Genre: Pop Rock
Additional Artists: KT Tunstall
Format: 33RPM,
Size: 12"


Suzanne Vega Beauty & Crime 200g LP

Suzanne Vega

Availability: Discontinued
In Stock An In Stock item is available to ship normally within 24 business hours.
Preorder A Preorder is an item that has not yet been released. Typically the label will set a projected release date (that is subject to change). If a projected release date is known, we will include this in the description in red. Other Preorders are set to release 'TBA.' This means that release date is yet 'To Be Announced'. The Preorder can be released anywhere between weeks, months or years from its initial announcement.
Backordered An Out Of Stock item is an item that we normally have available to ship but we are temporarily out of. We do not have a specific date when it will be coming.
Awaiting Repress Awaiting repress titles are in the process of being repressed by the label. No ETA is available at this time.
Expected On When an item is Out Of Stock and we have an estimated date when our stock should arrive, we list that date on our website in the part's description. It is not guaranteed.
Special Order A Special Order item is an item that we do not stock but can order from the manufacturer. Typical order times are located within the product description.
Featured in Michael Fremer's Heavy Rotation in the April 2008 Issue of Stereophile!

2008 Grammy Award Winner for:
• 'Best Engineered Album, Non-Classical'

Beauty and Crime is possibly Suzanne Vega’s best effort since her debut album and likely even better than the highly acclaimed “Solitude Standing”.

“Beauty and Crime is a lengthy meditation on the city of New York, the place she calls home. These songs glide like a harlequin's ghost through the hearts and minds of city residents past and present, on its streets, in its hotels, apartments, in every corner of the city. There is more than the hint of memory on Beauty & Crime.

The album is dedicated to the memory of Tim, who lived on "Ludlow Street" -- the name of the set's second cut, a searing and simply moving tribute to him -- and cites as muses in part "...Edith Wharton and all her heroines...and Frank Sinatra and Ava Gardner for their passion," and who have songs named for them here. In doing so, 9/11 itself cannot be left out of the equation, and the album's final two cuts deal with personal versions of this story, one of which is informed by her brother-in-law Angel Ruiz, a New York City cop stationed at Ground Zero after the attacks on the World Trade Center. Most of these songs look at life in the interim, or remembering what the city was like in the '70s as on the cut "Zephyr and I."

Musically, this is easily her most adventurous record ever; yet it is also more accessible than any album since her debut. The craft and care put into the songs themselves and their articulation by Vega and producer Jimmy Hogarth are amazing. Here, emotions are laid bare in places whether in the first, second, or third persons, but they are always placed inside elegant yet spare lyrics that are taut, poetic, and evocative. The dreamy soundscape contains layers of guitars, percussion (organic, electronic and live, in one case) strings, reeds, brass, and backing singers (including daughter Ruby Froom who appears on a couple of cuts, and KT Tunstall who appears once). But it's the sound of Vega's acoustic guitar on all these songs that is unmistakably at the top and provides the album's anchor. It's important to note this, simply because it keeps these beautiful pop songs rooted in a new kind of contemporary folk that Vega was a pioneer of in the '80s. And it keeps her rooted to her own catalog, from the beginning to the present. In other words, as she has experimented in the past with all kinds of sounds, she has forever remained herself and never more so than here, whether it's the jazzy, faux bossa nova of "Pornographer's Dream" or its predecessor, the stunning "New York Is a Woman." "Frank and Ava," is a rocking pop tune whose electric and acoustic guitars entwine, seemingly kissing, wrapped around a bassline played by Tony Shanahan from the Patti Smith Group writes a reviewer from All Music Guide.”

Mixed by Tchad Blake and recorded at both Sear Sound in New York and Olympic Studios in London , the sound of this record is full of depth and nuance that every audiophile and music lover will love. Mastered and cut on Classic Records “All Tube” cutting system by Bernie Grundman, this LP release is a must have and not to be missed! Highest recommendation.

• 200g Quiex SV-P Vinyl

KT Tunstall - background vocals
Tony Shanahan - bass guitar
Lee Ranaldo - electric guitar
Suzanne Vega - vocals, acoustic guitar
Gerry Leonard
Jimmy Hogarth - acoustic guitar
London Studio Orchestra - strings
Pete Davis - programming
Matthew Ward - violin
Martin Slattery - brass
Anthony Genn
Sam Dixon
Doug Yowell - drums

1. Zephyr And I
2. Ludlow Street
3. New York Is A Woman
4. Pornographer's Dream
5. Frank & Ava
6. Edith Wharton's Figurines
7. Bound
8. Unbound
9. As You Are Now
10. Angel's Doorway
11. Anniversary

Customers Also Like