Natural Information Society with Evan Parker descension (Out of Our Constrictions) 2LP
Natural Information Society with Evan Parker descension (Out of Our Constrictions) 2LP
Genre: Jazz
Label: Eremite
Size: 12"
Format: 33RPM,

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Natural Information Society with Evan Parker descension (Out of Our Constrictions) 2LP

Natural Information Society with Evan Parker

$42.99
 
 
 
Availability: In Stock
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SKU:
ERMLP07475
UPC:
769791978300

Audiophile-Quality Double LP Pressed At RTI!
Lacquers Cut By Kevin Gray Of Cohearent Audio!
Mastered By Helge Sten At Audio Virus!

Rich in musical associations yet utterly singular in its voice, joyous with an inner tranquility, the music of Natural Information Society is unlike any other being made today. Their sixth album in eleven years for Eremite records, descension (Out of Our Constrictions) is the first to be recorded live, featuring a set from London's Cafe OTO with veteran English free-improv great Evan Parker, & the first to feature just one extended composition. The 75-minute performance, inspired by the galvanizing presence of Parker, is a sustained bacchanalia of collective ecstasy. You could call it their party album.

This was the second time Parker played with NIS. Joshua Abrams: "Both times we played compositions with Evan in mind. I don't tell Evan anything. He's a free agent."

The music is focused & malleable, energized & even-keeled, drawing on concepts of ensemble playing common to musics from many locations & eras without any one specific aesthetic realization completely defining it.

"The rhythms that Mikel plays are not an exact reference to Chicago house, but that's in there," Abrams says. "I like to take a cyclic view of music history, can we take that four-on-the-floor, & consider how it connects to swing-era music? Can we articulate a through line? I dee-jayed for years in Chicago & lessons I learned from playing records for dancing inform how I think about the group's music. The listener can make connections to aspects of soul music, electronic music, minimalism, traditional folk musics, & other musics of the diaspora as well. It's about these aspects coming together. I don't need to mimic something, I need to embody it to get to the spirit, to get to the living thing."

For jazz fans, the sound of Parker's soprano & Jason Stein's bass clarinet might evoke Coltrane & Dolphy, even though they didn't necessarily set out to do that & they play with complete individuality. Abrams sees a bridge to the historical precedent, too. "Since we first met in the 1990s, one of the things that Evan and I connected on was Coltrane's music," he says. "I hoped that we would tap into that sound world intuitively. In this case, I think that level of evocation adds another layer of depth, versus a layer of reference."

Indeed, this is a performance in which the connections among the ensemble & the creative tension between improvisation and composition build into a complex mesh of associations & interactions. While the band confines itself to the territory mapped out by Abrams's composition, they are remarkably attentive & responsive, making adjustments to Parker's improvisations. When Parker's intricate patterns of notes interweave with the band, the parts reinforce one another & the music rockets upward. Sometimes, Parker's lines are cradled by the group's gentle pulse & an unearthly lyrical balance is struck.

Drummer Mikel Patrick Avery is locked-in, playing with hellacious long-form discipline, feel & responsiveness. Jason Stein's animated, vocalized bass clarinet weaves in & out with Lisa Alvarado's harmonium to state the piece's thematic material; the pulsing tremolo on the harmonium brings a Spacemen 3 vibe to the party. Abrams ties together melody & rhythm on guimbri, a presence that leads without seeming to. Like his bandmates, he shifts modes of playing frequently, improvising & then returning to the composed structure.

"As specific as the composition is, the goal is to internalize it & mix it up," Abrams says. "The idea is to get so comfortable that we can make spontaneous changes, find new routes of activity, stasis & byways every gig. It's like a web we're spinning. If someone makes a move, we all aim to be aware of it, make room for it. Experiencing & listening is what it's about, & Evan supercharges that."

And "supercharged" is the word for this album. With Parker further opening up their music, descension (Out of Our Constrictions) is the sound of Natural Information Society growing both more disciplined and freer, one of the great bands of its time on a deep run.

Mastered by Helge Sten, Audio Virus, Oslo. Lacquers by Kevin Gray, Cohearent Audio, So Cal. Liner Notes by Theaster Gates. LPs pressed on premium audiophile-quality vinyl at RTI.

Descension is a collaboration for the ages: It is ecstatic, improvised jazz that reverberates inside the human body like a heartbeat.
-Thom Jurek, AllMusic.com, 4.5/5 stars (The AllMusic 2021 Year In Review - Favorite Jazz [and Beyond] Albums)


Features

  • Audiophile-Quality Double LP
  • Mastered by Helge Sten (Audio Virus, Oslo)
  • Lacquers Cut by Kevin Gray (Cohearent Audio)
  • Pressed at RTI
  • Liner Notes by Theaster Gates

Musicians

Joshua Abrams guimbri
Lisa Alvarado harmonium, effects
Mikel Patrick Avery drums
Evan Parker soprano saxophone
Jason Stein bass clarinet

Selections

Side A:

  1. I

Side B:

  1. II

Side C:

  1. III

Side D:

  1. IV
Description

Audiophile-Quality Double LP Pressed At RTI!
Lacquers Cut By Kevin Gray Of Cohearent Audio!
Mastered By Helge Sten At Audio Virus!

