The Pixies Trompe Le Monde Numbered Limited Edition Hybrid Stereo SACD
The Pixies Trompe Le Monde Numbered Limited Edition Hybrid Stereo SACD
Genre: Pop Rock

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The Pixies Trompe Le Monde Numbered Limited Edition Hybrid Stereo SACD

The Pixies

$29.99
 
 
 
Availability: In Stock
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SKU:
MOBSA2066
UPC:
821797206662
Numbered, Limited Edition Hybrid SACD from Mobile Fidelity! Mastered from the Original Master Tapes! Significantly Enhanced Dynamics, Contrasts, Low-End Frequencies & Imaging!

Pixies Swan Song Sparks With Electrically Charged Hooks, Outer-Space Atmospherics, and Eminent Tunefulness

Restoration Turns 1991 Album Into a Sonic Blockbuster

Frank Black-Led Set Includes Contagious Cover of The Jesus and Mary Chain’s “Head On”


The Pixies verged on commercial breakthrough when the now-iconic band released Trompe le Monde in September 1991. A sea change in popular music tastes that the band helped initiate began to sweep the world. And the Boston quartet seemed prepared to lead the way, with this, its eminently tuneful fourth record, jam-packed with crafty hooks, prickly tones, catchy elements, outer-space atmospherics, electrically charged energy, and delightfully quirky lyrics.

As it stands, Trompe le Monde takes its place as one of the finest swan songs ever recorded. If the Pixies wouldn’t have broken up right after its release, there’s no telling what would’ve happened. All that you need to know is that the 15-track effort is as hard rocking and brilliantly innovative as any of the group’s creations. That’s no small feat.

Mastered from the original analog tapes, Mobile Fidelity’s numbered limited edition hybrid SACD presents the ensemble’s abrasively melodic landmark in a fidelity it’s never enjoyed in any prior digital version. Featuring lusher keyboards and moodier soundscapes than its predecessors, but also reclaiming the nasty guitar edginess and swooning distortion of the group’s earliest efforts, Trompe de la Monde finally comes across as the Pixies intended: A sonic bridge between college-rock’s influential cruder-textured albums and the polished professionalism that distinguished alt-rock classics.

In other words, Mobile Fidelity’s SACD version presents it as the perfect-sounding album: Replete with grit, rawness, and character, but mixed in with radio-friendly smoothness and virtuosic professionalism. Awash with incredible timbres and tonalities, myriad new details rise to the surface. Listen to the counterpoint melodies and layered vocals on “Letter to Memphis”; the trash-compactor feedback and thumping bass during the whipsawing “Planet of Sound”; the “Spyhunter”-like pace and limitless depth now present on “Subbacultcha.” Dynamics, contrasts, low-end frequencies, and imaging are all significantly enhanced. Compared to the original CD, Trompe le Monde now emerges as a new album—a sonic wonderland that’s not far removed from that of Nirvana’s celebrated blockbuster Nevermind.

Musically, the Pixies were never better. On par with the groundbreaking Surfer Rosa and Doolittle, Trompe le Monde explodes with hyper riffs, jerks to stop-start progressions, elates with cheerful emotions, and bangs on to giddy surf-fused arrangements. With Kim Deal absent from the songwriting process, vocalist/guitarist Frank Black takes the reigns and doesn’t disappoint. Tales about sea monkeys (“Palace of the Brine”), aliens (“Planet of Sound”), and love (“The Sad Punk”) bop alongside memorable jabs at hipster pretensions (“Subbacultcha”) and inflated egos (“U-Mass”). A contagious cover of the Jesus and Mary Chain’s “Head On” will have you hitting “repeat.” Power pop, wanderlust punk, theatrical glam rock, reconfigured reverb-laden country—all here, all encouraging repeat listens.

Nearly lost due amidst the alternative trend that it played such a key role in spawning, Trompe le Monde gets new life courtesy of this extremely punchy, greatly balanced Mobile Fidelity issue. If you missed it the first time, don’t make that mistake again. Essential with a capital “E,” and the perfect way to close Mobile Fidelity’s Pixies catalog restoration series.

Features:
• Super Audio CD
• SACD Stereo SACD Layer
• This Hybrid SACD contains a 'Red Book' Stereo CD Layer which is playable on most conventional CD Players!
• Numbered, Limited Edition
• Mastered From Original Master Tapes

Musicians:
Black Francis
Joey Santiago
Kim Deal
David Lovering

Selections:
1. Trompe le Monde
2. Planet of Sound
3. Alec Eiffel
4. The Sad Punk
5. Head On
6. U-Mass
7. Palace of the Brine
8. Letter to Memphis
9. Bird Dream of the Olympus Mons
10. Space (I Believe In)
11. Subbacultcha
12. Distance Equals Rate Times Time
13. Lovely Day
14. Motorway to Roswell
15. The Navajo Know
Description
Numbered, Limited Edition Hybrid SACD from Mobile Fidelity! Mastered from the Original Master Tapes! Significantly Enhanced Dynamics, Contrasts, Low-End Frequencies & Imaging!

