2013 Stereophile Magazine Record to Die For!
TAS Rated 5/5 Music, 4/5 Sonics in the February 2013 Issue of The Absolute Sound!
180g Vinyl LP! Cut at Abbey Road Studios using the Non-Limited 24-bit Digital Masters Sourced from the Original Analog Master Tapes!
This item not eligible for any further discount offers!
The wait is finally over, The Beatles catalog is getting the audiophile treatment! 180 Gram Vinyl Pressings Cut at Abbey Road Studios using the Non-Limited 24-bit Digital Masters Sourced from the Original Analog Master Tapes!
THE BEATLES ACCLAIMED STUDIO ALBUM REMASTERS ON 180-GRAM VINYL:
Pressed on 180-Gram, Audiophile Quality Vinyl with replicated artwork, The Beatles 14 albums return to their original glory! No detail was spared, including the poster in The Beatles (The White Album), the Sgt. Peppers Lonely Heart Club Bands cutouts, and special inner bags for some of the titles. Each album is available individually, and accompanied by a stunning, elegantly designed 252-page hardbound book in a lavish boxed edition which is limited to 50,000 copies worldwide.
The book, exclusive to the boxed edition, is authored by award-winning radio producer Kevin Howlett and features a dedicated chapter for each of the albums, as well as insight into the creation of the remasters and how the vinyl albums were prepared. The 12x12 book showcases a wealth of photographs spanning The Beatles recording career, including many images which were not included in the 2009 CD booklets.
The titles include The Beatles 12 original UK albums, first released between 1963 and 1970, the US-originated Magical Mystery Tour, now part of the groups core catalogue, and Past Masters, Volumes One & Two, featuring non-album A-sides and B-sides, EP tracks and rarities. With this release, The Beatles first four albums make their North American stereo vinyl debuts. In 2013, the remastered albums will make their mono vinyl debuts.
Since it was recorded, The Beatles music has been heard on a variety of formats from chunky reel-to-reel tapes and eight-track cartridges to invisible computer files. But there has never been a more romantic or thrilling medium for music than a long-playing twelve-inch disc. We play records. The process of carefully slipping the disc out of the sleeve, cleaning it and lowering the stylus provides a personal involvement in the reproduction of the music.
When The Beatles albums were first released, the listener enjoyed a tangible relationship with the music in the grooves of a record. There was an emotional connection to the artifact carrying the sound, and this bond was strengthened by the LP sleeve. Rather than a merely functional object to protect the disc, it was elevated to a stylish accessory. Certainly, the cover of a Beatles album conveyed a message about the music it was wrapped around. For example, the dominant orange and brown hues and elongated faces on the front of Rubber Soul seem to embody the sound of the record. With the advent of the cassette tape in the seventies and the compact disc in the 1980s, album artwork was reduced in size and importance, losing much of its charm. That is partly why vinyl LPs have not, as predicted, been discarded.
None of that would really matter, were it not for the enduring power of The Beatles music. In September, 2009, The Beatles remastered albums on CD graced charts around the world. Seventeen million album sales within seven months was resounding evidence of the timeless relevance of their legacy. Through five decades, the music of The Beatles has captivated generation upon generation.
For producer Rick Rubin, surveying The Beatles recorded achievements is akin to witnessing a miracle. If we look at it by todays standards, whoever the most popular bands in the world are, they will typically put out an album every four years, Rubin said in a 2009 radio series interview. So, lets say two albums as an eight year cycle. And think of the growth or change between those two albums. The idea that The Beatles made thirteen albums in seven years and went through that arc of change... it cant be done. Truthfully, I think of it as proof of God, because its beyond mans ability.
REMASTERING THE BEATLES ORIGINAL STUDIO ALBUMS FOR VINYL:
There has always been demand for The Beatles albums on vinyl. Indeed, 2011s best-selling vinyl LP in the United States was Abbey Road. Following the success of The Beatles acclaimed, GRAMMY Award-winning 2009 CD remasters, it was decided that the sound experts at EMIs Abbey Road Studios should create new versions of The Beatles vinyl LPs. The project demanded the same meticulous approach taken for the CD releases, and the idea was a simple one: cut the digital remasters to vinyl with an absolute minimum of compromise to the sound. However, the process involved to do that was far from simple.