Rich in musical associations yet utterly singular in its voice, joyous with an inner tranquility, the music of Natural Information Society is unlike any other being made today. Their sixth album in eleven years for Eremite records, descension (Out of Our Constrictions) is the first to be recorded live, featuring a set from London's Cafe OTO with veteran English free-improv great Evan Parker, & the first to feature just one extended composition. The 75-minute performance, inspired by the galvanizing presence of Parker, is a sustained bacchanalia of collective ecstasy. You could call it their party album.

This was the second time Parker played with NIS. Joshua Abrams: "Both times we played compositions with Evan in mind. I don't tell Evan anything. He's a free agent."

The music is focused & malleable, energized & even-keeled, drawing on concepts of ensemble playing common to musics from many locations & eras without any one specific aesthetic realization completely defining it.

"The rhythms that Mikel plays are not an exact reference to Chicago house, but that's in there," Abrams says. "I like to take a cyclic view of music history, can we take that four-on-the-floor, & consider how it connects to swing-era music? Can we articulate a through line? I dee-jayed for years in Chicago & lessons I learned from playing records for dancing inform how I think about the group's music. The listener can make connections to aspects of soul music, electronic music, minimalism, traditional folk musics, & other musics of the diaspora as well. It's about these aspects coming together. I don't need to mimic something, I need to embody it to get to the spirit, to get to the living thing."

For jazz fans, the sound of Parker's soprano & Jason Stein's bass clarinet might evoke Coltrane & Dolphy, even though they didn't necessarily set out to do that & they play with complete individuality. Abrams sees a bridge to the historical precedent, too. "Since we first met in the 1990s, one of the things that Evan and I connected on was Coltrane's music," he says. "I hoped that we would tap into that sound world intuitively. In this case, I think that level of evocation adds another layer of depth, versus a layer of reference."

Indeed, this is a performance in which the connections among the ensemble & the creative tension between improvisation and composition build into a complex mesh of associations & interactions. While the band confines itself to the territory mapped out by Abrams's composition, they are remarkably attentive & responsive, making adjustments to Parker's improvisations. When Parker's intricate patterns of notes interweave with the band, the parts reinforce one another & the music rockets upward. Sometimes, Parker's lines are cradled by the group's gentle pulse & an unearthly lyrical balance is struck.

Drummer Mikel Patrick Avery is locked-in, playing with hellacious long-form discipline, feel & responsiveness. Jason Stein's animated, vocalized bass clarinet weaves in & out with Lisa Alvarado's harmonium to state the piece's thematic material; the pulsing tremolo on the harmonium brings a Spacemen 3 vibe to the party. Abrams ties together melody & rhythm on guimbri, a presence that leads without seeming to. Like his bandmates, he shifts modes of playing frequently, improvising & then returning to the composed structure.

"As specific as the composition is, the goal is to internalize it & mix it up," Abrams says. "The idea is to get so comfortable that we can make spontaneous changes, find new routes of activity, stasis & byways every gig. It's like a web we're spinning. If someone makes a move, we all aim to be aware of it, make room for it. Experiencing & listening is what it's about, & Evan supercharges that."

And "supercharged" is the word for this album. With Parker further opening up their music, descension (Out of Our Constrictions) is the sound of Natural Information Society growing both more disciplined and freer, one of the great bands of its time on a deep run.

Mastered by Helge Sten, Audio Virus, Oslo. Lacquers by Kevin Gray, Cohearent Audio, So Cal. Liner Notes by Theaster Gates. LPs pressed on premium audiophile-quality vinyl at RTI.

Descension is a collaboration for the ages: It is ecstatic, improvised jazz that reverberates inside the human body like a heartbeat.
-Thom Jurek, AllMusic.com, 4.5/5 stars (The AllMusic 2021 Year In Review - Favorite Jazz [and Beyond] Albums)


Features

  • Audiophile-Quality Double LP
  • Mastered by Helge Sten (Audio Virus, Oslo)
  • Lacquers Cut by Kevin Gray (Cohearent Audio)
  • Pressed at RTI
  • Liner Notes by Theaster Gates

Musicians

Joshua Abrams guimbri
Lisa Alvarado harmonium, effects
Mikel Patrick Avery drums
Evan Parker soprano saxophone
Jason Stein bass clarinet

Selections

Side A:

  1. I

Side B:

  1. II

Side C:

  1. III

Side D:

  1. IV
ISBN
ASSOC
R
Genre
Jazz
If Can Be Discounted
YES
Discontinued
NO
Inventory
1.00
Construct
0
Dropship
0
Record Speed Record Size
12"
Artist
Natural Information Society with Evan Parker
Title
descension (Out of Our Constrictions)
Composer
Additional Artists
Record Weight
Record Speed
33RPM
Multi Channel
Stereo
1
Mono
Colored
Picture Disc
1/2 Speed
DMM
Out of Print
Sell Hold/Repressing
Direct to disc
Creation Date
02-23-2021
Release Date
04-20-2021
Scratch & Dent
0
Availability
In Stock
Format
Vinyl
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