Numbered, Limited Edition Ultra High Definition 32-Bit Mastering Import CDs Produced Using PureFlection Process! This Ultra HD 32-Bit Mastering CD will play on ALL CD players!
Dave Brubeck's defining masterpiece Time Out ranks as one of the most popular jazz albums ever made even though its radical exploration of time signatures outside of the standard 4/4 beat or 3/4 waltz was widely disparaged by his record company and critics initially. Basically it shows the blending of three cultures: the formalism of classical Western music, the freedom of jazz improvisation, and the often complex pulse of African folk music.
Featuring the first jazz instrumental to sell a million copies with Paul Desmond's "Take Five," this is the Dave Brubeck Quartet at the height of their popularity and power. Recorded in 1959, the album is overflowing with superb performances by pianist Brubeck, alto saxophonist Desmond, drummer Joe Morrello and bassist Gene Wright. Time Out firmly establishes the Dave Brubeck Quartet outside of the jazz world.
The album cover art is a painting by Neil Fujita, Director of Design and Packaging at Columbia Records from 1954 to 1960.
"Dave Brubeck's defining masterpiece, Time Out is one of the most rhythmically innovative albums in jazz history, the first to consciously explore time signatures outside of the standard 4/4 beat or 3/4 waltz time. It was a risky move -- Brubeck's record company wasn't keen on releasing such an arty project, and many critics initially roasted him for tampering with jazz's rhythmic foundation. But for once, public taste was more advanced than that of the critics. Buoyed by a hit single in altoist Paul Desmond's ubiquitous "Take Five," Time Out became an unexpectedly huge success, and still ranks as one of the most popular jazz albums ever... This belongs in even the most rudimentary jazz collection." - Steve Huey - allmusic.com
"the new remastering is superb, its main claim to fame being its absolute smoothness. Sony's previous releases of this recording have always seemed to me a bit hard; not really edgy but not as flowing as real music should be. The new remastering takes care of that, providing sound that is as natural as possible. It also improves, though only slightly, the recording's dynamic impact and bass response, as well as its overall clarity. Most important, the new remastering sounds lifelike, as if four musicians are there in the listening room with you." - John J. Puccio, Classical Candor
A Better CD Production Process - The Pure Reflection (PureFlection) Process:
FIM UHD CDs now sound undeniably better than ever! FIM's first priority is to locate a factory that at offers the latest technologies throughout its entire production chain, from the best A-grade polycarbonate materials, to testing and accurate quality control tools. The factory must produce a detailed specification sheet which ensures the discs produced demonstrate the same quality as the original recording.
To assure us of the best results, FIM has enlisted the help of one of the most experienced mastering engineers in the industry to craft the glass disc for the final replication process. Winston Ma continually maintains close rapport with him, as well as the original recording engineers, the mastering engineers and the manufacturer to achieve consensus regarding musicality and the sound spectrum.
FIM's glass mastering-disc engineer maintains expertise in the latest technologies: he currently uses a special blu-ray recordable mastering thermal process technique to create small smooth grooves which result in precision fidelity. He is meticulous in ensuring the best track pitch and the distance between the spiral of the pits, to reduce the amount of noise the tracking servo in the drive picks up from adjacent tracks, thus ensuring the best parameters on Cross Talk (XT) by minimizing the servo noise of the Drive during playback of the replica results.
To further ensure the best quality, FIM stipulates the most extensive test specification requirements. Pure Reflection (PureFlection) discs show in every CD booklet the full spectrum of specification of a given CD in the following categories:
BLER (17 items), BERL (9 items), Physical (6 items), Jitter (6 items), E22 Graph and BLER Graph
The concept of UHD 32-Bit PureFlection is the transformation of a superior sound into something truly exceptional, enhancing the experience without interfering in it. Sit back, relax and listen to the new sound of a UHD 32-Bit PureFlection CD!
Ultra High Definition 32-Bit Mastering!
Ultra High Definition 32-Bit Mastering is a proprietary ultra-high-quality mastering system. This leading-edge system has achieved unprecedented sonority and musicality, reproducing as closely as possible the sound of the original master tape! This format employs what is currently the highest attainable resolution bit depth (word length) in the professional audio field, i.e. 32-bit. 32-bit resolution makes possible maximized, undistorted dynamics, and the lowest noise floor, allowing even the quietest musical information to be heard more clearly. This breakthrough results from the development, through years of experience and application of advanced digital technology, of a sophisticated A/D and D/A processing system.
Ultra HD 32-Bit Mastering does not specify a sampling rate; this allows flexibility in meticulously choosing the appropriate bandwidth for a particular recording. The higher the sampling rate -- for example, 192 kHz -- the greater the bandwidth. However, merely employing the greatest bandwidth may not guarantee the ultimate sound. With some recordings, a lower sampling rate -- 96 or 176 kHz -- may offer better musicality and more homogeneous harmonics. This determination requires careful and discerning auditioning and professional judgment. In the end, the human beings hearing and emotions should be the final arbiter, rather than the print-out of testing equipment or technical measurements.
Recognizing these variables, FIM nevertheless tries to use 32-bit depth and 192 kHz bandwidth whenever the original analog master is at hand. Alternatively, if the original recording is on 24/96, the 32/96 may eventually be used to maintain the integrity of the sonority particular to that recording. With this flexibility, First Impression Music believes that preeminent sound is only achievable when the chemistry of the recording, mastering, glass-stamper making, replication, and quality control is right. As always, listening is believing.
This recording has been mastered by the new Ultra High Definition 32-Bit Mastering process, which creates an unbelievable sound surpassing other formats!
The benefits of Ultra HD 32-Bit Mastering:
Ambience of Analogue Sound
The Lowest Noise Floor, allowing even the quietest musical information to be heard more clearly!
Richer Sound Field
Master-Tape Quality Sound!!!
Delivers what musicians originally intended!
Numbered, Limited Edition (Only 1000 Copies)
Produced using PureFlection (Pure Reflection) Process
Ultra HD Mastering
Playable on ALL CD Players!
Dave Brubeck, piano
Paul Desmond, alto saxophone
Eugene Wright, bass
Joe Morello, drums
|1. Blue Rondo à la Turk|
|2. Strange Meadow Lark|
|3. Take Five|
|4. Three To Get Ready|
|5. Kathy's Waltz|
|6. Everybody's Jumpin'|
|7. Pick Up Sticks|