Count Basie Live At The Sands (Before Frank) Numbered Limited Edition 180g 2LP
Count Basie Live At The Sands (Before Frank) Numbered Limited Edition 180g 2LP

Count Basie Live At The Sands (Before Frank) Numbered Limited Edition 180g 2LP

Count Basie

$49.99
 
 
 
Availability: Expected On 03-04-2020
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SKU:
MFSL 2-401
UPC:
821797240116
This item not eligible for any further discount offers!

TAS Super LP List! Special Merit: Informal

Numbered, Limited Edition! Mastered from the Original Master Tapes! Pressed at RTI!


Swinging Hard and Heavy With Orchestral Support, Live Big-Band Album Recorded During the Count's Warm-Up Sets for Sinatra in Early 1966 in Vegas

Incredible Sound: Mastered from the Original Master Tapes, Reissue Improves Upon Renowned Dynamics, Presence, Crispness, and Balances

Long Out-of-Print, Seminal Classic is Perfect Complement to Sinatra at the Sands (MFSL 2-332).

Also Available on Hybrid SACD from Mobile Fidelity (MOBSA2113).


Count Basie and Frank Sinatra had the perfect arrangement at the Sands. Before the Chairman hit the stage in Vegas, Count Basie and his big band warmed up the already enthusiastic crowd with a brief set of their own. A dynamite entertainer, the legendary leader causes hearts to race, hips to shake, and fingers to snap with high-energy readings of his trademark swing music, taken to feverish heights by both his first-rate orchestra and the incredibly swank setting. Fortunately, the finest of Basie and Co.’s introductory performances from the historic 1966 dates have been preserved here and serve as a seminal complement to Frank's iconic Sinatra at the Sands.

Mastered from the original master tapes and pressed at RTI, Mobile Fidelity’s analog version of Live at the Sands (Before Frank) gives you a dead-center, eighth-row seat at the famed Sin City club. You’ll just need to supply your own table and cocktail. Renowned for its sonic clarity, transparency, crispness, and punch, the record is now tremendously enhanced, with improved tonality, a deeper soundstage, correct balances, and life-like presence. Each horn occupies its own space, and Basie’s transfixing piano — a focal point throughout — resonates with gorgeous detail and impeccable pacing. The collective’s energy almost demands to be measured with an SPL meter.

Captured in late January and early February 1966, Live at the Sands (Before Frank) contains most of Basie’s signature pieces delivered with an enthusiasm, style, and brassiness that exceed that gracing nearly any of the Count’s studio efforts. His band is stacked to the nines, with tenor saxophonist Eddie “Lockjaw” Davis, saxophonist/flautist Eric Dixon, and drummer “Sonny” Payne among the prized cast. The Sands dates marked the first time in years that these players, as well as trombonist Al Grey, gathered onstage together.

Encouraged by Basie, the instrumentalists engage in a series of call-and-response passages and standout solos, not the least of which is Davis’ turn on a white-hot “Jumpin’ at the Woodside” and he and Dixon’s exchanges on “This Could Be the Start of Something Big.” No slouch, Basie approaches “Makin’ Whoopee” with graceful playfulness, and oversees the assortment of up-tempo swing numbers and mellow ballads with astute melodicism. A sublime version of the Don Gibson country standard “I Can’t Stop Loving You,” arranged by Quincy Jones, can almost be considered a bonus.

No, it don’t mean a thing if it ain’t got that swing - and Basie and his mates have plenty of it on this superb outing. Big-band jazz seldom enjoyed such levels of rhythmic precision, expert charts, or unfettered joy. Unbelievably, this gem has been out of print for years, with original copies both on vinyl and CD commanding steep prices. Mobile Fidelity’s reissue restores not only the sonics but the record’s place in jazz history.

Features:
• Production and Mastering by Mobile Fidelity Sound Lab
• Specially Plated and Pressed on 180 grams of High Definition Vinyl
• Special Static Free - Dust Free Inner Sleeve
• Heavy Duty Protective Packaging
• Mastered from the Original Master Tapes
• Pressed at RTI
• Mastered by Krieg Wunderlich

Musicians:
Count Basie, piano
Eddie “Lockjaw” Davis, tenor saxophone
Eric Dixon, saxophone, flute
“Sonny” Payne, drums
Al Grey, trombone

Selections:
LP 1 - Side 1:

1. Introduction
2. Splanky
3. I Can’t Stop Loving You
4. I Needs to Be Bee’d With
5. Flight of the Foo Birds
LP 1 - Side 2:
1. Satin Doll
2. Makin’ Whoopee!
3. Corner Pocket
LP 2 - Side 3:
1. One O’Clock Jump
2. Go Away Little Girl
3. Whirly Bird
LP 2 - Side 4:
1. Blues for Ilene
2. This Could Be the Start of Something Big
3. Jumpin’ at the Woodside

Recorded January 26-29 & February 1, 1966 in the Copa Room, Sands Hotel, Las Vegas
Description
This item not eligible for any further discount offers!

TAS Super LP List! Special Merit: Informal

Numbered, Limited Edition! Mastered from the Original Master Tapes! Pressed at RTI!


