Stephen Wilson Jr. son of dad (deluxe) 4LP

Stephen Wilson Jr. is a singer/songwriter from rural Southern Indiana. Self-described as "Death Cab For Country," Stephen Wilson Jr. draws upon indie rock, grunge and country to create a distinct sound that is influenced by artists as diverse as The National, Willie Nelson, John Mellencamp and Nirvana.

Wilson was raised by a single father who was a boxer and had him boxing from age seven through adulthood as an Indiana State Golden Gloves finalist. The self-taught guitarist moved to Nashville to pursue a degree in Microbiology at MTSU, where he started indie rock band AutoVaughn after finishing his degree. After five years of touring the world as lead guitarist with AutoVaughn, Wilson turned his creative focus toward songwriting and singing. After the band, Wilson relied back on his education where he worked for several years as an R&D scientist at Mars until signing a publishing deal with BMG Nashville in 2016. His songs were soon recorded by acts like Caitlyn Smith, Brothers Osborne, Old Dominion, MacKenzie Porter, Sixpence None the Richer and Leigh Nash.

Wilson went on to self-release several songs of his own including, "the devil," "Year to Be Young 1994," "The Beginning," "Holler from the Holler" — which won six independent film festival awards for its accompanying music video — and "billy," which caught the attention of Billboard who featured the single in its 'Makin' Tracks' column. Wilson went on to tour the US and Europe with acts like Brothers Osborne, Midland, and Cadillac Three developing a global base of music fans enamored by his emotive performance, skilled guitar prowess, and powerful vocals.

In March 2023, he signed to Big Loud Records, and released his debut EP bon aqua followed by his triumphant 22-song debut album, søn of dad. It is an album that's impossible to pigeon-hole: It is country, it is rock, it is grunge, and it's among the most unique records to come out of Nashville in a decade.

A punchy, spacious, distortion-filled, country-meets-rock-meets-grunge effort that often aims for coarsing, atmospheric, pounding percussion and grooves dripped in a lot of smokey texture, with enough references to heartland-inspired Americana in some of the tonal choices and especially the writing to give this album a real heart and identity.

Stephen Wilson Jr.'s version of 'Stand by Me' is the cover you need to hear.