Stacey Kent Close Your Eyes 180g 2LP
Stacey Kent Close Your Eyes 180g 2LP
Genre: Jazz
Label: Pure Pleasure
Size: 12"
Format: 33RPM,

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Stacey Kent Close Your Eyes 180g 2LP

Stacey Kent

$49.99
 
 
 
Availability: In Stock
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SKU:
PPRLP9737CA
UPC:
5060149622858
180g High Quality Pressing!
Re-mastering by Ray Staff at Air Mastering!


Released in 1997, Close Your Eyes was Stacey Kent's debut album and features David Newton on piano, Jim Tomlinson on tenor saxophone, Colin Oxley on guitar, Andrew Cleyndert on double bass, and Steve Brown on drums.

"It was one day in 1996 when a demo set turned up in my BBC post-bag, one of many that I receive in my capacity of jazz radio presenter. The singer’s name, Stacey Kent, was new to me, and the cassette sat on my desk for weeks taunting my conscience until, faced with a long car, I gathered it up with a variety of other tapes and transferred it to my car. On the road, it happened to be the first tape I picked up from the heap on the passenger seat – and the last. The singing held me riveted for the rest of the outgoing journey and throughout the return trip the next day. Now the invitation to write a note for this debut album calls upon me to analyze the cause of this rush of enthusiasm to the head.
"Let’s start with the “feel”. Stacey Kent grew up in New York, exposed to the music of Frank Sinatra, Nat “King” Cole, and the jazz masters of the Swing Era. Before she thought of adopting a singing career, she had come to love the repertoire of American popular song, much of which had been established decades before she was born. And it shows in every note she sings.
"The next stage in my analysis leads me to “style”, that elusive quality which identifies an artist’s handling of the subject matter. Many popular songs through the ages have survived as “standards” largely through the attention of jazz or jazz-influenced performers. To appreciate Stacey’s command of style, listen to “Day in, Day Out” and hear the natural ease with which she varies the recurring pattern of the song’s title.
"Swing, elegant variation, impeccable pitch and diction – these are all the stock in-trade of an accomplished jazz singer, and to combine them all is an achievement in itself. What makes Stacey Kent so remarkable is her “sound”. The voice itself is an impressive instrument, in pitch and timbre coming closer to Mildred Bailey than to her acknowledged idols, Billie Holiday and Ella Fitzgerald. Strong and clear, it has the invigorating tang of Vermouth.
"Of course, all the magic hitherto described could be subverted by inappropriate or insensitive accompaniment.
Stacey is richly served by her quintet here. The partnership between her voice and Jim Tomlinson’s tenor saxophone is sublime. The latter captures the spirit rather than the substance of Lester Young, whose way it was, not to expand a tune with complex harmonic exploration, but to probe for the essence of it. Listening to Jim’s solos such as in “Sleep Warm”, the irrelevant padding, no pressing need to launch into paraphrase until the moment is ripe.
"So perfect is the integration of the group as a whole that, as a rhythm section David Newton, Colin Oxley, Andy Cleyndert and Steve Brown respond with faultless sensitivity, born of experience, to the mood of each song. Solos everywhere are of the highest class, with “Dream Dancing” especially evoking intoxicating stuff from piano and guitar. For me, nothing sums up the rapport and cohesion of the team more concisely than the warmly relaxed Bossa nova treatment of “Close Your Eyes” - a shameless exercise in group seduction.
"I can’t conceive of a more auspicious debut than this."
- Humprey Lyttelton

"The demos, which arrived unannounced, became a champion of this New Jersey-born jazz singer. You can hear why, as she works through 11 less covered selections from the Great American Songbook, remarking in a Billboard interview 'With this album, I was trying to give a mixture of the things that people know and gems that got lost, songs that might get missed out of the great standard repertoire'. Wow, did it pay off." - Ken Kessler, Hi-Fi News, September 2019, Sound Quality: 90%

Features

  • Double LP
  • 180g Vinyl
  • Re-mastering by Ray Staff at Air Mastering, Lyndhurst Hall, London
  • Gatefold jacket
  • Made in the UK

Musicians

Stacey Kent vocals
Jim Tomlinson saxophone
Colin Oxley guitar
David Newton piano
Andrew De Jong Cleyndert bass
Steve Brown drums

Selections

Side A:

  1. More Than You Know
  2. Dream Dancing
  3. Close Your Eyes

Side B:

  1. There's A Lull In My Life
  2. It's Delovely
  3. There's No You

Side C:

  1. I'm Old Fashioned
  2. You Go To My Head
  3. Little White Lies

Side D:

  1. Sleep Warm
  2. Day In - Day Out
Description
180g High Quality Pressing!
Re-mastering by Ray Staff at Air Mastering!


Released in 1997, Close Your Eyes was Stacey Kent's debut album and features David Newton on piano, Jim Tomlinson on tenor saxophone, Colin Oxley on guitar, Andrew Cleyndert on double bass, and Steve Brown on drums.