The first stage in transferring the sound of a master recording to vinyl is the creation of a disc to be used during vinyl manufacture. There were two options to consider. A Direct Metal Master (DMM), developed in the late seventies, allows sound to be cut directly into a stainless steel disc coated with a hard copper alloy. The older, alternative method is to cut the sound into the soft lacquer coating on a nickel disc - the first of several steps leading to the production of a stamper to press the vinyl.
A blind listening test was arranged to choose between a lacquer or copper cut. Using both methods, A Hard Days Night was pressed with ten seconds of silence at the beginning and end of each side. This allowed not only the reproduction of the music to be assessed, but also the noise made by the vinyl itself. After much discussion, two factors swung the decision towards using the lacquer process. First, it was judged to create a warmer sound than a DMM. Secondly, there was a practical advantage of having blank discs of a consistent quality when cutting lacquers.
The next step was to use the Neumann VMS80 cutting lathe at Abbey Road. Following thorough mechanical and electrical tests to ensure it was operating in peak condition, engineer Sean Magee cut the LPs in chronological release order. He used the 24-bit Digital Masters Sourced from the Original Analog Master Tapes rather than the 16-bit versions that were required for CD production. It was also decided to use the remasters that had not undergone limiting - a procedure to increase the sound level, which is deemed necessary for most current pop CDs.
Having made initial test cuts, Magee pinpointed any sound problems that can occur during playback of vinyl records. To rectify them, changes were made to the remasters with a Digital Audio Workstation. For example, each vinyl album was listened to for any sibilant episodes - vocal distortion that can occur on consonant sounds such as S and T. These were corrected by reducing the level in the very small portion of sound causing the undesired effect. Similarly, any likelihood of inner-groove distortion was addressed. As the stylus approaches the centre of the record, it is liable to track the groove less accurately. This can affect the high-middle frequencies, producing a mushy sound particularly noticeable on vocals. Using what Magee has described as surgical EQ, problem frequencies were identified and reduced in level to compensate for this.
The last phase of the vinyl mastering process began with the arrival of the first batches of test pressings made from master lacquers that had been sent to the two pressing plant factories. Stringent quality tests identified any noise or click appearing on more than one test pressing in the same place. If this happened, it was clear that the undesired sounds had been introduced either during the cutting or the pressing stage and so the test records were rejected. In the quest to achieve the highest quality possible, the Abbey Road team worked closely with the pressing factories and the manufacturers of the lacquer and cutting styli.
An additional and unusual challenge was to ensure the proper playback of the sounds embedded in the lock-groove at the end of side two of Sgt. Peppers Lonely Hearts Club Band. Requiring a combination of good timing and luck, it had always been a lengthy and costly process to make it work properly. In fact, it was so tricky, it had never been attempted for American pressings of the LP. Naturally, Sean Magee and the team perfected this and the garbled message is heard as originally intended on the remastered Sgt. Pepper LP.
Highly-skilled technicians have worked long and hard to make The Beatles on vinyl sound better than ever. All we need to do is listen to the results of their dedicated labour on the remastered LPs. Handle with care. But most of all, enjoy the music.
"Almost everyone...agree[s] that the 252-page book that comes with the set is the finest individual Beatle collectible yet devised. Whatever your convictions, this set is beyond essential. Gorgeously packaged and remastered with great care - don't be silly - this music is where the phrase 'to die for' began!" - Robert Baird, Stereophile Magazine, February 2013, p. 62
"The bass is tight, the highs are clear, and the recordings have consistent clarity..." - Music 5/5, Sonics 4/5 - Greg Cahill, The Absolute Sound, February 2013, p. 134
"The physical presentation of the box... qualifies as very good. The jewel is the 252-page book, offering an engaging overview of the Beatles history. The records themselves sport a mixture of Parlophone label, Capitol label, and Apple label IDs--a fun touch for those new to Beatlemania..." - Jeff Dorgay, TONEAudio Magazine, No. 52, January 2013
Features:
Limited Edition - 50,000 copies worldwide
Available for the First Time on 180 Gram Vinyl
Cut at Abbey Road Studios using the Non-Limited 24-bit Digital Masters Sourced from the Original Analog Master Tapes!
