom-built AcousTech Mastering studio in Camarillo, CA. Kevin, along with Steve Hoffman, has provided many of the best sounding new and reissued albums on LP during the last 5 or 6 years working outs of AcousTech.

THE JACKETS:
Music Matters Exclusive! Music Matters strongly feels that these Blue Note recordings deserve nothing less than the finest graphic presentation. The Music Matters Definitive 45RPM Blue Note jackets are designed to last a lifetime, using ultra-durable extra thick cardboard stock and thick, luxurious lamination... quality you’ll be able to feel in your hand the moment you pick up one of these albums. In addition, Music Matters has obtained exclusive access to a treasure trove of over 30,000 original Blue Note session photos from Mosaic Images for use in this series. The gatefold opens to display these session photos in stunning high resolution - four times sharper than original Blue Note jacket photos.

THE REVIEWS:
Hear what Michael Fremer, Wayne Garcia and others are saying about the Blue Note Definitive 45rpm Reissue Series from Music Matters, Ltd:
"They’re BIG and open and definitely work in stereo because they’re not hard left/right stereo. The cymbals are so "chimey" and the skins so open! Even Rudy's typical boxy piano isn't too bad. These are going to be really good....!!!! (Real time reaction after hearing his first test pressing of Horace Parlan’s Speakin’ My Piece LP.)" - Michael Fremer, Stereophile Magazine

"I’ve heard a lot of Blue Note originals and myriad reissues over the years, but based on the sample test pressings heard so far, none—and I mean none—convey the intensity of living, breathing music-making the way the Music Matter’s Blue Note series does. The sense of air, texture, and dynamic pop in these grooves is astonishing." - Wayne Garcia, The Absolute Sound

"Art Blakey & the Jazz Messengers “The Big Beat” and Horace Parlan, “Speakin’ My Piece.” And if this is any indication of what’s to come, I advise you to get on the list now, before this collection is sold out." - Albert Porter, www.positive-feedback.com

"The Music Matters 45s have all immediacy and add a free-flowing naturalness that is surprising at first but very easy to get used to." - Marc Mickelson, www.soundstage.com

"The albums are being cut at 45 RPM for maximum quality by Kevin Gray and me using our full ANALOG disk cutting system; most studios cannot even cut vinyl in 100% true analog anymore (they convert to digital first) but we can. The original Rudy Van Gelder engineered stereophonic session tapes are used when we master these gems. The sound quality is amazing on our test cuts. Like from heaven. First totally uncompressed versions of these jazz classics that I’ve ever heard and trust me, you will be impressed; they sound like no other releases of this music."

"The sound is lifelike, the horns are in the room with you. Our non-invasive mastering insures the true breath of life on these original Van Gelder session tapes is transferred to the virgin vinyl with absolute authenticity. It is like hearing these BLUE NOTE masterpieces for the first time and that is NO exaggeration. When we heard the first lacquer acetate playback from our first mastering session I thought Joe Harley was going to pee in his pants he was so excited. Actually we all were; after 50 years of many lackluster and some downright bad sounding versions of these albums, hearing the real deal is a humbling experience, even for us hardened music veterans. You will be able to listen to the music exactly like we did..."
- Steve Hoffman

"This day (or days) Rudy was in fine form, particularly in how he managed to capture wide dynamic range and pleasing harmonic colors from Harris’s piano and a big, transparent, wet picture of Donaldson’s horn. The pleasures are both musical and visceral. Outstanding gatefold packing, including stunning session photos from Lion. A highest recommendation." Music 9/10 Sound 9/10 - Michael Fremer, musicangle.com Click Here to read the entire review!

The Three Sounds were a very popular group in the late 1950s/early ‘60s and for good reason. Pianist Gene Harris, bassist Andy Simpkins and drummer Bill Dowdy always knew how to lay down an irresistible groove, they infused every song they played with a heavy dose of the blues and they could outswing any combo while never being stingy with the soul. The same could be said for altoist Lou Donaldson. Influenced by Charlie Parker but a bluesier player, Donaldson in the 1950s held his own on sessions with Clifford Brown, Thelonious Monk and Jimmy Smith while gaining a strong following with his series of Blue Note recordings.

