Rolling Stone 500 Greatest Albums of All Time - Rated 12/500!
1959 Album on limited edition 180 gram solid blue vinyl, featuring the songs "So What", "Freddie Freeloader", "Blue In Green", "All Blues" & "Flamenco Sketches".
Kind of Blue is regarded by many critics as jazz's greatest record, Davis's masterpiece, and one of the best albums of all time. Its influence on music, including jazz, rock, and classical genres, has led writers to also deem it one of the most influential albums ever recorded. The album was one of fifty recordings chosen in 2002 by the Library of Congress to be added to the National Recording Registry, and in 2003 it was ranked number 12 on Rolling Stone magazine's list of the 500 greatest albums of all time.
Kind of Blue was recorded on March 2 and April 22, 1959, at Columbia's 30th Street Studio in New York City, and released later that year on August 17 by Columbia Records. The album featured Davis's ensemble sextet, consisting of pianist Bill Evans, drummer Jimmy Cobb, bassist Paul Chambers, and saxophonists John Coltrane and Julian "Cannonball" Adderley, together with pianist Wynton Kelly on one track. After the entry of Evans into the sextet, Davis followed up on the modal experimentations of Milestones (1958) by basing Kind of Blue entirely on modality, in contrast to his earlier work with the hard bop style of jazz.
Though precise figures have been disputed, Kind of Blue has been described by many music writers not only as Davis's best-selling album, but as the best-selling jazz record of all time. On October 7, 2008, the Recording Industry Association of America (RIAA) certified it quadruple platinum, indicating sales of at least four million copies.
"This is a remarkable album. Using very simple but effective devices, Miles has constructed an album of extreme beauty and sensitivity. This is the soul of Miles Davis, and it's a beautiful soul." - Don De Michael, Down Beat - 5/5
"Kind of Blue isn't merely an artistic highlight for Miles Davis, it's an album that towers above its peers, a record generally considered as the definitive jazz album. To be reductive, it's the Citizen Kane of jazz -- an accepted work of greatness that's innovative and entertaining. That may not mean it's the greatest jazz album ever made, but it certainly is a universally acknowledged standard of excellence. Why does Kind of Blue posses such a mystique? Perhaps it's that this music never flaunts its genius. It lures listeners in with the slow, luxurious bassline and gentle piano chords of 'So What.' From that moment on, the record never really changes pace -- each tune has a similar relaxed feel, as the music flows easily. Yet Kind of Blue is more than easy listening. It's the pinnacle of modal jazz -- tonality and solos build from chords, not the overall key, giving the music a subtly shifting quality. All of this doesn't quite explain why seasoned jazz fans return to this record even after they've memorized every nuance. They return because this is an exceptional band - Miles, Coltrane, Bill Evans, Cannonball Adderly, Paul Chambers, Jimmy Cobb, and Wynton Kelly -- one of the greatest in history, playing at the peak of its power. As Evans said in the original liner notes for the record, the band did not play through any of these pieces prior to recording. Davis laid out the themes and chords before the tape rolled, and then the band improvised. The end results were wondrous, filled with performances that still crackle with vitality. Few albums of any genre manage to work on so many different levels, but Kind of Blue does. It can be played as background music, yet it amply rewards close listening. It is advanced music that is extraordinarily enjoyable. It may be a stretch to say that if you don't like Kind of Blue, you don't like jazz -- but it's hard to imagine it as anything other than a cornerstone of any jazz collection." - Stephen Thomas Erlewine, allmusic.com
Limited Edition Solid Blue Vinyl
Direct Metal Master
Made in the EU
Miles Davis, trumpet
Julian "Cannonball" Adderley, alto sax
John Coltrane, tenor sax
Bill Evans, piano (on all tracks except "Freddie Freeloader")
Wynton Kelly, piano (on "Freddie Freeloader" only)
Paul Chambers, bass
Jimmy Cobb, drums
1. So What
2. Freddie Freeloader
3. Blue In Green
1. All Blues
2. Flamenco Sketches
New York, Monday, March 2, 1959 (Side A) & Wednesday, April 22, 1959 (Side B)