Beautiful 252-page Hardbound book
All The Beatles's Stereo Albums Return to their Original Glory and details right down to the album poster in the White Album and the Sgt Pepper Cut-Outs:
Please Please Me - Love Me Do and P.S. I Love You are presented in mono (North American LP debut in stereo)
With The Beatles - North American LP debut in stereo
A Hard Day's Night - North American LP debut in stereo
Beatles For Sale - North American LP debut in stereo
Help! - Features George Martin's 1986 stereo remix
Rubber Soul - Features George Martin's 1986 stereo remix
Revolver - Original album
Sgt. Pepper's Lonely Hearts Club Band - packaging includes replica psychedelic inner sleeve, cardboard cutout sheet and additional insert
Magical Mystery Tour - Packaging includes 24-page color book
The Beatles - Packaging includes double-sided photo montage / lyric sheet and 4 solo color photos
Yellow Submarine - "Only a Northern Song" is presented in mono. Additional insert includes original American liner notes
Abbey Road - Original album
Let It Be - Original album
Past Masters - "Love Me Do" (original single version), "She Loves You", "I'll Get You", and "You Know My Name (Look Up the Number)" are presented in mono. Packaging, notes and photographic content is based on 2009 CD release
Albums Included:
Please Please Me
1. I Saw Her Standing There
2. Misery
3. Anna (Go To Him)
4. Chains
5. Boys
6. Ask Me Why
7. Please Please Me
8. Love Me Do
9. P.S. I Love You
10. Baby It's You
11. Do You Want To Know A Secret
12. A Taste Of Honey
13. There's A Place
14. Twist And Shout
With The Beatles
1. It Won't Be Long
2. All I've Got To Do
3. All My Loving
4. Don't Bother Me
5. Little Child
6. Till There Was You
7. Please Mister Postman
8. Roll Over Beethoven
9. Hold Me Tight
10. You Really Got A Hold On Me
11. I Wanna Be Your Man
12. Devil In Her Heart
13. Not A Second Time
14. Money (That's What I Want)
A Hard Day's Night
1. A Hard Day's Night
2. I Should Have Known Better
3. If I Fell
4. I'm Happy Just To Dance With You
5. And I Love Her
6. Tell Me Why
7. Can't Buy Me Love
8. Any Time At All
9. I'll Cry Instead
10. Things We Said Today
11. When I Get Home
12. You Can't Do That
13. I'll Be Back
Beatles For Sale
1. No Reply
2. I'm A Loser
3. Baby's In Black
4. Rock And Roll Music
5. I'll Follow The Sun
6. Mr. Moonlight
7. Kansas City : Hey-Hey-Hey-Hey!
8. Eight Days A Week
9. Words Of Love
10. Honey Don't
11. Every Little Thing
12. I Don't Want To Spoil The Party
13. What You're Doing
14. Everybody's Trying To Be My Baby
Help!
