Martha Argerich & Mischa Maisky Schubert & Schuman 180g Import LP
Martha Argerich & Mischa Maisky Schubert & Schuman 180g Import LP
Genre: Classical
Label: Decca
Additional Artists: Mischa Maisky
Format: 33RPM,
Size: 12"

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Martha Argerich & Mischa Maisky Schubert & Schuman 180g Import LP

Martha Argerich

$39.99
 
 
 
Availability: Backordered
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SKU:
ADECI41020
UPC:
8808678134339
Audiophile 180g Virgin Vinyl Cut at Emil Berliner Studio! Pressed at Pallas in Germany! Mastered from the Original Masters of Universal Music!

Acclaimed pianist Martha Argerich and violinist Mischa Maisky perform Schubert's Sonata for Arpeggione and Schumann's Fantasiestucke Op. 73.

In 1823 Johann Georg Staufer invented the arpeggione, a six-stringed instrument with the fretted fingerboard and tuning of a guitar but played with a bow, like a viola da gamba. Though its survival was brief, it found one notable Viennese exponent in Vincenz Schuster, who even published a tutor for it. Schubert's single work for arpeggione, nowadays most often appropriated by cellists, was composed for Schuster in November 1824, a year memorable for the 27-year-old composer's return to health, after serious illness, and also his return to the sphere of chamber music.

"All the instruments are having a turn" was Clara Schumann's diary comment in the spring of 1849 as her husband, approaching his thirty-ninth birthday, wrote miniatures for clarinet, horn, and cello with piano (oboe and viola suites soon followed). With her own concert travels restricted by a fast-growing family, domestic music-making with friends from the Dresden Court Orchestra proved a constant source of pleasure for them both. The "Fantasiestucke" for clarinet, Op. 73, dated February 11-12, 1849, were in fact tried out by Clara with the clarinettist, Johann Kotte, barely a week later, though Schumann at once stipulated that they were no less apt for violin or cello as clarinet. The word attacca after Nos. 1 and 2 as well as the A minor-major key-scheme reveals that Schumann envisaged the three pieces as a continuous suite travelling in mood from nostalgic lyricism to firm resolution.

Features:
• Audiopihle 180g Virgin Vinyl
• Cut at Emil Berliner Studio
• Pressed at Pallas GmbH Germany
• Mastered from the Original Masters of Universal Music
• Audiophile Lacquer Discs Cut by the Expert "Maarten de Boer"

Selections:
Side 1:
Franz Schubert (1797 - 1828)
Sonata for arpeggione and piano in A minor D. 821

1. Allegro moderato
2. Adagio
3. Allegretto
Side 2:
Robert Schuman (1810 - 1856)
Fantaisies for cello and piano Op. 73

1. Zart und mit Ausdruck
2. Lebhaft, leicht
3. Rasch und mit Feuer
5 Pieces "im Volkston" for piano and cello Op. 102
4. Vanitas vanitatum (Mit Humor)
5. Langsam
6. Nicht schnell, mit viel Ton zu spielen
7. Nicht zu rasch
8. Stark und markiert
Description
Audiophile 180g Virgin Vinyl Cut at Emil Berliner Studio! Pressed at Pallas in Germany! Mastered from the Original Masters of Universal Music!

Acclaimed pianist Martha Argerich and violinist Mischa Maisky perform Schubert's Sonata for Arpeggione and Schumann's Fantasiestucke Op. 73.

In 1823 Johann Georg Staufer invented the arpeggione, a six-stringed instrument with the fretted fingerboard and tuning of a guitar but played with a bow, like a viola da gamba. Though its survival was brief, it found one notable Viennese exponent in Vincenz Schuster, who even published a tutor for it. Schubert's single work for arpeggione, nowadays most often appropriated by cellists, was composed for Schuster in November 1824, a year memorable for the 27-year-old composer's return to health, after serious illness, and also his return to the sphere of chamber music.

"All the instruments are having a turn" was Clara Schumann's diary comment in the spring of 1849 as her husband, approaching his thirty-ninth birthday, wrote miniatures for clarinet, horn, and cello with piano (oboe and viola suites soon followed). With her own concert travels restricted by a fast-growing family, domestic music-making with friends from the Dresden Court Orchestra proved a constant source of pleasure for them both. The "Fantasiestucke" for clarinet, Op. 73, dated February 11-12, 1849, were in fact tried out by Clara with the clarinettist, Johann Kotte, barely a week later, though Schumann at once stipulated that they were no less apt for violin or cello as clarinet. The word attacca after Nos. 1 and 2 as well as the A minor-major key-scheme reveals that Schumann envisaged the three pieces as a continuous suite travelling in mood from nostalgic lyricism to firm resolution.

Features:
• Audiopihle 180g Virgin Vinyl
• Cut at Emil Berliner Studio
• Pressed at Pallas GmbH Germany
• Mastered from the Original Masters of Universal Music
• Audiophile Lacquer Discs Cut by the Expert "Maarten de Boer"

Selections:
Side 1:
Franz Schubert (1797 - 1828)
Sonata for arpeggione and piano in A minor D. 821

1. Allegro moderato
2. Adagio
3. Allegretto
Side 2:
Robert Schuman (1810 - 1856)
Fantaisies for cello and piano Op. 73

1. Zart und mit Ausdruck
2. Lebhaft, leicht
3. Rasch und mit Feuer
5 Pieces "im Volkston" for piano and cello Op. 102
4. Vanitas vanitatum (Mit Humor)
5. Langsam
6. Nicht schnell, mit viel Ton zu spielen
7. Nicht zu rasch
8. Stark und markiert
Genre
Classical
If Can Be Discounted
YES
Discontinued
NO
Inventory
.00
Construct
0
Dropship
0
Artist
Martha Argerich
Title
Schubert & Schuman
Composer
Additional Artists
Mischa Maisky
Record Weight
180G
Record Speed
33RPM
Record Speed Record Size
12"
Multi Channel
Stereo
1
Mono
Colored
Picture Disc
1/2 Speed
DMM
Out of Print
Sell Hold/Repressing
Direct to disc
Availability
Backordered
Format
Vinyl
ISBN
Creation Date
Release Date
05-16-2013
ASSOC
R
Scratch & Dent
0
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