Swinging Hard and Heavy With Orchestral Support, Live Big-Band Album Recorded During the Count's Warm-Up Sets for Sinatra in Early 1966 in Vegas

Incredible Sound: Mastered from the Original Master Tapes, Reissue Improves Upon Renowned Dynamics, Presence, Crispness, and Balances

Long Out-of-Print, Seminal Classic is Perfect Complement to Sinatra at the Sands (MFSL 2-332).

Also Available on Hybrid SACD from Mobile Fidelity (MOBSA2113).


Count Basie and Frank Sinatra had the perfect arrangement at the Sands. Before the Chairman hit the stage in Vegas, Count Basie and his big band warmed up the already enthusiastic crowd with a brief set of their own. A dynamite entertainer, the legendary leader causes hearts to race, hips to shake, and fingers to snap with high-energy readings of his trademark swing music, taken to feverish heights by both his first-rate orchestra and the incredibly swank setting. Fortunately, the finest of Basie and Co.’s introductory performances from the historic 1966 dates have been preserved here and serve as a seminal complement to Frank's iconic Sinatra at the Sands.

Mastered from the original master tapes and pressed at RTI, Mobile Fidelity’s analog version of Live at the Sands (Before Frank) gives you a dead-center, eighth-row seat at the famed Sin City club. You’ll just need to supply your own table and cocktail. Renowned for its sonic clarity, transparency, crispness, and punch, the record is now tremendously enhanced, with improved tonality, a deeper soundstage, correct balances, and life-like presence. Each horn occupies its own space, and Basie’s transfixing piano — a focal point throughout — resonates with gorgeous detail and impeccable pacing. The collective’s energy almost demands to be measured with an SPL meter.

Captured in late January and early February 1966, Live at the Sands (Before Frank) contains most of Basie’s signature pieces delivered with an enthusiasm, style, and brassiness that exceed that gracing nearly any of the Count’s studio efforts. His band is stacked to the nines, with tenor saxophonist Eddie “Lockjaw” Davis, saxophonist/flautist Eric Dixon, and drummer “Sonny” Payne among the prized cast. The Sands dates marked the first time in years that these players, as well as trombonist Al Grey, gathered onstage together.

Encouraged by Basie, the instrumentalists engage in a series of call-and-response passages and standout solos, not the least of which is Davis’ turn on a white-hot “Jumpin’ at the Woodside” and he and Dixon’s exchanges on “This Could Be the Start of Something Big.” No slouch, Basie approaches “Makin’ Whoopee” with graceful playfulness, and oversees the assortment of up-tempo swing numbers and mellow ballads with astute melodicism. A sublime version of the Don Gibson country standard “I Can’t Stop Loving You,” arranged by Quincy Jones, can almost be considered a bonus.

No, it don’t mean a thing if it ain’t got that swing - and Basie and his mates have plenty of it on this superb outing. Big-band jazz seldom enjoyed such levels of rhythmic precision, expert charts, or unfettered joy. Unbelievably, this gem has been out of print for years, with original copies both on vinyl and CD commanding steep prices. Mobile Fidelity’s reissue restores not only the sonics but the record’s place in jazz history.

Features:
• Production and Mastering by Mobile Fidelity Sound Lab
• Specially Plated and Pressed on 180 grams of High Definition Vinyl
• Special Static Free - Dust Free Inner Sleeve
• Heavy Duty Protective Packaging
• Mastered from the Original Master Tapes
• Pressed at RTI
• Mastered by Krieg Wunderlich

Musicians:
Count Basie, piano
Eddie “Lockjaw” Davis, tenor saxophone
Eric Dixon, saxophone, flute
“Sonny” Payne, drums
Al Grey, trombone

Selections:
LP 1 - Side 1:

1. Introduction
2. Splanky
3. I Can’t Stop Loving You
4. I Needs to Be Bee’d With
5. Flight of the Foo Birds
LP 1 - Side 2:
1. Satin Doll
2. Makin’ Whoopee!
3. Corner Pocket
LP 2 - Side 3:
1. One O’Clock Jump
2. Go Away Little Girl
3. Whirly Bird
LP 2 - Side 4:
1. Blues for Ilene
2. This Could Be the Start of Something Big
3. Jumpin’ at the Woodside

Recorded January 26-29 & February 1, 1966 in the Copa Room, Sands Hotel, Las Vegas
Genre
Jazz
If Can Be Discounted
YES
Discontinued
NO
Inventory
.00
Construct
0
Dropship
0
Artist
Count Basie
Title
Live At The Sands (Before Frank)
Composer
Additional Artists
Eddie "Lockjaw" Davis, Eric Dixon, "Sonny" Payne, Al Grey
Record Weight
180G
Record Speed
33RPM
Record Speed Record Size
12"
Multi Channel
Stereo
1
Mono
Colored
Picture Disc
1/2 Speed
DMM
Out of Print
Sell Hold/Repressing
Direct to disc
Availability
Expected On 03-04-2020
Format
Vinyl
ISBN
Creation Date
Release Date
11-07-2013
ASSOC
R
Scratch & Dent
0
EXPECT_ON
2020-03-04 00:00:00.000
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