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Miles Davis Four & More on Numbered Limited Edition 180g LP from Mobile Fidelity!
Hear the Interior of Philharmonic Hall at New Yorks Lincoln Center Come Alive: Mobile Fidelitys Fastidious Reissue Illuminates Venue Acoustics, Musicians Phrasings!
Exhilarating and Immediate: Live Set Documents One of Davis Final Excursions With a Program of Standards. Whirlwind Uptempo Pace Prodded by Tenor Saxophonist George Coleman and Drummer Tony Williams.
Given his gargantuan recorded output, Miles Davis seldom abandoned a conceptual vision in the studio, particularly after the turn of the 1960s. Which makes a live document such as Four & More all the more valuable for the manner in which it portrays the legendary trumpeter removed from thematic demands and interior confines, and instead letting loose onstage with a program of stellar material that hed soon abandon in favor of experimentalism.
Part of Mobile Fidelitys Miles Davis catalog restoration series, Four & More engages with electrifying speed and palpable punch, the effort now claiming vastly improved imaging, deeper soundstaging, and startling clarity. Half-speed mastered from the original master tapes and pressed at RTI, this unsurpassed analog edition teems with the urgency demonstrated by Davis and his bandnotes flooding the listener with an attack only possible from sound featuring full frequency extension, tremendous spacing, and you-are-there immediacy.
Recorded on February 12, 1964 in Philharmonic Hall at New Yorks Lincoln Center, Four & More bookends My Funny Valentine. Whereas the latter spotlights ballads, this thrilling souvenir is all about quick tempos, rushing solos, left-hook rhythms, and hard-bop grooves. Drawing largely on mid- and late-1950s material, Davisaccompanied by bassist Ron Carter, drummer Tony Williams, saxophonist George Coleman, and pianist Herbie Hancockapproaches standards such as So What, Seven Steps to Heaven, and Four with biting tenacity and furious passion, the individual themes racing by as the collective barges in to take rapid, punctuation-asserting solos.
Few, if any, live Davis performances match the hurricane-generating intensity and dynamic aggressiveness captured here. One reason for the vigor? Davis waived he and his musicians fees for the concert, taking place under the auspices of a political benefit, a decision that angered some of his sidemen. Whatever the cause, Hancock swings, Coleman flexes muscles, Carter bows instructive passages, and the 19-year-old phenom Williams throws down with breathtaking agility. Amidst the melodic tangents and galloping exchanges, the quintet retains gripping control, with eight-bar dialogues between the instrumentalists and positive vamps supplying cues and endings.
At last, these historic recordings are afforded the breathing room and acoustic perspective theyve always deserved. For listeners that may be unfamiliar with this title, prepare to be blown awayliterally and figuratively. Aficionados know what to expect on the music front, but Mobile Fidelitys 180g LP reissue ratchets up the thrills by several levels. Dont miss this gem.
Also Available from Miles Davis on 180g Mobile Fidelity Vinyl:
Miles Davis - 'Round About Midnight (MFSL 1-373)
Miles Davis - Milestones (MFSL 1-374)
Miles Davis - Sketches Of Spain (MFSL 1-375)
Miles Davis - In A Silent Way (MFSL 1-377)
Miles Davis - Kind Of Blue (MFSL 2-45011)
Features:
Numbered, Limited Edition
Half-Speed Production and Mastering by Mobile Fidelity Sound Lab
Specially Plated and Pressed on 180 grams of High Definition Vinyl
Special Static Free - Dust Free Inner Sleeve
Heavy Duty Protective Packaging
Mastered from the Original Master Tapes
Musicians:
Miles Davis, trumpet
George Coleman, tenor sax
Ron Carter, bass
Herbie Hancock, piano
Tony Williams, drums
Selections:
Side A:
1. So What
2. Walkin
3. Joshua / Go-Go (Theme and Announcement)
Side B:
1. Four
2. Seven Steps to Heaven
3. There Is No Greater Love / Go-Go (Theme and Announcement)
Miles Davis Four & More on Numbered Limited Edition 180g LP from Mobile Fidelity!
