The Grateful Dead Workingman's Dead Numbered Limited Edition Hybrid Stereo SACD
The Grateful Dead Workingman's Dead Numbered Limited Edition Hybrid Stereo SACD
Genre: Pop Rock

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The Grateful Dead Workingman's Dead Numbered Limited Edition Hybrid Stereo SACD

The Grateful Dead

$29.99
 
 
 
Availability: In Stock
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SKU:
MOBSA2137
UPC:
821797213769
This item not eligible for any further discount offers!

Numbered, Limited Edition Hybrid SACD from Mobile Fidelity! Mastered from the Original Master Tapes!

Rolling Stone 500 Greatest Albums of All Time - Rated 264/500!

Rolling Stone 2015 Readers' Poll: The 10 Best Jam Bands: The Grateful Dead Rated 1st!

Sublime, Stripped-Down 1970 Americana Classic Steeped in Country, Blues, and Folk

You’ve Never Heard This Roots-Based Marvel Sound Better: Mastered from the Original Master Tapes and Filled With Resplendent Presence, Realism, and Balances

Airy Harmonies, Simple Structures, Concise Arrangements, and Burnished Tones Anchor Songs


Workingman’s Dead defies the erroneous belief that the Grateful Dead never attained brilliance in the recording studio. Forever prized for natural sonics, Workingman’s Dead attains audiophile reference status courtesy of this first-ever hybrid SACD version. As flawless as any rustic album ever released, the 1970 set now brims with soaring harmonies, organic execution, intertwined textures, and uncomplicated structures that furnish the songs a transcendence associated with timeless American music. Colorful, relatable characters seemingly torn from working-class histories and old-time fables inhabit the narratives.

Mastered from the original master tapes, Mobile Fidelity’s numbered limited edition SACD of this period-defining recording renders the stripped-down fare with immense detail, rich airiness, and reach-out-and-touch-it realism. Longtime Deadheads and newcomers alike will hear significantly more information, experience wider and deeper soundstages, and become swept away by incredible tonal and vocal balances. Instrumental melds and refined accents, such as guest David Nelson’s nimble fills on “Cumberland Blues,” are part of a larger whole that gives the impression you are witness to the world’s coziest campfire session. Frontier tales and refined performances further this feeling.

The first Grateful Dead album to eschew cosmic jams and complex signatures, Workingman’s Dead stakes its existence to great songs, homespun warmth, and bare essentials. Its wistful, relaxed state—immediately apparent via the innocent album-opening invitation “Will you come with me?” on “Uncle John’s Band”—owes to the circumstances and conditions surrounding its creation. At the time, the Dead owed a considerable financial debt to Warner Bros. and were hobbled by a recent drug bust and financial scandal. Most significantly, the band was recovering from—and reacting to—the tragic events of the Altamont Music Festival and symbolic end of the peace and love era.

As such, Workingman’s Dead acts as a retreat from chaos and uncertainty, its songs emblems of simpler times and pleas for compassion in the face of hardship. Lyricist Robert Hunter said he aimed to capture the vintage elements of late 1940s country-and-western jukebox singles as well as old blues classics. In that vein, fare such as the Bakersfield-leaning “Cumberland Blues,” pastoral ballad “Dire Wolf,” and bluesy “Easy Wind” hit the mark. Leader Jerry Garcia’s occasional pedal-steel underpinnings arrive as a bonus.

Of course, aside from the economical concision and thematic consistency, the genius of Workingman’s Dead resides in the group’s expressive harmonies. Taught by Crosby, Stills and Nash, the Dead produce live “air blends” of multi-part vocal harmonies that provide the foundations of nearly every track. “Uncle John’s Band,” “High Time,” “New Speedway Boogie” (with the iconic refrain “One way or another/This darkness has got to give” referencing the ill wind that greeted the new decade), and the radio favorite “Casey Jones” practically float on the ensemble’s communal vocal beds.

Mobile Fidelity’s hybrid SACD renders these invigorating, refreshing, and engaging characteristics in three-dimensional sound that transports you to the event. Recordings don’t get more lifelike. Workingman’s Dead—an iconic, ageless record that drew countless listeners to the band’s unique style because of its accessibility and charm—deserves nothing less. Neither do you.

Features:
• Super Audio CD
• SACD Stereo SACD Layer
• This Hybrid SACD contains a 'Red Book' Stereo CD Layer which is playable on most conventional CD Players!
• Numbered, Limited Edition
• Mastered From Original Master Tapes

Selections:
1. Uncle John’s Band
2. High Time
3. Dire Wolf
4. New Speedway Boogie
5. Cumberland Blues
6. Black Peter
7. Easy Wind
8. Casey Jones
Description
This item not eligible for any further discount offers!