1. Help!
2. The Night Before
3. You've Got To Hide Your Love Away
4. I Need You
5. Another Girl
6. You're Going To Lose That Girl
7. Ticket to Ride
8. Act Naturally
9. It's Only Love
10. You Like Me Too Much
11. Tell Me What You See
12. I've Just Seen a Face
13. Yesterday
14. Dizzy Miss Lizzy
Rubber Soul
1. Drive My Car
2. Norwegian Wood (This Bird Has Flown)
3. You Won't See Me
4. Nowhere Man
5. Think For Yourself
6. The Word
7. Michelle
8. What Goes On
9. Girl
10. I'm Looking Through You
11. In My Life
12. Wait
13. If I Needed Someone
14. Run For Your Life
Revolver
1. Taxman
2. Eleanor Rigby
3. I'm Only Sleeping
4. Love You To
5. Here, There And Everywhere
6. Yellow Submarine
7. She Said She Said
8. Good Day Sunshine
9. And Your Bird Can Sing
10. For No One
11. Doctor Robert
12. I Want To Tell You
13. Got To Get You Into My Life
14. Tomorrow Never Knows
Sgt. Pepper's Lonely Hearts Club Band
1. Sgt. Pepper's Lonely Hearts Club Band
2. With A Little Help From My Friends
3. Lucy In The Sky With Diamonds
4. Getting Better
5. Fixing A Hole
6. She's Leaving Home
7. Being For The Benefit Of Mr Kite
8. Within You Without You
9. When I'm Sixty Four
10. Lovely Rita
11. Good Morning Good Morning
12. Sgt. Pepper's Lonely Hearts Club Band (Reprise)
13. A Day In The Life
Magical Mystery Tour
1. Magical Mystery Tour
2. The Fool On The Hill
3. Flying
4. Blue Jay Way
5. Your Mother Should Know
6. I Am The Walrus
7. Hello, Goodbye
8. Strawberry Fields Forever
9. Penny Lane
10. Baby You're A Rich Man
11. All You Need Is Love
The Beatles (White Album)
Disc 1:
1. Back In The U.S.S.R.
2. Dear Prudence
3. Glass Onion
4. Ob-La-Di, Ob-La-Da
5. Wild Honey Pie
6. The Continuing Story Of Bungalow Bill
7. While My Guitar Gently Weeps
8. Happiness Is A Warm Gun
9. Martha My Dear
10. I'm So Tired
11. Blackbird
12. Piggies
13. Rocky Raccoon
14. Don't Pass Me By
15. Why Don't We Do It In The Road?
16. I Will
17. Julia
Disc 2:
1. Birthday
2. Yer Blues
3. Mother Nature's Son
4. Everybody's Got Something To Hide Except Me And My Monkey
5. Sexy Sadie
6. Helter Skelter
7. Long, Long, Long
8. Revolution 1
9. Honey Pie
10. Savoy Truffle
11. Cry Baby Cry
12. Revolution 9
13. Good Night
Yellow Submarine
1. Yellow Submarine
2. Only A Northern Song
3. All Together Now
4. Hey Bulldog
5. It's All Too Much
6. All You Need Is Love
7. Pepperland
8. Sea Of Time
9. Sea Of Holes
10. Sea Of Monsters
11. March Of The Meanies
12. Pepperland Laid Waste
13. Yellow Submarine In Pepperland
Abbey Road
1. Come Together
2. Something
3. Maxwell's Silver Hammer
4. Oh! Darling
5. Octopus's Garden
6. I Want You (She's So Heavy)
7. Here Comes The Sun
8. Because
9. You Never Give Me Your Money
10. Sun King
11. Mean Mr. Mustard
12. Polythene Pam
13. She Came In Through The Bathroom Window
14. Golden Slumbers
15. Carry That Weight
16. The End
17. Her Majesty
Let It Be
1. Two Of Us
2. Dig A Pony
3. Across The Universe
4. I Me Mine
5. Dig It
6. Let It Be
7. Maggie Mae
8. I've Got A Feeling
9. One After 909
10. The Long And Winding Road
11. For You Blue
12. Get Back
Past Masters Vol. 1 & 2
Disc 1 - Volume 1 (1962-1965):
1. Love Me Do (Original Single Version) (Mono)
2. From Me to You (Previously issued in mono only)
3. Thank You Girl (Previously issued in mono only)
4. She Loves You (Mono)
5. I'll Get You (Mono)
6. I Want to Hold Your Hand
7. This Boy
8. Komm, Gib Mir Deine Hand
9. Sie Liebt Dich
10. Long Tall Sally
11. I Call Your Name
12. Slow Down
13. Matchbox
14. I Feel Fine
15. She's a Woman
16. Bad Boy
17. Yes It Is
18. I'm Down
Disc 2 - Volume 2 (1965-1970:
1. Day Tripper
2. We Can Work It Out
3. Paperback Writer
4. Rain
5. Lady Madonna
6. The Inner Light
7. Hey Jude
8. Revolution
9. Get Back (with Billy Preston)
10. Don't Let Me Down (with Billy Preston)
11. The Ballad of John and Yoko
12. Old Brown Shoe
13. Across the Universe
14. Let It Be
15. You Know My Name (Look Up the Number) (Mono)
TAS Rated 5/5 Music, 4/5 Sonics in the February 2013 Issue of The Absolute Sound!
