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In 1971, 27-year-old guitarist Volker Kriegel gifted MPS one of his most amazing recordings ever - the second one under his own name, while at the same time playing a parallel role as guitarist with the popular group the Dave Pike Set. In this quintet lineup, Kriegel's amazing qualities fan out into the areas of jazz-rock, lyrical folk and free jazz. There are the familiar sitar-Indie-rock tones, familiar to listeners through Kriegel's play with Dave Pike: "Zoom" opens the album with an electrified jolt, and it's not just because of Kriegel's overpowering trance-like solos - Peter Trunk's grooving bass lines and Cees See's driving percussion also have their say. "So Long For Now", delights with its relaxed bluesrock feel which finds Trunk and drummer Peter Baumeister in intimate dialogue as they hook up with Kriegel's silky-smooth, flowing lines and John Taylor's smoldering Electra-piano play. The savvy rondo "More About D" and "Instant Judgment" thrillingly showcase the group's seamless integration of lyrical, swinging passages with freely cascading sounds. And then out of the blue there appears "Suspicious Child, Growing Up". Bluesy, folk-hued, and easy-going, its offhandedness is outdone only by the dreamy ballad "Ach Kina". In the finale, Kriegel and his cohorts once again focus on the whole Spectrum in a fantastic, dancing interplay of smoldering keys, stratospheric cello lines, a complexity of percussion rhythms and virtuoso guitar play adorned with soulful whimsy.
DOES HORCH HOUSE DO ANY KIND OF REMASTERING DURING THE COPYING PROCESS?
Absolutely not! Why mess with the best? The whole point of what they do lies in capturing the magic of the original analogue master tape in its purest, most faithful form possible.
'Remastering' can be compared to using computer software to edit an original photograph. The benefits are that you can remove unwanted marks or noise, clean things up, remove distortion and boost clarity. The downside is that in doing so, you often lose the natural essence of the original and the result can seem rather synthetic, lacking in real life character.
The unfortunate fact is that tapes, like photographs, do tend to age over time, and most analogue masters are now between 30-80+ years old.
So Horch House undertake a painstaking 'soft refurbishing' process, which is key to recapturing the original quality of a master tape.
CAPTURING THE MAGIC OF MASTER TAPE
How exactly does Horch House translate an original analogue master tape into faithful copies on reel-to-reel tape and vinyl records?
They use a process that's been meticulously researched and developed by their expert team of sound engineers, with input from some of the world's leading specialists.
The first step is to carefully assess the sound quality of the original master tape, which their experts do in great detail. The unfortunate fact is that tapes do tend to age over time, and most analogue masters are now between 30-80+ years old. What they're looking to do, therefore, as an integral part of their copying process, is to restore the sound quality back to its original level. They want you to hear exactly what the first sound engineers heard (and indeed the musicians themselves), on the day that the original recording was made. This is in stark contrast to any kind of 'remastering', which they most definitely do not do! They're not looking to 'improve' the recording in any way, but rather to return it as closely as possible to its full original beauty.
They call this their 'soft refurbishing' process.
HOW CLOSE ARE HORCH HOUSE COPIES TO THE ORIGINAL MASTER TAPES?
Horch House believe that they're as close as it's possible to get - not simply to the master tape in its current condition, but to that master tape's original condition. Thanks to their detailed 'soft refurbishing' process, their master tape copies could, in a sense, now be considered as better than the current originals because they've been lovingly restored to deliver the same sound quality that the originals had on the day they were first recorded.
WHAT ABOUT COPYRIGHT? ARE MASTER TAPE COPIES LEGAL?
All Horch House master tape copies are fully authorized, licensed and approved by the relevant record label/music publisher.
** It is standard practice in all recording studios to keep the tape "tail out". This reduces "pre-echo" and it means that the tape should be placed on the right hand side of the recorder, re-wound and then played.
- 2-Reel Tape
- Tape material: SM468
- Standard 10.5" Metal Reel
- 38 cm / 15 IPS-CCIR-1/4"-2Track-510nWb
- Production on Studer machines refurbished to factory specification
- Fully authorized, licensed & approved by the record label/music publisher
|Peter Trunk||bass, electric bass, cello|
|Peter Baumeister||drums, percussion|
|John Taylor||electric piano|
|Volker Kriegel||guitar, sitar|
- So Long, For Now
- More About D
- Suspicious Child, Growing Up
- Instant Judgement
- Ach Kina
- Strings Revisited