Hear the Interior of Philharmonic Hall at New Yorks Lincoln Center Come Alive: Mobile Fidelitys Fastidious Reissue Illuminates Venue Acoustics, Musicians Phrasings!
Exhilarating and Immediate: Live Set Documents One of Davis Final Excursions With a Program of Standards. Whirlwind Uptempo Pace Prodded by Tenor Saxophonist George Coleman and Drummer Tony Williams.
Given his gargantuan recorded output, Miles Davis seldom abandoned a conceptual vision in the studio, particularly after the turn of the 1960s. Which makes a live document such as Four & More all the more valuable for the manner in which it portrays the legendary trumpeter removed from thematic demands and interior confines, and instead letting loose onstage with a program of stellar material that hed soon abandon in favor of experimentalism.
Part of Mobile Fidelitys Miles Davis catalog restoration series, Four & More engages with electrifying speed and palpable punch, the effort now claiming vastly improved imaging, deeper soundstaging, and startling clarity. Half-speed mastered from the original master tapes and pressed at RTI, this unsurpassed analog edition teems with the urgency demonstrated by Davis and his bandnotes flooding the listener with an attack only possible from sound featuring full frequency extension, tremendous spacing, and you-are-there immediacy.
Recorded on February 12, 1964 in Philharmonic Hall at New Yorks Lincoln Center, Four & More bookends My Funny Valentine. Whereas the latter spotlights ballads, this thrilling souvenir is all about quick tempos, rushing solos, left-hook rhythms, and hard-bop grooves. Drawing largely on mid- and late-1950s material, Davisaccompanied by bassist Ron Carter, drummer Tony Williams, saxophonist George Coleman, and pianist Herbie Hancockapproaches standards such as So What, Seven Steps to Heaven, and Four with biting tenacity and furious passion, the individual themes racing by as the collective barges in to take rapid, punctuation-asserting solos.
Few, if any, live Davis performances match the hurricane-generating intensity and dynamic aggressiveness captured here. One reason for the vigor? Davis waived he and his musicians fees for the concert, taking place under the auspices of a political benefit, a decision that angered some of his sidemen. Whatever the cause, Hancock swings, Coleman flexes muscles, Carter bows instructive passages, and the 19-year-old phenom Williams throws down with breathtaking agility. Amidst the melodic tangents and galloping exchanges, the quintet retains gripping control, with eight-bar dialogues between the instrumentalists and positive vamps supplying cues and endings.
At last, these historic recordings are afforded the breathing room and acoustic perspective theyve always deserved. For listeners that may be unfamiliar with this title, prepare to be blown awayliterally and figuratively. Aficionados know what to expect on the music front, but Mobile Fidelitys 180g LP reissue ratchets up the thrills by several levels. Dont miss this gem.
Also Available from Miles Davis on 180g Mobile Fidelity Vinyl:
Miles Davis - 'Round About Midnight (MFSL 1-373)
Miles Davis - Milestones (MFSL 1-374)
Miles Davis - Sketches Of Spain (MFSL 1-375)
Miles Davis - In A Silent Way (MFSL 1-377)
Miles Davis - Kind Of Blue (MFSL 2-45011)
Features:
Numbered, Limited Edition
Half-Speed Production and Mastering by Mobile Fidelity Sound Lab
Specially Plated and Pressed on 180 grams of High Definition Vinyl
Special Static Free - Dust Free Inner Sleeve
Heavy Duty Protective Packaging
Mastered from the Original Master Tapes
Musicians:
Miles Davis, trumpet
George Coleman, tenor sax
Ron Carter, bass
Herbie Hancock, piano
Tony Williams, drums
Selections:
Side A:
1. So What
2. Walkin
3. Joshua / Go-Go (Theme and Announcement)
Side B:
1. Four
2. Seven Steps to Heaven
3. There Is No Greater Love / Go-Go (Theme and Announcement)