This item not eligible for any further discount offers!
The wait is finally over, The Beatles catalog is getting the audiophile treatment! 180 Gram Vinyl Pressings Cut at Abbey Road Studios using the Non-Limited 24-bit Digital Masters Sourced from the Original Analog Master Tapes!
THE BEATLES ACCLAIMED STUDIO ALBUM REMASTERS ON 180-GRAM VINYL:
Pressed on 180-Gram, Audiophile Quality Vinyl with replicated artwork, The Beatles 14 albums return to their original glory! No detail was spared, including the poster in The Beatles (The White Album), the Sgt. Peppers Lonely Heart Club Bands cutouts, and special inner bags for some of the titles. Each album is available individually, and accompanied by a stunning, elegantly designed 252-page hardbound book in a lavish boxed edition which is limited to 50,000 copies worldwide.
The book, exclusive to the boxed edition, is authored by award-winning radio producer Kevin Howlett and features a dedicated chapter for each of the albums, as well as insight into the creation of the remasters and how the vinyl albums were prepared. The 12x12 book showcases a wealth of photographs spanning The Beatles recording career, including many images which were not included in the 2009 CD booklets.
The titles include The Beatles 12 original UK albums, first released between 1963 and 1970, the US-originated Magical Mystery Tour, now part of the groups core catalogue, and Past Masters, Volumes One & Two, featuring non-album A-sides and B-sides, EP tracks and rarities. With this release, The Beatles first four albums make their North American stereo vinyl debuts. In 2013, the remastered albums will make their mono vinyl debuts.
Since it was recorded, The Beatles music has been heard on a variety of formats from chunky reel-to-reel tapes and eight-track cartridges to invisible computer files. But there has never been a more romantic or thrilling medium for music than a long-playing twelve-inch disc. We play records. The process of carefully slipping the disc out of the sleeve, cleaning it and lowering the stylus provides a personal involvement in the reproduction of the music.
When The Beatles albums were first released, the listener enjoyed a tangible relationship with the music in the grooves of a record. There was an emotional connection to the artifact carrying the sound, and this bond was strengthened by the LP sleeve. Rather than a merely functional object to protect the disc, it was elevated to a stylish accessory. Certainly, the cover of a Beatles album conveyed a message about the music it was wrapped around. For example, the dominant orange and brown hues and elongated faces on the front of Rubber Soul seem to embody the sound of the record. With the advent of the cassette tape in the seventies and the compact disc in the 1980s, album artwork was reduced in size and importance, losing much of its charm. That is partly why vinyl LPs have not, as predicted, been discarded.
None of that would really matter, were it not for the enduring power of The Beatles music. In September, 2009, The Beatles remastered albums on CD graced charts around the world. Seventeen million album sales within seven months was resounding evidence of the timeless relevance of their legacy. Through five decades, the music of The Beatles has captivated generation upon generation.
For producer Rick Rubin, surveying The Beatles recorded achievements is akin to witnessing a miracle. If we look at it by todays standards, whoever the most popular bands in the world are, they will typically put out an album every four years, Rubin said in a 2009 radio series interview. So, lets say two albums as an eight year cycle. And think of the growth or change between those two albums. The idea that The Beatles made thirteen albums in seven years and went through that arc of change... it cant be done. Truthfully, I think of it as proof of God, because its beyond mans ability.
REMASTERING THE BEATLES ORIGINAL STUDIO ALBUMS FOR VINYL:
There has always been demand for The Beatles albums on vinyl. Indeed, 2011s best-selling vinyl LP in the United States was Abbey Road. Following the success of The Beatles acclaimed, GRAMMY Award-winning 2009 CD remasters, it was decided that the sound experts at EMIs Abbey Road Studios should create new versions of The Beatles vinyl LPs. The project demanded the same meticulous approach taken for the CD releases, and the idea was a simple one: cut the digital remasters to vinyl with an absolute minimum of compromise to the sound. However, the process involved to do that was far from simple.