"It was one day in 1996 when a demo set turned up in my BBC post-bag, one of many that I receive in my capacity of jazz radio presenter. The singer’s name, Stacey Kent, was new to me, and the cassette sat on my desk for weeks taunting my conscience until, faced with a long car, I gathered it up with a variety of other tapes and transferred it to my car. On the road, it happened to be the first tape I picked up from the heap on the passenger seat – and the last. The singing held me riveted for the rest of the outgoing journey and throughout the return trip the next day. Now the invitation to write a note for this debut album calls upon me to analyze the cause of this rush of enthusiasm to the head.
"Let’s start with the “feel”. Stacey Kent grew up in New York, exposed to the music of Frank Sinatra, Nat “King” Cole, and the jazz masters of the Swing Era. Before she thought of adopting a singing career, she had come to love the repertoire of American popular song, much of which had been established decades before she was born. And it shows in every note she sings.
"The next stage in my analysis leads me to “style”, that elusive quality which identifies an artist’s handling of the subject matter. Many popular songs through the ages have survived as “standards” largely through the attention of jazz or jazz-influenced performers. To appreciate Stacey’s command of style, listen to “Day in, Day Out” and hear the natural ease with which she varies the recurring pattern of the song’s title.
"Swing, elegant variation, impeccable pitch and diction – these are all the stock in-trade of an accomplished jazz singer, and to combine them all is an achievement in itself. What makes Stacey Kent so remarkable is her “sound”. The voice itself is an impressive instrument, in pitch and timbre coming closer to Mildred Bailey than to her acknowledged idols, Billie Holiday and Ella Fitzgerald. Strong and clear, it has the invigorating tang of Vermouth.
"Of course, all the magic hitherto described could be subverted by inappropriate or insensitive accompaniment.
Stacey is richly served by her quintet here. The partnership between her voice and Jim Tomlinson’s tenor saxophone is sublime. The latter captures the spirit rather than the substance of Lester Young, whose way it was, not to expand a tune with complex harmonic exploration, but to probe for the essence of it. Listening to Jim’s solos such as in “Sleep Warm”, the irrelevant padding, no pressing need to launch into paraphrase until the moment is ripe.
"So perfect is the integration of the group as a whole that, as a rhythm section David Newton, Colin Oxley, Andy Cleyndert and Steve Brown respond with faultless sensitivity, born of experience, to the mood of each song. Solos everywhere are of the highest class, with “Dream Dancing” especially evoking intoxicating stuff from piano and guitar. For me, nothing sums up the rapport and cohesion of the team more concisely than the warmly relaxed Bossa nova treatment of “Close Your Eyes” - a shameless exercise in group seduction.
"I can’t conceive of a more auspicious debut than this."
- Humprey Lyttelton

"The demos, which arrived unannounced, became a champion of this New Jersey-born jazz singer. You can hear why, as she works through 11 less covered selections from the Great American Songbook, remarking in a Billboard interview 'With this album, I was trying to give a mixture of the things that people know and gems that got lost, songs that might get missed out of the great standard repertoire'. Wow, did it pay off." - Ken Kessler, Hi-Fi News, September 2019, Sound Quality: 90%

Features

  • Double LP
  • 180g Vinyl
  • Re-mastering by Ray Staff at Air Mastering, Lyndhurst Hall, London
  • Gatefold jacket
  • Made in the UK

Musicians

Stacey Kent vocals
Jim Tomlinson saxophone
Colin Oxley guitar
David Newton piano
Andrew De Jong Cleyndert bass
Steve Brown drums

Selections

Side A:

  1. More Than You Know
  2. Dream Dancing
  3. Close Your Eyes

Side B:

  1. There's A Lull In My Life
  2. It's Delovely
  3. There's No You

Side C:

  1. I'm Old Fashioned
  2. You Go To My Head
  3. Little White Lies

Side D:

  1. Sleep Warm
  2. Day In - Day Out
ISBN
ASSOC
R
Genre
Jazz
If Can Be Discounted
YES
Discontinued
NO
Inventory
18.00
Construct
0
Dropship
0
Record Speed Record Size
12"
Artist
Stacey Kent
Title
Close Your Eyes
Composer
Additional Artists
Record Weight
180G
Record Speed
33RPM
Multi Channel
Stereo
1
Mono
Colored
Picture Disc
1/2 Speed
DMM
Out of Print
Sell Hold/Repressing
Direct to disc
Creation Date
05-16-2019
Release Date
12-20-2019
Availability
In Stock
Format
Vinyl
Scratch & Dent
0
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