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The Ultimate Pressings of the Beach Boys Discography from Analogue Productions!
200g Vinyl LP Pressed at Quality Record Pressings! Mono Mix Created Under Brian Wilson's Supervision!
Mastered by Kevin Gray at Cohearent Audio from the Original Master Tapes or Best Sources Available!
To meet the standards of Analogue Productions, their Beach Boys album reissues had a mission to achieve: Present the band's music the way that Brian Wilson famed co-founder, songwriter and arranger intended. Mono mixes created under Wilsons supervision were how the surf rockin California crew rose to fame! And theyve got em!
For the early part of the Beach Boys career, all of their singles were mixed and mastered and released only in the mono format they didn't release a single in stereo until 1968. In those days, hits were made on AM radio in mono. And the mono of those times worked well for Wilson, who suffers from partial deafness. Still, apart from Surfin' Safari, which was mono only, the Beach Boys did turn in stereo masters on all of their early albums up until 1965. The Beach Boys Today was the first LP for which they only delivered a mono master.
Bottom line, the mono mixes were where Brian Wilson paid intense attention, and the dedication paid off!
Analogue Productions has taken 10 of the most classic, best-sounding Beach Boy titles ever and restored them to their mono glory!
But theres no disputing that the close harmonies and one-of-a-kind rhythms of hits like Surfer Girl, In My Room, Little Deuce Coupe and more lend themselves naturally to stereo. So Analogue Productions has your 2-channel needs covered with prime stereo mix versions as well.
Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in "old school" Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!
All Summer Long is the sixth studio album by The Beach Boys and their second in 1964. It rose to number four in the US during a forty-nine week chart stay, and was certified gold by the RIAA. The album's sessions were recorded in the aftermath of the British Invasion, marking a major turning point in the Beach Boys' career, and in bandleader/primary songwriter Brian Wilson as an artist. For a brief period of time following its release, All Summer Long was to be their final album which reveled in California beach culture.
"All Summer Long was notable not only for racheting up the Beach Boys' standards and essentially bidding farewell to the surf songs that inspired both their name and reputation, but also for going toe-to-toe with one of rock's most explosive phenomena Beatlemania and coming away victorious, with the single 'I Get Around' soaring to No. 1 in the spring of 1964. Essentially another loose concept record (revolving around the innocent hedonistic pursuits of an idyllic SoCal summer) that takes its cue from the effervescent title track, it also documents Brian's restless creativity pushing the band toward its performing peak." -Amazon.com
Features:
200g Vinyl
33 1/3rpm mono mixes created under Brian Wilson's supervision
Mastered by Kevin Gray at Cohearent Audio, most from the original master tapes or best sources available
Lacquer plating by Gary Salstrom
Pressed at Quality Record Pressings
Mono
"Old school" Stoughton tip-on jackets
Audio Production - Mark Linett
For Brother Records - Elliott Lott
Selections:
Side 1:
1. I Get Around
2. All Summer Long
3. Hushabye
4. Little Honda
5. We'll Run Away
6. Carl's Big Chance
Side 2:
7. Wendy
8. Do You Remember?
9. Girls On The Beach
10. Drive-In
11. Our Favorite Recording Sessions
12. Don't Back Down
The Ultimate Pressings of the Beach Boys Discography from Analogue Productions!
200g Vinyl LP Pressed at Quality Record Pressings! Mono Mix Created Under Brian Wilson's Supervision!
Mastered by Kevin Gray at Cohearent Audio from the Original Master Tapes or Best Sources Available!
To meet the standards of Analogue Productions, their Beach Boys album reissues had a mission to achieve: Present the band's music the way that Brian Wilson famed co-founder, songwriter and arranger intended. Mono mixes created under Wilsons supervision were how the surf rockin California crew rose to fame! And theyve got em!
For the early part of the Beach Boys career, all of their singles were mixed and mastered and released only in the mono format they didn't release a single in stereo until 1968. In those days, hits were made on AM radio in mono. And the mono of those times worked well for Wilson, who suffers from partial deafness. Still, apart from Surfin' Safari, which was mono only, the Beach Boys did turn in stereo masters on all of their early albums up until 1965. The Beach Boys Today was the first LP for which they only delivered a mono master.
Bottom line, the mono mixes were where Brian Wilson paid intense attention, and the dedication paid off!
Analogue Productions has taken 10 of the most classic, best-sounding Beach Boy titles ever and restored them to their mono glory!
But theres no disputing that the close harmonies and one-of-a-kind rhythms of hits like Surfer Girl, In My Room, Little Deuce Coupe and more lend themselves naturally to stereo. So Analogue Productions has your 2-channel needs covered with prime stereo mix versions as well.
Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in "old school" Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!
All Summer Long is the sixth studio album by The Beach Boys and their second in 1964. It rose to number four in the US during a forty-nine week chart stay, and was certified gold by the RIAA. The album's sessions were recorded in the aftermath of the British Invasion, marking a major turning point in the Beach Boys' career, and in bandleader/primary songwriter Brian Wilson as an artist. For a brief period of time following its release, All Summer Long was to be their final album which reveled in California beach culture.
"All Summer Long was notable not only for racheting up the Beach Boys' standards and essentially bidding farewell to the surf songs that inspired both their name and reputation, but also for going toe-to-toe with one of rock's most explosive phenomena Beatlemania and coming away victorious, with the single 'I Get Around' soaring to No. 1 in the spring of 1964. Essentially another loose concept record (revolving around the innocent hedonistic pursuits of an idyllic SoCal summer) that takes its cue from the effervescent title track, it also documents Brian's restless creativity pushing the band toward its performing peak." -Amazon.com
Features:
200g Vinyl
33 1/3rpm mono mixes created under Brian Wilson's supervision
Mastered by Kevin Gray at Cohearent Audio, most from the original master tapes or best sources available
Lacquer plating by Gary Salstrom
Pressed at Quality Record Pressings
Mono
"Old school" Stoughton tip-on jackets
Audio Production - Mark Linett
For Brother Records - Elliott Lott
Selections:
Side 1:
1. I Get Around
2. All Summer Long
3. Hushabye
4. Little Honda
5. We'll Run Away
6. Carl's Big Chance
Side 2:
7. Wendy
8. Do You Remember?
9. Girls On The Beach
10. Drive-In
11. Our Favorite Recording Sessions
12. Don't Back Down
