Genre: Pop Rock
Label: ATO
Size: 12"
Format: 33RPM,


Brittany Howard Jaime LP (Sandstone Vinyl)

Brittany Howard

Availability: In Stock
In Stock An In Stock item is available to ship normally within 24 business hours.
Preorder A Preorder is an item that has not yet been released. Typically the label will set a projected release date (that is subject to change). If a projected release date is known, we will include this in the description in red. Other Preorders are set to release 'TBA.' This means that release date is yet 'To Be Announced'. The Preorder can be released anywhere between weeks, months or years from its initial announcement.
Backordered An Out Of Stock item is an item that we normally have available to ship but we are temporarily out of. We do not have a specific date when it will be coming.
Awaiting Repress Awaiting repress titles are in the process of being repressed by the label. No ETA is available at this time.
Expected On When an item is Out Of Stock and we have an estimated date when our stock should arrive, we list that date on our website in the part's description. It is not guaranteed.
Special Order A Special Order item is an item that we do not stock but can order from the manufacturer. Typical order times are located within the product description.
Adding to cart… The item has been added

Debut Solo Album From Alabama Shakes Frontwoman On Sandstone Colored Vinyl LP!

2021 Grammy Award Winner:
• Best Rock Song: "Stay High"

2021 Grammy Award Nominee:
• Best Rock Performance: "Stay High"
• Best Alternative Music Album: Jaime
• Best R&B Performance: "Goat Head"
• Best American Roots Performance: "Short And Sweet"
• Best Engineered Album, Non-Classical: Jaime

2020 Grammy Award Nominee:
• Best Rock Performance: "History Repeats"
• Best Rock Song: "History Repeats"
• Best Alternative Music Album: Jaime

As the frontwoman and guitarist for Alabama Shakes, Brittany Howard has become one of music's most celebrated figures. The band has won four GRAMMY Awards and topped the Billboard 200 with the Gold-certified Sound & Color, the follow-up to its Platinum debut album, Boys & Girls. Howard has performed everywhere from the Obama White House to the main stage at Lollapalooza, where she sang with Paul McCartney at his invitation. In between albums and tours with Alabama Shakes, Howard grows restless. "To me, there is no time off – I'm a creative person and I need to create, or I just feel weird, not fully human," she says. She's channeled that relentless creativity into Jaime, her most revelatory work yet.

Jaime sounds looser and more eclectic than anything in Howard's discography, from the Shakes' two Top 10 albums to her current side projects, the country-tinged trio Bermuda Triangle and her too-tough rock band Thunderbitch. Here she worked with her longtime bandmate Zac Cockrell on bass, jazz drummer Nate Smith, and pianist Robert Glasper, whose work splits the difference between jazz, hip-hop, and modern R&B. The players help to conjure Prince, D'Angelo, and Roots-like sensibilities in places on the record, but it is all Howard's handiwork—a combination of classic songwriting, left-turn instincts, and staggering vocal performances—that brings the swirling musical collage to life.
Howard obviously has many musical influences. She doesn't just listen to a lot of different things, but she's also able to write fluently in different genres. What anchors this album is Howard's voice, and the way it can scurry from a lower register into a soaring falsetto in the time it takes a hi-hat to open up. Her distinctive vocal timbre is the twine that keeps Jamie wrapped-up tight. Not many artists can make loops and electronic sounds feel authentic, but Howard is more than able to keep them feeling warm and natural.
-Glide Magazine
Any discussion of Ms. Howard's music has to start with her voice, an instrument of rare power and authority. It's impossible to hear it without thinking of earlier vocalists: When singing in her lower register, she channels the heavy seriousness of Nina Simone, and when she sings high, she touches on the angelic lightness of Curtis Mayfield. These are lofty comparisons, but Ms. Howard has earned them.
-The Wall Street Journal
These are songs that draw the ear into their slow rhythms, only to disrupt and rearrange themselves; that build melodies like vines growing, turning and knotting into loops, getting tangled as they move toward sun. They tell stories of desire with names like 'Stay High,' unorthodox faith through declarations like 'He Loves Me' and family history by facing painful memories (in 'Goat Head,' the stench of racism permeates). Yet following her own perspective, Howard turns confession on its head. To realize her songs' deceptively plainspoken complexity, Howard and producer Shawn Everett brought together jazz disruptors Nate Smith on drums and Robert Glasper on keys, alongside her old bandmate and musical anchor, bassist Zac Cockrell. They took chances. They got psychedelic, locked into heavy funk, slid into classic R&B and then cleared space for Howard to be lonely, like the blues chanteuse she also can be. This album is a radical act of self-claiming, one that does more than reintroduce a great 21st Century voice. It turns a broken circle into an open road.
-Ann Powers, NPR Music, Best Albums of 2019


  • Sandstone Colored Vinyl
  • Single record jacket with emboss
  • Colored inner-sleeve
  • Limited time digital download


  1. History Repeats
  2. He Loves Me
  3. Georgia
  4. Stay High
  5. Tomorrow
  6. Short & Sweet
  7. 13th Century Metal
  8. Baby
  9. Goat Head
  10. Presence
  11. Run To Me

Customers Also Like