The first stage in transferring the sound of a master recording to vinyl is the creation of a disc to be used during vinyl manufacture. There were two options to consider. A Direct Metal Master (DMM), developed in the late seventies, allows sound to be cut directly into a stainless steel disc coated with a hard copper alloy. The older, alternative method is to cut the sound into the soft lacquer coating on a nickel disc - the first of several steps leading to the production of a stamper to press the vinyl.
A blind listening test was arranged to choose between a lacquer or copper cut. Using both methods, A Hard Days Night was pressed with ten seconds of silence at the beginning and end of each side. This allowed not only the reproduction of the music to be assessed, but also the noise made by the vinyl itself. After much discussion, two factors swung the decision towards using the lacquer process. First, it was judged to create a warmer sound than a DMM. Secondly, there was a practical advantage of having blank discs of a consistent quality when cutting lacquers.
The next step was to use the Neumann VMS80 cutting lathe at Abbey Road. Following thorough mechanical and electrical tests to ensure it was operating in peak condition, engineer Sean Magee cut the LPs in chronological release order. He used the 24-bit Digital Masters Sourced from the Original Analog Master Tapes rather than the 16-bit versions that were required for CD production. It was also decided to use the remasters that had not undergone limiting - a procedure to increase the sound level, which is deemed necessary for most current pop CDs.
Having made initial test cuts, Magee pinpointed any sound problems that can occur during playback of vinyl records. To rectify them, changes were made to the remasters with a Digital Audio Workstation. For example, each vinyl album was listened to for any sibilant episodes - vocal distortion that can occur on consonant sounds such as S and T. These were corrected by reducing the level in the very small portion of sound causing the undesired effect. Similarly, any likelihood of inner-groove distortion was addressed. As the stylus approaches the centre of the record, it is liable to track the groove less accurately. This can affect the high-middle frequencies, producing a mushy sound particularly noticeable on vocals. Using what Magee has described as surgical EQ, problem frequencies were identified and reduced in level to compensate for this.
The last phase of the vinyl mastering process began with the arrival of the first batches of test pressings made from master lacquers that had been sent to the two pressing plant factories. Stringent quality tests identified any noise or click appearing on more than one test pressing in the same place. If this happened, it was clear that the undesired sounds had been introduced either during the cutting or the pressing stage and so the test records were rejected. In the quest to achieve the highest quality possible, the Abbey Road team worked closely with the pressing factories and the manufacturers of the lacquer and cutting styli.
An additional and unusual challenge was to ensure the proper playback of the sounds embedded in the lock-groove at the end of side two of Sgt. Peppers Lonely Hearts Club Band. Requiring a combination of good timing and luck, it had always been a lengthy and costly process to make it work properly. In fact, it was so tricky, it had never been attempted for American pressings of the LP. Naturally, Sean Magee and the team perfected this and the garbled message is heard as originally intended on the remastered Sgt. Pepper LP.
Highly-skilled technicians have worked long and hard to make The Beatles on vinyl sound better than ever. All we need to do is listen to the results of their dedicated labour on the remastered LPs. Handle with care. But most of all, enjoy the music.
"Almost everyone...agree[s] that the 252-page book that comes with the set is the finest individual Beatle collectible yet devised. Whatever your convictions, this set is beyond essential. Gorgeously packaged and remastered with great care - don't be silly - this music is where the phrase 'to die for' began!" - Robert Baird, Stereophile Magazine, February 2013, p. 62
"The bass is tight, the highs are clear, and the recordings have consistent clarity..." - Music 5/5, Sonics 4/5 - Greg Cahill, The Absolute Sound, February 2013, p. 134
"The physical presentation of the box... qualifies as very good. The jewel is the 252-page book, offering an engaging overview of the Beatles history. The records themselves sport a mixture of Parlophone label, Capitol label, and Apple label IDs--a fun touch for those new to Beatlemania..." - Jeff Dorgay, TONEAudio Magazine, No. 52, January 2013
Features:
Limited Edition - 50,000 copies worldwide
Available for the First Time on 180 Gram Vinyl
Cut at Abbey Road Studios using the Non-Limited 24-bit Digital Masters Sourced from the Original Analog Master Tapes!
