Nishla Smith Friends With Monsters 180g 2LP (Pink Marble Vinyl)

Singer Nishla Smith creates vivid, enigmatic stories through sound, her voice stretching from melancholic sweetness through to dark intimacy. Her debut album, Friends with Monsters, confirms Smith as a major new vocal talent in the UK, and sees the vocalist's affinity for inventive narratives extended over the span of a full album. The Australian performer travelled via Berlin to eventually settle in Manchester and is joined here by some of the city's most talented improvisers. Richard Jones and Johnny Hunter cover piano and drums respectively, whilst bassist Joshua Cavanagh-Brierley and trumpeter Aaron Wood add graceful touches to complete the quintet's intimate feel. Smith's depictions of nighttime have an enigmatic quality, inviting listeners on an atmospheric journey but all the while pointing to something greater.

A City Music Foundation artist, she has received commissions from Manchester Collective and Opera North, as well as Manchester Jazz Festival and Jazz North. As co-creator of theatre company Ulita, she also creates collaborative pieces that blend theatre, music and visual arts. Friends with Monsters continues that theatrical drive - "I'm a very natural storyteller, I just love to tell stories. I find myself weaving everyday events into tales that are very narratively pleasing."

Set over the course of a single evening, Friends with Monsters explores changing states of insomnia, informed by Smith's own sleepless nights. It's realized in four distinct sections; each is introduced by a scene-setting interlude. Smith shares one of those duets - "Twilight" - with Jones to begin the night, an opener that floats tranquilly towards the title track. "Friends with Monsters is the central metaphor of the album," says Smith. "It's about my inability to sleep, but it's also about those things that haunt you, and yet have become part of you. You can't imagine who you'd be without them." In these gaps, Smith adds considerable emotional candour, as nighttime slowly becomes a place where the most complex of emotions can roam free.

"Julian" grapples with affirming the future in the midst of loss, opening with Wood at his most harrowed. The clock ticks to "Midnight" with Cavanagh-Brierley's nocturne, a lullaby that could be of Birdland. "Home" and "Starlight" give chance for reflection - the first "a feeling of peace with the person you belong with"; the second tries to recapture the vibrant memories of childhood, knowing they're ultimately rose-tinted. "It Might As Well Be Spring" showcases Smith's interpretive skill, offering a dreamy, up-tempo take on the Rodgers & Hammerstein classic inspired by memories of her grandmother. As daybreak beckons, the album continues its positive turn through the chilled out bossa "I Want To Make You Happy" before reaching sunrise with "Dawn," The night-walk concludes with the quietly inspiring "Up," written whilst on holiday and embodying "the childlike feeling of being happy and free." Smith wants first-time listeners to find the album's subtle emotional range: "I want them to feel things with me." Delving deeper into the dreamy world of Smith's storyland rewards greatly.