Numbered, Limited Edition Hybrid SACD from Mobile Fidelity! Mastered from the Original Master Tapes!

Rolling Stone 500 Greatest Albums of All Time - Rated 264/500!

Rolling Stone 2015 Readers' Poll: The 10 Best Jam Bands: The Grateful Dead Rated 1st!

Sublime, Stripped-Down 1970 Americana Classic Steeped in Country, Blues, and Folk

You’ve Never Heard This Roots-Based Marvel Sound Better: Mastered from the Original Master Tapes and Filled With Resplendent Presence, Realism, and Balances

Airy Harmonies, Simple Structures, Concise Arrangements, and Burnished Tones Anchor Songs


Workingman’s Dead defies the erroneous belief that the Grateful Dead never attained brilliance in the recording studio. Forever prized for natural sonics, Workingman’s Dead attains audiophile reference status courtesy of this first-ever hybrid SACD version. As flawless as any rustic album ever released, the 1970 set now brims with soaring harmonies, organic execution, intertwined textures, and uncomplicated structures that furnish the songs a transcendence associated with timeless American music. Colorful, relatable characters seemingly torn from working-class histories and old-time fables inhabit the narratives.

Mastered from the original master tapes, Mobile Fidelity’s numbered limited edition SACD of this period-defining recording renders the stripped-down fare with immense detail, rich airiness, and reach-out-and-touch-it realism. Longtime Deadheads and newcomers alike will hear significantly more information, experience wider and deeper soundstages, and become swept away by incredible tonal and vocal balances. Instrumental melds and refined accents, such as guest David Nelson’s nimble fills on “Cumberland Blues,” are part of a larger whole that gives the impression you are witness to the world’s coziest campfire session. Frontier tales and refined performances further this feeling.

The first Grateful Dead album to eschew cosmic jams and complex signatures, Workingman’s Dead stakes its existence to great songs, homespun warmth, and bare essentials. Its wistful, relaxed state—immediately apparent via the innocent album-opening invitation “Will you come with me?” on “Uncle John’s Band”—owes to the circumstances and conditions surrounding its creation. At the time, the Dead owed a considerable financial debt to Warner Bros. and were hobbled by a recent drug bust and financial scandal. Most significantly, the band was recovering from—and reacting to—the tragic events of the Altamont Music Festival and symbolic end of the peace and love era.

As such, Workingman’s Dead acts as a retreat from chaos and uncertainty, its songs emblems of simpler times and pleas for compassion in the face of hardship. Lyricist Robert Hunter said he aimed to capture the vintage elements of late 1940s country-and-western jukebox singles as well as old blues classics. In that vein, fare such as the Bakersfield-leaning “Cumberland Blues,” pastoral ballad “Dire Wolf,” and bluesy “Easy Wind” hit the mark. Leader Jerry Garcia’s occasional pedal-steel underpinnings arrive as a bonus.

Of course, aside from the economical concision and thematic consistency, the genius of Workingman’s Dead resides in the group’s expressive harmonies. Taught by Crosby, Stills and Nash, the Dead produce live “air blends” of multi-part vocal harmonies that provide the foundations of nearly every track. “Uncle John’s Band,” “High Time,” “New Speedway Boogie” (with the iconic refrain “One way or another/This darkness has got to give” referencing the ill wind that greeted the new decade), and the radio favorite “Casey Jones” practically float on the ensemble’s communal vocal beds.

Mobile Fidelity’s hybrid SACD renders these invigorating, refreshing, and engaging characteristics in three-dimensional sound that transports you to the event. Recordings don’t get more lifelike. Workingman’s Dead—an iconic, ageless record that drew countless listeners to the band’s unique style because of its accessibility and charm—deserves nothing less. Neither do you.

Features:
• Super Audio CD
• SACD Stereo SACD Layer
• This Hybrid SACD contains a 'Red Book' Stereo CD Layer which is playable on most conventional CD Players!
• Numbered, Limited Edition
• Mastered From Original Master Tapes

Selections:
1. Uncle John’s Band
2. High Time
3. Dire Wolf
4. New Speedway Boogie
5. Cumberland Blues
6. Black Peter
7. Easy Wind
8. Casey Jones
ISBN
RS264
Genre
Pop Rock
If Can Be Discounted
YES
Discontinued
NO
Inventory
1.00
Construct
0
Dropship
0
Artist
The Grateful Dead
Title
Workingman's Dead
Composer
Additional Artists
Record Weight
Record Speed
Record Speed Record Size
Multi Channel
Stereo
1
Mono
Colored
Picture Disc
1/2 Speed
DMM
Out of Print
Sell Hold/Repressing
Direct to disc
Creation Date
12-10-2013
Availability
In Stock
Format
SACD
Release Date
11-28-2014
ASSOC
S
Scratch & Dent
0
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