LD + 3 is a very special recording from 1959 featuring Donaldson and the Three Sounds really inspiring and pushing each other. Starting with a passionate version of “Three Little Words,” they dig into such bop classics as “Just Friends” and “Confirmation,” playing with plenty of heat. The mixture of bebop fury with soul makes this a true Blue Note milestone.

Features:
• Remastered from the Original Rudy Van Gelder Blue Note Master Tapes!
• Remastered by Kevin Gray and Steve Hoffman at Acoustech
• Cut at 45rpm for Better Sound!
• Pressed on two 180 gram Virgin Vinyl LPs by RTI
• Limited Edition Copies!
• Ultra-Durable, Extra Thick Album Jackets
• Gatefold Album with Session Photos in stunning High Resolution

Musicians:
Lou Donaldson, alto saxophone
Gene Harris, piano
Andrew Simpkins, bass
Bill Dowdy, drums

Selections:
1. Three Little Words
2. Smooth Groove
3. Just Friends
4. Blue Moon
5. Jump Up
6. Don't Take Your Love From Me
7. Confirmation
Description
Rare Numbered Limited Edition Copies!
Out Of Print! Very Limited Stock! First Come, First Served!


Remastered by Kevin Gray and Steve Hoffman from the Original Rudy Van Gelder Blue Note Master Tapes!
The Definitive issue of this classic Blue Note title!


This item not eligible for any further discount offers!

THE SOUND:
Mono or Stereo? Rudy Van Gelder first began recording Blue Note sessions in stereo in March of 1957. From then until an October 30, 1958 Art Blakey session, Rudy simultaneously ran both mono and stereo session tapes. The stereo presentation revealed more air, more detail and more sheer life than the mono. The mono playback was a wonderful remembrance of the old LP we all knew and loved. The stereo playback from the original masters was eerie. It was like going back in time to that day in Rudy’s studio. Quite simply, the stereo masters revealed more of what it was like to be there that day.

Why 45rpm? Simply...Because it sounds better! 180 gram pressings versus 200 gram? Music Matters, Lt. uses 180 gram pressings for the simple reason that they believe 180 gram weight is more than sufficient to provide a near perfect pressing. When Music Matters asked their friends at Record Technology Inc. for their recommendation to achieve the highest possible quality pressings their answer was unequivocal... go with 180 gram!

Upgrading Connnections at Acoustech! It goes without saying that there are many controversies and debates in the perfectionist audio/LP collector market. But one area of near universal agreement is the quality of mastering that emerges from Kevin Gray’s custom-built AcousTech Mastering studio in Camarillo, CA. Kevin, along with Steve Hoffman, has provided many of the best sounding new and reissued albums on LP during the last 5 or 6 years working outs of AcousTech.

THE JACKETS:
Music Matters Exclusive! Music Matters strongly feels that these Blue Note recordings deserve nothing less than the finest graphic presentation. The Music Matters Definitive 45RPM Blue Note jackets are designed to last a lifetime, using ultra-durable extra thick cardboard stock and thick, luxurious lamination... quality you’ll be able to feel in your hand the moment you pick up one of these albums. In addition, Music Matters has obtained exclusive access to a treasure trove of over 30,000 original Blue Note session photos from Mosaic Images for use in this series. The gatefold opens to display these session photos in stunning high resolution - four times sharper than original Blue Note jacket photos.

THE REVIEWS:
Hear what Michael Fremer, Wayne Garcia and others are saying about the Blue Note Definitive 45rpm Reissue Series from Music Matters, Ltd:
"They’re BIG and open and definitely work in stereo because they’re not hard left/right stereo. The cymbals are so "chimey" and the skins so open! Even Rudy's typical boxy piano isn't too bad. These are going to be really good....!!!! (Real time reaction after hearing his first test pressing of Horace Parlan’s Speakin’ My Piece LP.)" - Michael Fremer, Stereophile Magazine

"I’ve heard a lot of Blue Note originals and myriad reissues over the years, but based on the sample test pressings heard so far, none—and I mean none—convey the intensity of living, breathing music-making the way the Music Matter’s Blue Note series does. The sense of air, texture, and dynamic pop in these grooves is astonishing." - Wayne Garcia, The Absolute Sound

