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TAS Super LP List! Special Merit: Informal
The Ultimate Pressings of the Beach Boys Discography from Analogue Productions!
200g Vinyl LP Pressed at Quality Record Pressings! Mono Mix Created Under Brian Wilson's Supervision!
Mastered by Kevin Gray at Cohearent Audio from the Original Master Tapes or Best Sources Available!
To meet the standards of Analogue Productions, their Beach Boys album reissues had a mission to achieve: Present the band's music the way that Brian Wilson famed co-founder, songwriter and arranger intended. Mono mixes created under Wilsons supervision were how the surf rockin California crew rose to fame! And theyve got em!
"Another step forward in terms of both overall sound and production finesse, with drums well-focused center stage and solid There's no deterring hard-core Beach Boys fans from these reissues, especially those who grew up with the original records and who want to hear them re-mastered for adult record players These reissues restore whatever was really on the tapes As for the quality of these reissues, it's quite clear that, whether or not you like the sonic results, Analogue Productions sets the reissue standard. The company insists upon using analog master tapes (where available), not analog copies, it uses the best available artwork, and packages in "Tip-on" jackets. It masters where the tapes are located using Kevin Gray in California, Ryan K. Smith in New York and Willem Makkee in Germany." - Michael Fremer, www.analogcorner.com
For the early part of the Beach Boys career, all of their singles were mixed and mastered and released only in the mono format they didn't release a single in stereo until 1968. In those days, hits were made on AM radio in mono. And the mono of those times worked well for Wilson, who suffers from partial deafness. Still, apart from Surfin' Safari, which was mono only, the Beach Boys did turn in stereo masters on all of their early albums up until 1965. The Beach Boys Today was the first LP for which they only delivered a mono master.
Bottom line, the mono mixes were where Brian Wilson paid intense attention, and the dedication paid off!
Analogue Productions has taken 10 of the most classic, best-sounding Beach Boy titles ever and restored them to their mono glory!
But theres no disputing that the close harmonies and one-of-a-kind rhythms of hits like Surfer Girl, In My Room, Little Deuce Coupe and more lend themselves naturally to stereo. So Analogue Productions has your 2-channel needs covered with prime stereo mix versions as well.
Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in "old school" Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!
Surfer Girl, the Beach Boys' third album for Capitol Records, was the first produced by Brian Wilson on his own (the previous two, Surfin Safari and Surfin Usa (Mono & Stereo Remasters), were co-produced by the late Capitol A&R man, Nik Venet). This album was The Boys' first really great effort; there's not a bad track in the lot, including the title song, "Catch A Wave," "In My Room," "Hawaii," "Our Car Club," "Little Deuce Coupe," "Your Summer Dream," and more.
Features:
200 Gram Vinyl
33 1/3rpm mono mixes created under Brian Wilson's supervision
Mastered by Kevin Gray at Cohearent Audio, most from the original master tapes or best sources available
Lacquer plating by Gary Salstrom
Pressed at Quality Record Pressings on Virgin Vinyl
Mono
Deluxe Packaging, Highest Quality Jackets and Rice Paper Inner Sleeves
"Old School" Stoughton tip-on jackets
Selections:
Side One:
1. Surfer Girl
2. Catch A Wave
3. The Surfer Moon
4. South Bay Surfer
5. The Rocking Surfer
6. Little Deuce Coupe
Side Two:
1. In My Room
2. Hawaii
3. Surfer's Rule
4. Our Car Club
5. Your Summer Dream
6. Boogie Woogie
TAS Super LP List! Special Merit: Informal
The Ultimate Pressings of the Beach Boys Discography from Analogue Productions!
200g Vinyl LP Pressed at Quality Record Pressings! Mono Mix Created Under Brian Wilson's Supervision!
Mastered by Kevin Gray at Cohearent Audio from the Original Master Tapes or Best Sources Available!
To meet the standards of Analogue Productions, their Beach Boys album reissues had a mission to achieve: Present the band's music the way that Brian Wilson famed co-founder, songwriter and arranger intended. Mono mixes created under Wilsons supervision were how the surf rockin California crew rose to fame! And theyve got em!
"Another step forward in terms of both overall sound and production finesse, with drums well-focused center stage and solid There's no deterring hard-core Beach Boys fans from these reissues, especially those who grew up with the original records and who want to hear them re-mastered for adult record players These reissues restore whatever was really on the tapes As for the quality of these reissues, it's quite clear that, whether or not you like the sonic results, Analogue Productions sets the reissue standard. The company insists upon using analog master tapes (where available), not analog copies, it uses the best available artwork, and packages in "Tip-on" jackets. It masters where the tapes are located using Kevin Gray in California, Ryan K. Smith in New York and Willem Makkee in Germany." - Michael Fremer, www.analogcorner.com
For the early part of the Beach Boys career, all of their singles were mixed and mastered and released only in the mono format they didn't release a single in stereo until 1968. In those days, hits were made on AM radio in mono. And the mono of those times worked well for Wilson, who suffers from partial deafness. Still, apart from Surfin' Safari, which was mono only, the Beach Boys did turn in stereo masters on all of their early albums up until 1965. The Beach Boys Today was the first LP for which they only delivered a mono master.
Bottom line, the mono mixes were where Brian Wilson paid intense attention, and the dedication paid off!
Analogue Productions has taken 10 of the most classic, best-sounding Beach Boy titles ever and restored them to their mono glory!
But theres no disputing that the close harmonies and one-of-a-kind rhythms of hits like Surfer Girl, In My Room, Little Deuce Coupe and more lend themselves naturally to stereo. So Analogue Productions has your 2-channel needs covered with prime stereo mix versions as well.
Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in "old school" Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!
Surfer Girl, the Beach Boys' third album for Capitol Records, was the first produced by Brian Wilson on his own (the previous two, Surfin Safari and Surfin Usa (Mono & Stereo Remasters), were co-produced by the late Capitol A&R man, Nik Venet). This album was The Boys' first really great effort; there's not a bad track in the lot, including the title song, "Catch A Wave," "In My Room," "Hawaii," "Our Car Club," "Little Deuce Coupe," "Your Summer Dream," and more.
Features:
200 Gram Vinyl
33 1/3rpm mono mixes created under Brian Wilson's supervision
Mastered by Kevin Gray at Cohearent Audio, most from the original master tapes or best sources available
Lacquer plating by Gary Salstrom
Pressed at Quality Record Pressings on Virgin Vinyl
Mono
Deluxe Packaging, Highest Quality Jackets and Rice Paper Inner Sleeves
"Old School" Stoughton tip-on jackets
Selections:
Side One:
1. Surfer Girl
2. Catch A Wave
3. The Surfer Moon
4. South Bay Surfer
5. The Rocking Surfer
6. Little Deuce Coupe
Side Two:
1. In My Room
2. Hawaii
3. Surfer's Rule
4. Our Car Club
5. Your Summer Dream
6. Boogie Woogie