Pixies Swan Song Sparks With Electrically Charged Hooks, Outer-Space Atmospherics, and Eminent Tunefulness

Restoration Turns 1991 Album Into a Sonic Blockbuster

Frank Black-Led Set Includes Contagious Cover of The Jesus and Mary Chain’s “Head On”


The Pixies verged on commercial breakthrough when the now-iconic band released Trompe le Monde in September 1991. A sea change in popular music tastes that the band helped initiate began to sweep the world. And the Boston quartet seemed prepared to lead the way, with this, its eminently tuneful fourth record, jam-packed with crafty hooks, prickly tones, catchy elements, outer-space atmospherics, electrically charged energy, and delightfully quirky lyrics.

As it stands, Trompe le Monde takes its place as one of the finest swan songs ever recorded. If the Pixies wouldn’t have broken up right after its release, there’s no telling what would’ve happened. All that you need to know is that the 15-track effort is as hard rocking and brilliantly innovative as any of the group’s creations. That’s no small feat.

Mastered from the original analog tapes, Mobile Fidelity’s numbered limited edition hybrid SACD presents the ensemble’s abrasively melodic landmark in a fidelity it’s never enjoyed in any prior digital version. Featuring lusher keyboards and moodier soundscapes than its predecessors, but also reclaiming the nasty guitar edginess and swooning distortion of the group’s earliest efforts, Trompe de la Monde finally comes across as the Pixies intended: A sonic bridge between college-rock’s influential cruder-textured albums and the polished professionalism that distinguished alt-rock classics.

In other words, Mobile Fidelity’s SACD version presents it as the perfect-sounding album: Replete with grit, rawness, and character, but mixed in with radio-friendly smoothness and virtuosic professionalism. Awash with incredible timbres and tonalities, myriad new details rise to the surface. Listen to the counterpoint melodies and layered vocals on “Letter to Memphis”; the trash-compactor feedback and thumping bass during the whipsawing “Planet of Sound”; the “Spyhunter”-like pace and limitless depth now present on “Subbacultcha.” Dynamics, contrasts, low-end frequencies, and imaging are all significantly enhanced. Compared to the original CD, Trompe le Monde now emerges as a new album—a sonic wonderland that’s not far removed from that of Nirvana’s celebrated blockbuster Nevermind.

Musically, the Pixies were never better. On par with the groundbreaking Surfer Rosa and Doolittle, Trompe le Monde explodes with hyper riffs, jerks to stop-start progressions, elates with cheerful emotions, and bangs on to giddy surf-fused arrangements. With Kim Deal absent from the songwriting process, vocalist/guitarist Frank Black takes the reigns and doesn’t disappoint. Tales about sea monkeys (“Palace of the Brine”), aliens (“Planet of Sound”), and love (“The Sad Punk”) bop alongside memorable jabs at hipster pretensions (“Subbacultcha”) and inflated egos (“U-Mass”). A contagious cover of the Jesus and Mary Chain’s “Head On” will have you hitting “repeat.” Power pop, wanderlust punk, theatrical glam rock, reconfigured reverb-laden country—all here, all encouraging repeat listens.

Nearly lost due amidst the alternative trend that it played such a key role in spawning, Trompe le Monde gets new life courtesy of this extremely punchy, greatly balanced Mobile Fidelity issue. If you missed it the first time, don’t make that mistake again. Essential with a capital “E,” and the perfect way to close Mobile Fidelity’s Pixies catalog restoration series.

Features:
• Super Audio CD
• SACD Stereo SACD Layer
• This Hybrid SACD contains a 'Red Book' Stereo CD Layer which is playable on most conventional CD Players!
• Numbered, Limited Edition
• Mastered From Original Master Tapes

Musicians:
Black Francis
Joey Santiago
Kim Deal
David Lovering

Selections:
1. Trompe le Monde
2. Planet of Sound
3. Alec Eiffel
4. The Sad Punk
5. Head On
6. U-Mass
7. Palace of the Brine
8. Letter to Memphis
9. Bird Dream of the Olympus Mons
10. Space (I Believe In)
11. Subbacultcha
12. Distance Equals Rate Times Time
13. Lovely Day
14. Motorway to Roswell
15. The Navajo Know
Genre
Pop Rock
If Can Be Discounted
YES
Discontinued
NO
Inventory
2.00
Construct
0
Dropship
0
Artist
The Pixies
Title
Trompe Le Monde
Composer
Additional Artists
Record Weight
Record Speed
Record Speed Record Size
Multi Channel
Stereo
1
Mono
Colored
Picture Disc
1/2 Speed
DMM
Out of Print
Sell Hold/Repressing
Direct to disc
Availability
In Stock
Format
SACD
ISBN
Creation Date
Release Date
08-24-2013
ASSOC
S
Scratch & Dent
0
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