"Art Blakey & the Jazz Messengers “The Big Beat” and Horace Parlan, “Speakin’ My Piece.” And if this is any indication of what’s to come, I advise you to get on the list now, before this collection is sold out." - Albert Porter, www.positive-feedback.com

"The Music Matters 45s have all immediacy and add a free-flowing naturalness that is surprising at first but very easy to get used to." - Marc Mickelson, www.soundstage.com

"The albums are being cut at 45 RPM for maximum quality by Kevin Gray and me using our full ANALOG disk cutting system; most studios cannot even cut vinyl in 100% true analog anymore (they convert to digital first) but we can. The original Rudy Van Gelder engineered stereophonic session tapes are used when we master these gems. The sound quality is amazing on our test cuts. Like from heaven. First totally uncompressed versions of these jazz classics that I’ve ever heard and trust me, you will be impressed; they sound like no other releases of this music."

"The sound is lifelike, the horns are in the room with you. Our non-invasive mastering insures the true breath of life on these original Van Gelder session tapes is transferred to the virgin vinyl with absolute authenticity. It is like hearing these BLUE NOTE masterpieces for the first time and that is NO exaggeration. When we heard the first lacquer acetate playback from our first mastering session I thought Joe Harley was going to pee in his pants he was so excited. Actually we all were; after 50 years of many lackluster and some downright bad sounding versions of these albums, hearing the real deal is a humbling experience, even for us hardened music veterans. You will be able to listen to the music exactly like we did..."
- Steve Hoffman

"This day (or days) Rudy was in fine form, particularly in how he managed to capture wide dynamic range and pleasing harmonic colors from Harris’s piano and a big, transparent, wet picture of Donaldson’s horn. The pleasures are both musical and visceral. Outstanding gatefold packing, including stunning session photos from Lion. A highest recommendation." Music 9/10 Sound 9/10 - Michael Fremer, musicangle.com Click Here to read the entire review!

The Three Sounds were a very popular group in the late 1950s/early ‘60s and for good reason. Pianist Gene Harris, bassist Andy Simpkins and drummer Bill Dowdy always knew how to lay down an irresistible groove, they infused every song they played with a heavy dose of the blues and they could outswing any combo while never being stingy with the soul. The same could be said for altoist Lou Donaldson. Influenced by Charlie Parker but a bluesier player, Donaldson in the 1950s held his own on sessions with Clifford Brown, Thelonious Monk and Jimmy Smith while gaining a strong following with his series of Blue Note recordings.

LD + 3 is a very special recording from 1959 featuring Donaldson and the Three Sounds really inspiring and pushing each other. Starting with a passionate version of “Three Little Words,” they dig into such bop classics as “Just Friends” and “Confirmation,” playing with plenty of heat. The mixture of bebop fury with soul makes this a true Blue Note milestone.

Features:
• Remastered from the Original Rudy Van Gelder Blue Note Master Tapes!
• Remastered by Kevin Gray and Steve Hoffman at Acoustech
• Cut at 45rpm for Better Sound!
• Pressed on two 180 gram Virgin Vinyl LPs by RTI
• Limited Edition Copies!
• Ultra-Durable, Extra Thick Album Jackets
• Gatefold Album with Session Photos in stunning High Resolution

Musicians:
Lou Donaldson, alto saxophone
Gene Harris, piano
Andrew Simpkins, bass
Bill Dowdy, drums

Selections:
1. Three Little Words
2. Smooth Groove
3. Just Friends
4. Blue Moon
5. Jump Up
6. Don't Take Your Love From Me
7. Confirmation
Genre
Jazz
If Can Be Discounted
YES
Discontinued
YES
Inventory
.00
Construct
0
Dropship
0
Artist
Lou Donaldson
Title
LD+3
Composer
Additional Artists
Gene Harris, Andrew Simpkins, Bill Dowdy
Record Weight
180G
Record Speed
45RPM
Record Speed Record Size
12"
Multi Channel
Stereo
1
Mono
Colored
Picture Disc
1/2 Speed
DMM
Out of Print
1
Sell Hold/Repressing
Direct to disc
Availability
Discontinued
Format
Vinyl
ISBN
Creation Date
Release Date
ASSOC
R
Scratch & Dent
0
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