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The Ultimate Pressings of the Beach Boys Discography from Analogue Productions!
200g Vinyl LP Pressed at Quality Record Pressings! Mono Mix Created Under Brian Wilson's Supervision!
Mastered by Kevin Gray at Cohearent Audio from the Original Master Tapes or Best Sources Available!
To meet the standards of Analogue Productions, their Beach Boys album reissues had a mission to achieve: Present the band's music the way that Brian Wilson famed co-founder, songwriter and arranger intended. Mono mixes created under Wilsons supervision were how the surf rockin California crew rose to fame! And theyve got em!
For the early part of the Beach Boys' career, all of their singles were mixed and mastered and released only in the mono format they didn't release a single in stereo until 1968. In those days, hits were made on AM radio in mono. And the mono of those times worked well for Brian Wilson famed co-founder, songwriter and arranger who suffers from partial deafness. In fact, for their first 13 albums, Wilson originally turned in all the final mixed Beach Boy albums to Capitol Records only in mono.
The mono mixes were where Wilson paid intense attention, and the dedication paid off!
Analogue Productions has taken 10 of the most classic, best-sounding Beach Boy titles ever and restored them to their mono glory!
But theres no disputing that the close harmonies and one-of-a-kind rhythms of hits like Surfer Girl, In My Room, Little Deuce Coupe and more lend themselves naturally to stereo. So Analogue Productions has your 2-channel needs covered with prime stereo mix versions as well.
Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in "old school" Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!
Smiley Smile is the twelfth studio album by American rock band the Beach Boys, released on September 18, 1967 on Brother Records and Capitol. Devised as a substitute to their then-forthcoming Smile an LP which would have contained elaborately orchestrated compositions labored over for several months Smiley Smile is best known for its contrasting lo-fi production with an avant-garde and minimalist rock approach to arranging, being largely recorded in Brian Wilson's makeshift home studio over a period of two months.
After the much-discussed, uncompleted Smile project which was supposed to take the innovations of Pet Sounds to even grander heights collapsed, the Beach Boys released Smiley Smile in its place. (To clarify much confusion: Smiley Smile is an entirely different piece of work than Smile would have been, although some material that ended up on Smiley Smile would have most likely been used on Smile. Also, much of Smiley Smile was in fact recorded after the Smile sessions had ceased.), writes allmusic.com
"For fans expecting something along the lines of Sgt. Pepper (and there were many of them), Smiley Smile was a major disappointment, replacing psychedelic experimentation with spare, eccentric miniatures. Heard now, outside of such unrealistic expectations, it's a rather nifty, if rather slight, effort that's avant garde in the extreme. "Wind Chimes," "Wonderful," "Vegetables," and much of the rest is low-key psychedelic quirkiness, with abundant fine harmonies and unusual arrangements. The standouts, nonetheless, were two recent hit singles in which Brian Wilson's ambitions were still intact: The inscrutable mini-opera 'Heroes and Villains,' and the number one hit 'Good Vibrations,' one of the few occasions where the group managed to be recklessly experimental and massively commercial at the same time." -Richie Unterberger, allmusic.com
Features:
200g Vinyl
33 1/3rpm mono mixes created under Brian Wilson's supervision
Mastered by Kevin Gray at Cohearent Audio, most from the original master tapes or best sources available
Lacquer plating by Gary Salstrom
Pressed at Quality Record Pressings
Mono
"Old school" Stoughton tip-on jackets
Audio Production - Mark Linett
For Brother Records - Elliott Lott
Selections:
Side 1:
1. Heroes And Villains
2. Vegetables
3. Fall Breaks Back To Winter (W. Woodpecker Symphony)
4. She's Goin' Bald
5. Little Pad
Side 2:
6. Good Vibrations
7. With Me Tonight
8. Wind Chimes
9. Getting Hungry
10. Wonderful
11. Whistle In
The Ultimate Pressings of the Beach Boys Discography from Analogue Productions!
200g Vinyl LP Pressed at Quality Record Pressings! Mono Mix Created Under Brian Wilson's Supervision!
Mastered by Kevin Gray at Cohearent Audio from the Original Master Tapes or Best Sources Available!
To meet the standards of Analogue Productions, their Beach Boys album reissues had a mission to achieve: Present the band's music the way that Brian Wilson famed co-founder, songwriter and arranger intended. Mono mixes created under Wilsons supervision were how the surf rockin California crew rose to fame! And theyve got em!
For the early part of the Beach Boys' career, all of their singles were mixed and mastered and released only in the mono format they didn't release a single in stereo until 1968. In those days, hits were made on AM radio in mono. And the mono of those times worked well for Brian Wilson famed co-founder, songwriter and arranger who suffers from partial deafness. In fact, for their first 13 albums, Wilson originally turned in all the final mixed Beach Boy albums to Capitol Records only in mono.
The mono mixes were where Wilson paid intense attention, and the dedication paid off!
Analogue Productions has taken 10 of the most classic, best-sounding Beach Boy titles ever and restored them to their mono glory!
But theres no disputing that the close harmonies and one-of-a-kind rhythms of hits like Surfer Girl, In My Room, Little Deuce Coupe and more lend themselves naturally to stereo. So Analogue Productions has your 2-channel needs covered with prime stereo mix versions as well.
Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in "old school" Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!
Smiley Smile is the twelfth studio album by American rock band the Beach Boys, released on September 18, 1967 on Brother Records and Capitol. Devised as a substitute to their then-forthcoming Smile an LP which would have contained elaborately orchestrated compositions labored over for several months Smiley Smile is best known for its contrasting lo-fi production with an avant-garde and minimalist rock approach to arranging, being largely recorded in Brian Wilson's makeshift home studio over a period of two months.
After the much-discussed, uncompleted Smile project which was supposed to take the innovations of Pet Sounds to even grander heights collapsed, the Beach Boys released Smiley Smile in its place. (To clarify much confusion: Smiley Smile is an entirely different piece of work than Smile would have been, although some material that ended up on Smiley Smile would have most likely been used on Smile. Also, much of Smiley Smile was in fact recorded after the Smile sessions had ceased.), writes allmusic.com
"For fans expecting something along the lines of Sgt. Pepper (and there were many of them), Smiley Smile was a major disappointment, replacing psychedelic experimentation with spare, eccentric miniatures. Heard now, outside of such unrealistic expectations, it's a rather nifty, if rather slight, effort that's avant garde in the extreme. "Wind Chimes," "Wonderful," "Vegetables," and much of the rest is low-key psychedelic quirkiness, with abundant fine harmonies and unusual arrangements. The standouts, nonetheless, were two recent hit singles in which Brian Wilson's ambitions were still intact: The inscrutable mini-opera 'Heroes and Villains,' and the number one hit 'Good Vibrations,' one of the few occasions where the group managed to be recklessly experimental and massively commercial at the same time." -Richie Unterberger, allmusic.com
Features:
200g Vinyl
33 1/3rpm mono mixes created under Brian Wilson's supervision
Mastered by Kevin Gray at Cohearent Audio, most from the original master tapes or best sources available
Lacquer plating by Gary Salstrom
Pressed at Quality Record Pressings
Mono
"Old school" Stoughton tip-on jackets
Audio Production - Mark Linett
For Brother Records - Elliott Lott
Selections:
Side 1:
1. Heroes And Villains
2. Vegetables
3. Fall Breaks Back To Winter (W. Woodpecker Symphony)
4. She's Goin' Bald
5. Little Pad
Side 2:
6. Good Vibrations
7. With Me Tonight
8. Wind Chimes
9. Getting Hungry
10. Wonderful
11. Whistle In