Beautiful 252-page Hardbound book
All The Beatles's Stereo Albums Return to their Original Glory and details right down to the album poster in the White Album and the Sgt Pepper Cut-Outs:
Please Please Me - Love Me Do and P.S. I Love You are presented in mono (North American LP debut in stereo)
With The Beatles - North American LP debut in stereo
A Hard Day's Night - North American LP debut in stereo
Beatles For Sale - North American LP debut in stereo
Help! - Features George Martin's 1986 stereo remix
Rubber Soul - Features George Martin's 1986 stereo remix
Revolver - Original album
Sgt. Pepper's Lonely Hearts Club Band - packaging includes replica psychedelic inner sleeve, cardboard cutout sheet and additional insert
Magical Mystery Tour - Packaging includes 24-page color book
The Beatles - Packaging includes double-sided photo montage / lyric sheet and 4 solo color photos
Yellow Submarine - "Only a Northern Song" is presented in mono. Additional insert includes original American liner notes
Abbey Road - Original album
Let It Be - Original album
Past Masters - "Love Me Do" (original single version), "She Loves You", "I'll Get You", and "You Know My Name (Look Up the Number)" are presented in mono. Packaging, notes and photographic content is based on 2009 CD release
Albums Included:
Please Please Me
1. I Saw Her Standing There
2. Misery
3. Anna (Go To Him)
4. Chains
5. Boys
6. Ask Me Why
7. Please Please Me
8. Love Me Do
9. P.S. I Love You
10. Baby It's You
11. Do You Want To Know A Secret
12. A Taste Of Honey
13. There's A Place
14. Twist And Shout
With The Beatles
1. It Won't Be Long
2. All I've Got To Do
3. All My Loving
4. Don't Bother Me
5. Little Child
6. Till There Was You
7. Please Mister Postman
8. Roll Over Beethoven
9. Hold Me Tight
10. You Really Got A Hold On Me
11. I Wanna Be Your Man
12. Devil In Her Heart
13. Not A Second Time
14. Money (That's What I Want)
A Hard Day's Night
1. A Hard Day's Night
2. I Should Have Known Better
3. If I Fell
4. I'm Happy Just To Dance With You
5. And I Love Her
6. Tell Me Why
7. Can't Buy Me Love
8. Any Time At All
9. I'll Cry Instead
10. Things We Said Today
11. When I Get Home
12. You Can't Do That
13. I'll Be Back
Beatles For Sale
1. No Reply
2. I'm A Loser
3. Baby's In Black
4. Rock And Roll Music
5. I'll Follow The Sun
6. Mr. Moonlight
7. Kansas City : Hey-Hey-Hey-Hey!
8. Eight Days A Week
9. Words Of Love
10. Honey Don't
11. Every Little Thing
12. I Don't Want To Spoil The Party
13. What You're Doing
14. Everybody's Trying To Be My Baby
Help!
1. Help!
2. The Night Before
3. You've Got To Hide Your Love Away
4. I Need You
5. Another Girl
6. You're Going To Lose That Girl
7. Ticket to Ride
8. Act Naturally
9. It's Only Love
10. You Like Me Too Much
11. Tell Me What You See
12. I've Just Seen a Face
13. Yesterday
14. Dizzy Miss Lizzy
Rubber Soul
1. Drive My Car
2. Norwegian Wood (This Bird Has Flown)
3. You Won't See Me
4. Nowhere Man
5. Think For Yourself
6. The Word
7. Michelle
8. What Goes On
9. Girl
10. I'm Looking Through You
11. In My Life
12. Wait
13. If I Needed Someone
14. Run For Your Life
Revolver
1. Taxman
2. Eleanor Rigby
3. I'm Only Sleeping
4. Love You To
5. Here, There And Everywhere
6. Yellow Submarine
7. She Said She Said
8. Good Day Sunshine
9. And Your Bird Can Sing
10. For No One
11. Doctor Robert
12. I Want To Tell You
13. Got To Get You Into My Life
14. Tomorrow Never Knows
Sgt. Pepper's Lonely Hearts Club Band
1. Sgt. Pepper's Lonely Hearts Club Band
2. With A Little Help From My Friends
3. Lucy In The Sky With Diamonds
4. Getting Better
5. Fixing A Hole
6. She's Leaving Home
7. Being For The Benefit Of Mr Kite
8. Within You Without You
9. When I'm Sixty Four
10. Lovely Rita
11. Good Morning Good Morning
12. Sgt. Pepper's Lonely Hearts Club Band (Reprise)
13. A Day In The Life
Magical Mystery Tour
1. Magical Mystery Tour
2. The Fool On The Hill
3. Flying
4. Blue Jay Way
5. Your Mother Should Know
6. I Am The Walrus
7. Hello, Goodbye
8. Strawberry Fields Forever
9. Penny Lane
10. Baby You're A Rich Man
11. All You Need Is Love
The Beatles (White Album)
Disc 1:
1. Back In The U.S.S.R.
2. Dear Prudence
3. Glass Onion
4. Ob-La-Di, Ob-La-Da
5. Wild Honey Pie
6. The Continuing Story Of Bungalow Bill
7. While My Guitar Gently Weeps
8. Happiness Is A Warm Gun
9. Martha My Dear
10. I'm So Tired
11. Blackbird
12. Piggies
13. Rocky Raccoon
14. Don't Pass Me By
15. Why Don't We Do It In The Road?
16. I Will
17. Julia
Disc 2:
1. Birthday
2. Yer Blues
3. Mother Nature's Son
4. Everybody's Got Something To Hide Except Me And My Monkey
5. Sexy Sadie
6. Helter Skelter
7. Long, Long, Long
8. Revolution 1
9. Honey Pie
10. Savoy Truffle
11. Cry Baby Cry
12. Revolution 9
13. Good Night
Yellow Submarine
1. Yellow Submarine
2. Only A Northern Song
3. All Together Now
4. Hey Bulldog
5. It's All Too Much
6. All You Need Is Love
7. Pepperland
8. Sea Of Time
9. Sea Of Holes
10. Sea Of Monsters
11. March Of The Meanies
12. Pepperland Laid Waste
13. Yellow Submarine In Pepperland
Abbey Road
1. Come Together
2. Something
3. Maxwell's Silver Hammer
4. Oh! Darling
5. Octopus's Garden
6. I Want You (She's So Heavy)
7. Here Comes The Sun
8. Because
9. You Never Give Me Your Money
10. Sun King
11. Mean Mr. Mustard
12. Polythene Pam
13. She Came In Through The Bathroom Window
14. Golden Slumbers
15. Carry That Weight
16. The End
17. Her Majesty
Let It Be
1. Two Of Us
2. Dig A Pony
3. Across The Universe
4. I Me Mine
5. Dig It
6. Let It Be
7. Maggie Mae
8. I've Got A Feeling
9. One After 909
10. The Long And Winding Road
11. For You Blue
12. Get Back
Past Masters Vol. 1 & 2
Disc 1 - Volume 1 (1962-1965):
1. Love Me Do (Original Single Version) (Mono)
2. From Me to You (Previously issued in mono only)
3. Thank You Girl (Previously issued in mono only)
4. She Loves You (Mono)
5. I'll Get You (Mono)
6. I Want to Hold Your Hand
7. This Boy
8. Komm, Gib Mir Deine Hand
9. Sie Liebt Dich
10. Long Tall Sally
11. I Call Your Name
12. Slow Down
13. Matchbox
14. I Feel Fine
15. She's a Woman
16. Bad Boy
17. Yes It Is
18. I'm Down
Disc 2 - Volume 2 (1965-1970:
1. Day Tripper
2. We Can Work It Out
3. Paperback Writer
4. Rain
5. Lady Madonna
6. The Inner Light
7. Hey Jude
8. Revolution
9. Get Back (with Billy Preston)
10. Don't Let Me Down (with Billy Preston)
11. The Ballad of John and Yoko
12. Old Brown Shoe
13. Across the Universe
14. Let It Be
15. You Know My Name (Look Up the Number) (Mono)
